Transgressive, foulmouthed, and brutally funny, Brontez Purnell’s 100 Boyfriends is a revelatory spiral into the imperfect lives of queer men desperately fighting the urge to self-sabotage. As they tiptoe through minefields of romantic, substance-fueled misadventure - from dirty warehouses and gentrified bars in Oakland to desolate farm towns in Alabama - Purnell’s characters strive for belonging in a world that dismisses them for being Black, broke, and queer. In spite of it - or perhaps because of it - they shine.

Suddenly jobless and single after a devastating layoff and a breakup with his cheating ex, advertising copywriter Dominick Gibson flees his life in Hell's Kitchen to try to get back on track in his hometown of Detroit. He’s got one objective—exit the shallow dating pool ASAP and get married by 35—and the deadline’s approaching fast.

Born under different stars—Mungo a Protestant and James a Catholic—they should be sworn enemies if they’re to be seen as men at all. Their environment is a hyper-masculine and sectarian one, for gangs of young men and the violence they might dole out dominate the Glaswegian estate where they live. And yet against all odds Mungo and James become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds.

Shawn Black seems to be a mild-mannered family man who loves music recitals, football games, and family outings. What observers don’t realize is that Shawn is living a life on both sides of the fence. He harbors dangerous secrets that could hurt his family. Shawn makes a mistake when he befriends James, a gold-digger with an agenda. Pushing Shawn head first into a life of lust and deception, he will get what he wants.

Everything that looks good isn't good for you. From the outside, Kevin Davis' world leaves nothing to be desired. It is a life of luxury, comfort, and money, but never judge a book by its cover. His pretend world hides the verbal, physical, and sexual abuse he endures at the hands of his perfect man. Passion Marks finds Kevin entangled in a dark web of love, violence, depravity, and torment at the hands of his lover, James Lancaster, the ambitious CEO of a rising Houston software firm. In order to free himself from the cycle of violence, Kevin must overcome his personal demons.

As Jacob lies dying, he begins to write a letter to his only son, Isaac. They have not met or spoken in many years, and there are things that Isaac must know. Stories about his ancestral legacy in rural Arkansas that extend back to slavery. Secrets from Jacob's tumultuous relationship with Isaac's mother and the shame he carries from the dissolution of their family. Tragedies that informed Jacob's role as a father and his reaction to Isaac's being gay.

To Collin Galloway, direction is a four-letter word. Sure, he hates his job, he hates living with his parents, and he really hates watching everyone move on without him. But he doesn’t know what he wants to do, long-term, and he won’t figure it out by thirsting over Jeremiah, the superhot, super-intense paramedic who is suddenly everywhere Collin looks.

Kraig Holmes is a hard-working independent contractor living in Baltimore. He’s an average guy - with one exception. A painful secret haunts him daily. Kraig had a one-time sexual experience with a man he knew little about. It propelled him into a lifestyle of promiscuity and an insatiable appetite for dangerous sex. When the guy disappeared into thin air, Kraig was left hurt and devastated.

Poet Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling. On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family’s history that began before he was born - a history whose epicenter is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation.

Samantha Irby’s career has taken her to new heights. She dodges calls from Hollywood and flop sweats on the red carpet at premieres (well, one premiere). But nothing is ever as it seems online, where she can crop out all the ugly parts. Irby got a lot of weird emails about Carrie Bradshaw, and not only is there diarrhea to avoid, but now—anaphylactic shock. She is turned away from restaurants for being inappropriately dressed and looks for the best ways to cope, i.e., reveling in the offerings of QVC and adopting a deranged pandemic dog.

Oscar is a sweet but disastrously overweight ghetto nerd who—from the New Jersey home he shares with his old world mother and rebellious sister—dreams of becoming the Dominican J.R.R. Tolkien and, most of all, finding love. But Oscar may never get what he wants. Blame the fukú—a curse that has haunted Oscar’s family for generations, following them on their epic journey from Santo Domingo to the USA.

Reese almost had it all: a loving relationship with Amy, an apartment in New York City, a job she didn't hate. She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.

From the founder and activist behind one of the largest movements of the 20th and 21st centuries, the "me too" movement, Tarana Burke debuts a powerful memoir about her own journey to saying those two simple yet infinitely powerful words - me too - and how she brought empathy back to an entire generation in one of the largest cultural events in American history.

On screen, Danny Trejo the actor is a baddie who has been killed at least a hundred times. He’s been shot, stabbed, hanged, chopped up, squished by an elevator, and once, was even melted into a bloody goo. Off screen, he’s a hero beloved by recovery communities and obsessed fans alike. But the real Danny Trejo is much more complicated than the legend.

Almost everything about Wallace is at odds with the Midwestern university town where he is working uneasily toward a biochem degree. An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends—some dating each other, some dating women, some feigning straightness.