
Side Jobs: Stories from the Dresden Files
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Narrado por:
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James Marsters
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De:
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Jim Butcher
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Harry is the best and technically the 'only' at what he does, being the lone professional wizard PI in the Chicago phonebook. So when the Chicago PD has cases that transcend mortal capabilities, they come to him for answers.
For the 'everyday' world is actually full of strange and magical things - and most of them don't play well with humans. Yet despite his precautions, Harry tends to stumble from crisis to drama in his dealings with the supernatural world - call it an occupational hazard.
Here, he unfailingly manages to get on the wrong side of werewolf, fae, and vampires alike. And that's where his own rather special powers come into play....
These bite-sized stories are tremendously entertaining and will leave you itching to explore more of Harry Dresden's world. And as well as eight short stories, this collection includes an all-new Dresden Files novella.
©2010 Jim Butcher (P)2010 Penguin AudioFeatured Article: 10 Dark Fantasy Adventures to Listen to After Impact Winter
So, you've binged all five hours of Travis Beacham's Impact Winter, and you're still hungry for more. Is this the dreaded vampire's curse? Fear not! Though Beacham's chilling near-future saga, about a group of postapocalyptic survivors holed up in the fallout shelter of a medieval castle with bloodthirsty creatures at their door, is definitely a one-of-a-kind experience, we rounded up more listens to satisfy your darkest cravings.
Just as good as Jim Butcher can
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Now, here are some facts: a good writer does not need to use sexual assault to raise the tension. Sexual assault, especially in its extremes, is arguably a crime more heinous than murder for the prolonged impact it causes victims. In a world where it was just fictional, and not in our reality, referencing it in literature to add a horror element would be slightly more acceptable. As it currently stands, it isn't, and the nicest way I can put it is this: an author that uses sexual assault as a structural plot element can for sure do better.
Obviously, it is not something that is encouraged in any way by the narrative, and it is very well the means of the bad guys to do damage to the world, but it is still distinctly in bad taste. It particularly felt so in Heorot, where it felt like it was handwaved away in almost dismissive fashion. There are also multiple plots involving emotional manipulation with a "roofie" effect which I very much put in the same category, and we have Thomas "orgasming" an enemy (that is established as non-human in a human body) to death. In short, something I find tolerable in the mainline (there is a layer of covertness to that when it comes to how Dresden generally writes The White Court) to be excessively overt and it is beyond distasteful, to point that it ruined the taste of the entire book for me. Which is a shame, as it is quite interesting outside of those parts.
Better than I thought, worse in ways I did not exp
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James Marsters does a terrific job portraying stories from other characters perspective than Dresden.
Great!
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The other characters in this book
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