The fifteenth century was a turbulent age: the Hundred Years War between England and France, and the Wars of the Roses dominated the lives of people both inside and out of the royal courts. Joan of Navarre, Katherine of Valois, Margaret of Anjou, Elizabeth Wydeville and Anne Neville were the queens who stood by England's sovereigns, caught up in wars that changed the course of their lives, and the course of history. They were also formidable women who defied the limitations of their times, often living out the brutal consequences of their determination.

In a saga reminiscent of Game of Thrones and The Last Kingdom, Battle for the Island Kingdom reveals the life-and-death struggle for power which changed the course of history. The six decades leading up to 1066 were defined by bloody wars and intrigues, in which three peoples vied for supremacy over the island kingdom. In this epic retelling, Don Hollway (The Last Viking) recounts the clashes of Vikings, Anglo-Saxons and Normans, their warlords and their conniving queens.

The imprisonment and execution of Queen Anne Boleyn, Henry VIII's second wife, in 1536 was unprecedented in English history and never before has there been a book devoted entirely to her fall. But here Alison Weir has reassessed the evidence and created a richly researched and detailed portrait of the last days of one of the most influential and important figures in English history.

Thomas Cromwell has long been reviled as a Machiavellian schemer who stopped at nothing in his quest for power. As Henry VIII's right-hand man, Cromwell was the architect of the English Reformation, secured Henry's divorce from Catherine of Aragon and plotted the downfall of Anne Boleyn, and upon his arrest, was accused of trying to usurp the King himself. But here Tracy Borman reveals a different side of one of the most notorious figures in history.

In a world where many kings, queens, and princes lacked nothing but true love, marital mismatches could bring out the baddest, boldest behavior in the bluest of bloodlines. Brimming with outrageous real-life stories of royal marriages gone wrong, this is an entertaining, unforgettable book of dubious matches doomed from the start.

A grieving mother calls out to her faraway son. A student forgoes the lurid appeal of dating apps in exchange for a painter’s love. The anonymous voices of queer native men converge amid violent eroticism. A man just out of prison balances the uneasy weight of family and freedom, while a professor returns home to conduct research only to be haunted by a dark specter. The stories and voices in Billy-Ray Belcourt’s debut story collection are buoyed by philosophical undergirding, poetic demand, and the complex relationship between aesthetics and ethics.

Emily has, by all appearances, a perfect life: a townhouse on Manhattan’s Upper East Side, two healthy children, and a husband who showers her with attention. But the truth is more complicated: Emily’s marriage is in trouble, her relationship with her parents is fraught, and she is still nursing a heartbreak from long ago. When Emily runs into her high school girlfriend at a cocktail party, that heartbreak comes roaring back. But Gen Hall is no longer the lanky, hungry kid with holes in her shoes who Emily loved in her youth.

It’s the summer of 1984 in Swaffham, Massachusetts, when Mel (short for Melanie) meets Sylvia, a tough-as-nails trans woman whose shameless swagger inspires Mel’s dawning self-awareness. But Sylvia’s presence sparks fury among her neighbors and throws Mel into conflict with her mother and best friend. Decades later, in 2019, Max (formerly Mel) is on probation from his teaching job for, ironically, defying speech codes around trans identity. Back in Swaffham, he must navigate life as part of a fractured family and face his own role in the disasters of the past.

Prize-winning historian Helen Castor delivers a compelling, eye-opening examination of women and power in England, witnessed through the lives of six women who exercised power against all odds—and one who never got the chance.

In Men at War, Turner looks beyond the increasingly retrogressive and jingoistic ideal of a Britain that never was to discover a much richer history. He goes inside the machines of war and strips away uniform cloth to discover the true depth and complexity of men of war as creatures of love, fear, hope and desire. From writers, filmmakers, artists and ordinary men - including those in his own family - Turner assembles a broad cast of characters to bring the war to life.

When Darby finds himself unemployed and in need of a fresh start, he moves back to the small Illinois town he left behind. But Oak Falls has changed almost as much as he has since he left. One thing is familiar: In Between Books, Darby’s refuge growing up and eventual high school job. When he walks into the bookstore now, Darby feels an eerie sense of déjà vu—everything is exactly the same. Even the newspapers are dated 2009. And behind the register is a teen who looks a lot like Darby did at sixteen. . . who just might give Darby the opportunity to change his own present for the better

Everything about Lilah Stohler is dark: her clothes, her mood, and her outlook on life and death. That last part is important because Lilah’s father has just retired and left her in charge of Stohler’s Funeral Home. But Abel Stohler knows his daughter’s comfort level rests “downstairs”, so he hires one Sparkle Lee Sink to help Lilah manage the living part of the business of death. Sparkle is everything that Lilah isn’t—an empathetic marketing whiz who is a true people person.

The conversation about masculinity, patriarchy, and misogyny has never been so prominent or heated. Alarmed by a new generation of angry, broken young men, genderqueer writer Jacob Tobia sets out to explore what’s going on and comes to a shocking conclusion: Emotionally and spiritually speaking, men and boys may be the ones suffering the most under the gender binary right now.

New York City, 1932: Eva Le Gallienne is trying to save her theatre company from the jaws of the Depression by mounting an innovative new production of Alice in Wonderland. She agrees to give a radio interview for the sake of publicity, but while revisiting the moments that shaped her career, she struggles with the need to keep a significant secret: she and her leading lady are in love. As Eva’s work careens toward catastrophe, she fights to preserve her dream of a people’s theatre—but will she destroy the people she loves in the process?

For years, Tommy Dorfman turned her back on her thoughts and emotions, hoping they’d simply go away. After a lifetime of confusion, she finally gained clarity around her gender and began to transition. But there were still parts of herself she’d locked away, elements of her story that she needed, for the first time, to fully confront. She sought guidance in a tarot deck. Maybe This Will Save Me is structured through the cards of that tarot pull.

Barnett Durang has a secret. No, not THAT secret. His widowed mother has long known he’s gay. The secret is Barnett is getting married. At his mother’s farm. In their small Louisiana town. She just doesn’t know it yet. It’ll be an intimate affair. Just two hundred or so of the most fabulous folks Barnett is shipping in from the “heathen coasts,” as Mom likes to call them, turning her quiet rescue farm for misfit animals into a most unlikely wedding venue.

Wyatt Wallace is a practical, super organized director of TV commercials. Biz Petterelli is a child-actor-turned-magazine-writer who thrives on spontaneity. Though polar opposites, they are fully committed to their relationship and their life in Brooklyn with their dog, Matilda. They’re also about to have a baby together. And they’re freaking out. They’ve both dreamed of becoming parents, but now that it’s happening, they’re doubting everything. Their baby is due in a few weeks and instead of flying to California just before the birth as planned, Biz has a better idea.

In No Son of Mine, Corcoran traces his messy estrangement from his mother through lost geographies as well as the lost relationships with friends and family and the sense of home that were stripped away when she said he was no longer her son. Through grief, anger, questioning, and growth, Corcoran explores the entwined yet separate histories and identities of his mother and himself.

In Ten Bridges I've Burnt, Brontez Purnell—the bard of the underloved and overlooked—turns his gaze inward. A storyteller with a musical eye for the absurdity of his own existence, he is peerless in his ability to find the levity within the stormiest of crises. Here, in his first collection of genre-defying verse, Purnell reflects on his peripatetic life, whose ups and downs have nothing on the turmoil within. The thirty-eight autobiographical pieces pulsing in Ten Bridges I've Burnt find Purnell at his no-holds-barred best.

From flamboyant relatives on Bewitched to closely-guarded secrets on All in the Family, from network-censor fights over Soap to behind-the-scenes activism on the set of The Golden Girls, from Ellen’s culture clash to Modern Family’s primetime power-couple, Hi Honey, I’m Homo! is the story not only of how subversive queer comedy transformed the American sitcom, from its inception through today, but how our favorite sitcoms transformed, and continue to transform, America.