Reha feels torn between two worlds: school, where she’s the only Indian American student, and home, with her family’s traditions and holidays. But Reha’s parents don’t understand why she’s conflicted - they only notice when Reha doesn’t meet their strict expectations. Reha feels disconnected from her mother, or Amma, although their names are linked - Reha means “star” and Punam means “moon” - but they are a universe apart. Then Reha finds out that her Amma is sick.

Welcome to the Home for Wayward and Misbegotten Creatures, an institution run by evil Miss Carbunkle, a cunning villainess who believes her terrified young charges exist only to serve and suffer. Part animal and part human, the groundlings toil in classroom and factory, forbidden to enjoy anything regular children have, most particularly singing and music. For the Wonderling, an innocent-hearted, one-eared, fox-like eleven-year-old with only a number rather than a proper name - a 13 etched on a medallion around his neck - it is the only home he has ever known.

Once upon a time, there was a girl named Maud who adored stories. When she was fourteen years old, Maud wrote in her journal, "I love books. I hope when I grow up to be able to have lots of them." Not only did Maud grow up to own lots of books, she wrote twenty-four of them herself as L. M. Montgomery, the world-renowned author of Anne of Green Gables. For many years, her lifelong struggles with anxiety and depression, her "year of mad passion" and her difficult married life were buried deep within her unpublished personal journals....

Zada is a camel with a treasure trove of stories to tell. She’s won camel races for the royal Pasha of Smyrna, crossed treacherous oceans to new land, led army missions with her best camel friend by her side, and outsmarted a far too pompous mountain lion. But those stories were from before. Now, Zada wanders the desert as the last camel in Texas. She’s not, however, alone. Two tiny kestrel chicks are nestled in the fluff of fur between her ears - kee-killy-keeing for their missing parents - and a dust storm the size of a mountain is taking Zada on one more grand adventure.

If F. Scott Fitzgerald was the hero of the Jazz Age, Edna St. Vincent Millay, as flamboyant in her love affairs as she was in her art, was its heroine. A winner of the Pulitzer Prize, Millay was dazzling in the performance of herself. Her voice was likened to an instrument of seduction, and her impact on crowds and on men was legendary. Yet beneath her studied act, all was not well.

Malian loves spending time with her grandparents at their home on a Wabanaki reservation. She’s there for a visit when, suddenly, all travel shuts down. There’s a new virus making people sick, and Malian will have to stay with her grandparents for the duration. Everyone is worried about the pandemic, but Malian knows how to keep her family and community safe: She protects her grandparents, and they protect her. She doesn’t go outside to play with friends, she helps her grandparents use video chat, and she listens to and learns from their stories.

Louisa May Alcott portrays a writer as worthy of interest in her own right as her most famous character, Jo March, and addresses all aspects of Alcott's life: the effect of her father's self-indulgent utopian schemes; her family's chronic economic difficulties and frequent uprootings; her experience as a nurse in the Civil War; and the loss of her health and frequent recourse to opiates in search of relief from migraines, insomnia, and symptomatic pain.

Winner of the 1982 National Book Award for Biography, Mornings on Horseback is the brilliant biography of the young Theodore Roosevelt. Hailed as a masterpiece by Newsday, it is the story of a remarkable little boy -- seriously handicapped by recurrent and nearly fatal attacks of asthma -- and his struggle to manhood.

Charles Dickens: A Life gives full measure to Dickens's heroic stature - his huge virtues both as a writer and as a human being - while observing his failings in both respects with an unblinking eye. Renowned literary biographer Claire Tomalin crafts a story worthy of Dickens's own pen, a comedy that turns to tragedy as the very qualities that made him great - his indomitable energy, boldness, imagination, and showmanship - finally destroyed him.

Biographers have consistently credited her father, Bronson Alcott, for Louisa May Alcott's professional success, assuming that this outspoken idealist was the source of her progressive thinking and remarkable independence. But in this riveting dual biography, Eve LaPlante explodes those myths, drawing on unknown and unexplored letters and journals to show that Louisa's "Marmee", Abigail May Alcott, was in fact the intellectual and emotional center of her daughter's world. It was Abigail who urged Louisa to write, who inspired many of her stories, and who gave her the support and courage she needed to pursue her path.

Hardy's work challenged sexual and religious conventions in a way that few other authors of the time dared. Though his modesty and kindness allowed some to underestimate him, or even to pity him, they did not prevent him from taking on the central themes of human experience: time, memory, loss, love, fear, grief, anger, death. This engrossing biography identifies the inner demons and the outer mores that drove Hardy and presents a complex portrait of one of the greatest figures in English literature.

Joy Davidman is known, if she is known at all, as the wife of C. S. Lewis. Their marriage was immortalized in the film Shadowlands and Lewis' memoir, A Grief Observed. Now, through extraordinary new documents as well as years of research and interviews, Abigail Santamaria brings Joy Davidman Gresham Lewis to your ears in the fullness and depth she deserves. A poet and radical, Davidman was a frequent contributor to the communist vehicle New Masses and an active member of New York literary circles in the 1930s and '40s.

Charlotte Brontë's life contained all the drama and tragedy of the great Gothic novels it inspired. Like Jane Eyre, she was raised motherless on remote Yorkshire moors and sent away to a brutally strict boarding school at a young age. Charlotte grew up and watched helplessly as, one by one, her five beloved siblings sickened and died; by the end of her short life, she was the only child of the Brontë clan remaining.

Marked by honesty, humility, and grace, rendered in the most elegant of prose, A Life of My Own is a portrait of a life, replete with joy and heartbreak. With quiet insight and unsparing clarity, Claire Tomalin writes autobiography at its most luminous, delivering an astonishing and emotionally taut masterpiece.

Herman Melville's epic novel, Moby-Dick, was a spectacular failure when it was published in 1851, effectively ending its author's rise to literary fame. Because he was neglected by academics for so long, and because he made little effort to preserve his legacy, we know very little about Melville, and even less about what he called his "wicked book". Scholars still puzzle over what drove Melville to invent Captain Ahab's mad pursuit of the great white whale.