In 1972, at the age of 21, John Callahan was involved in a car crash that severed his spine and made him a quadriplegic. A heavy drinker since the age of 12, the accident could have been the beginning of a downward spiral. Instead, it sparked a personal transformation. After extensive physical therapy, he was eventually able to grasp a pen in his right hand and make rudimentary drawings. By 1978, Callahan had sworn off drinking for good and begun to draw cartoons. Over the next three decades, Callahan would become one of the nation's most beloved cartoonists.

By turns heartbreaking, hilarious, and utterly human, The House of God is a mesmerizing and provocative journey that takes us into the lives of Roy Basch and five of his fellow interns at the most renowned teaching hospital in the country.

After 30 years of a healthy, rewarding, and exciting life, I wake up in a hospital bed unable to move. The neurosurgeon leans down and breaks the news: You won't regain any function in your body and you will never walk again. My medical insurance sends me home, discontinues my care, and tells me to "adapt to my new life". Little Big Steps is the story of the pivotal moments, interactions, and breakthroughs following the injury that turned my life upside down.

Journalist, presenter, broadcaster, husband, father, vigorous all-rounder – Alan Partridge – a man with a fascinating past and an amazing future. Gregarious and popular, yet Alan’s never happier than when relaxing in his own five-bedroom, south-built house with three acres of land and access to a private stream. But who is this mysterious enigma? Alan Gordon Partridge is the best – and best-loved – radio presenter in the region. Born into a changing world of rationing, Teddy Boys, apes in space and the launch of ITV, Alan’s broadcasting career began as chief DJ of Radio Smile....

By the age of 13, Lily Bailey was convinced she was bad. She had killed someone with a thought, spread untold disease, and ogled the bodies of other children. Only by performing an exhausting series of secret routines could she make up for what she'd done. But no matter how intricate or repetitive, no act of penance was ever enough. Beautifully written and astonishingly intimate, Because We Are Bad recounts a childhood consumed by obsessive compulsive disorder.

Julia Fox Garrison refused to listen to the professionals she called Dr. Jerk and Dr. Panic, who - after she suffered a massive, debilitating stroke at age thirty-seven - told her she’d probably die, or to Nurse Doom, who ignored her emergency call button. Instead she heeded the advice of kind, gifted Dr. Neuro, who promised her he would “treat your mind as well as your body.” Julia figured if she could somehow manage to get herself into a wheelchair, at least she’d always find parking. But after many, many months of hospitalization and rehab, Julia not only got into a wheelchair, but she got back out.

Richard Hammond describes his childhood and adolescence and the emergence of the adrenalin junkie, the first ridiculous stunts on his tricycle, and an increasing and near obsessive attraction to speed and the smell of petrol. He finds an attractive girl, Mindy, who shares his interests and helps him organise his high-speed life.

Michelle Williams, an attractive young woman with close family ties and an active social life, describes her first extraordinary year in her unusual new job as a mortuary technician. It’s a year in which, with innate good humour, she encounters death at its most tragic, bizarre, and hilarious. Her tale, neither gruesome nor sad, is enlivened by a range of colourful and eccentric characters, from pathologists and coroners to hospital porters and undertakers, giving us a glimpse of life - and death - that few of us will ever experience.

When Michael Collins decided to become a surgeon, he was totally unprepared for the chaotic life of a resident at a major hospital. A natural overachiever, Collins' success in college and medical school led to a surgical residency at one of the most respected medical centers in the world, the famed Mayo Clinic. But compared to his fellow residents, Collins felt inadequate and unprepared.

Getting in cabs, going to work, taking a shower... These routine activities are a lot harder to do with a catheter in my Little Richard. Why? Well, I tore two muscles in my beloved rooster and severed my urethra having casual sex. This is the funny/not-so-funny story of the accident, the recovery, and all the blood, pain, love, and philosophy in between. A score of people helped me pee, including my mother, as I shuffled around New York City tethered to a urination tube for a month.

In the summer of 1992, on the eve of an American tour, Ben Watt, one half of the Billboard-topping pop duo Everything but the Girl, was taken to a London hospital complaining of chest pain. He didn't leave for two and a half months. Watt had developed a rare life-threatening disease that initially baffled doctors. By the time he was allowed home, his ravaged body was 46 pounds lighter, and he was missing most of his small intestine.

A childhood accident robbed Vinnie of his memories, making him sensitive and anxious, and his difference soon attracted bullies. If it wasn’t for his family and his brother, Frank, Vinnie wouldn’t have survived. But as the boys grow up, and after the devastating loss of their parents, Vinnie finds himself increasingly involved in violent situations whenever he’s with Frank. When Vinnie is accused of a terrible crime and looks set for a long stretch behind bars, fragments of his memory start to return and he begins to unravel his past.

Connie Ramos is a Mexican American woman living on the streets of New York. Once ambitious and proud, she has lost her child, her husband, her dignity - and now they want to take her sanity. After being unjustly committed to a mental institution, Connie is contacted by an envoy from the year 2137, who shows her a time of sexual and racial equality, environmental purity, and unprecedented self-actualization. But Connie also bears witness to another potential outcome: a society of grotesque exploitation.

New York Times best-selling author Ian McEwan's novels have inspired sweeping critical acclaim and won such prestigious awards as the Booker Prize for Amsterdam and the National Book Critics Circle Award for his modern masterpiece, Atonement. With Saturday, McEwan has crafted perhaps his most unique achievement to date.

Shep Knacker has long saved for “The Afterlife”: an idyllic retreat to the Third World where his nest egg can last forever. Traffic jams on the Brooklyn-Queens Expressway will be replaced with “talking, thinking, seeing, and being” — and enough sleep. When he sells his business for a cool million dollars, his dream finally seems within reach. Yet his wife Glynis has concocted endless excuses why it’s never the right time to go.