If Vasily Grossman's 1961 masterpiece, Life and Fate, had been published during his lifetime, it would have reached the world together with Pasternak's Doctor Zhivago and before Solzhenitsyn's Gulag. But Life and Fate was seized by the Russian KGB. When it emerged posthumously, decades later, it was recognized as the War and Peace of the 20th century.

Kenneth Branagh stars in BBC Radio 4's ambitious eight-hour dramatisation of Life and Fate, Vasily Grossman's epic masterpiece set during the Battle of Stalingrad. This powerful work, completed in 1960, charts the fate of both a nation and a family in the turmoil of war. Its comparison of Stalinism with Nazism was considered by Soviet authorities to be so dangerous that the KGB placed the manuscript under arrest and Grossman was informed his book would not be published for at least 200 years.

Using, or rather mimicking, traditional forms of storytelling, Gogol created stories that are complete within themselves and only tangentially connected to a meaning or moral. His work belongs to the school of invention, where each twist and turn of the narrative is a surprise unfettered by obligation to an overarching theme.

In November 1941, Hitler ordered German forces to complete the final drive on the Soviet capital, now less than 100 kilometers away. Army Group Center was pressed into the attack for one last attempt to break Soviet resistance before the onset of winter. From the German perspective, the final drive on Moscow had all the ingredients of a dramatic final battle in the east, which, according to previous accounts, only failed at the gates of Moscow.

A masterpiece of the surreal that influenced a generation of writers in Latin America, Pedro Páramo is the otherworldly tale of one man’s quest for his lost father. That man swears to his dying mother that he will find the father he has never met—Pedro Páramo—but when he reaches the town of Comala, he finds it haunted by memories and hallucinations. There emerges the tragic tale of Páramo himself, and the town whose every corner holds the taint of his rotten soul.

Throughout the war on the Eastern Front, there were two consistent trends. The Red Army battled to learn how to fight and win, while involved in a struggle for its very survival. But by 1944 it had a leadership that was able to wield it with lethal effect and with far more effective equipment than before. By contrast, the Wehrmacht had commenced a slow process of decline after the invasion of the Soviet Union. Hitler became increasingly unwilling to delegate decision-making to commanders in the field, which had been crucial to earlier success.

Bulgakov’s first full-length novel is set in the harsh and chaotic winter of 1918-19, as power struggles start to play out with brutal consequences. Echoing Tolstoy’s approach in War and Peace, Bulgakov contrasts the concerns of domestic life with the wide-ranging and destructive historical events; but where Tolstoy’s structure is clear, Bulgakov interweaves narrative, details of military action, snatches of songs, dreams, dialogue and fragments of thought to capture this swirl of confusion on every level.

During the long, hot summer of 1900, young Leo Colston is invited to stay for a month at a lordly, aristocratic manor in Norfolk. There he falls in love with his friend's older sister, who commissions him to ferry secret messages to the local farmer, her lover. His naiveté sustains their affair until ultimately leading to an event that will change their lives irrevocably.

MI6's man in Havana is Wormold, a former vacuum-cleaner salesman turned reluctant secret agent out of economic necessity. To keep his job, he files bogus reports based on Charles Lamb's Tales from Shakespeare and dreams up military installations from vacuum-cleaner designs. Then his stories start coming disturbingly true....

In 1940, the German army fought and won an extraordinary battle with France in six weeks of lightning warfare. With the subtlety and compulsion of a novel, Horne's narrative shifts from minor battlefield incidents to high military and political decisions, stepping far beyond the confines of military history to form a major contribution to our understanding of the crises of the Franco-German rivalry.

At a huge cost, the Red Army and the civilian population of Leningrad ultimately endured a bitter 900-day siege, struggling against constant bombing, shelling, and starvation. Throughout the siege, Soviet forces tried to break the German lines and restore contact with the garrison. To Besiege a City charts the first of these offensives which began in January 1942 and was followed by repeated assaults.

Making use of the extensive memoirs of German and Russian soldiers to bring their story to life, the narrative follows on from On A Knife's Edge, which described the encirclement and destruction of the German Sixth Army at Stalingrad and the offensives and counter-offensives that followed throughout the winter of 1942-43.

My Struggle: Book One introduces American listeners to the audacious, addictive, and profoundly surprising international literary sensation that is the provocative and brilliant six-volume autobiographical novel by Karl Ove Knausgaard. It has already been anointed a Proustian masterpiece and is the rare work of dazzling literary originality that is intensely, irresistibly readable.

"Good-Bye to All That: An Autobiography" by Robert Graves is a seminal work that vividly captures the harrowing experiences of a young British officer during World War I.

In February 1944, in one of the most astonishing battles of World War II, a ragtag collection of British clerks, drivers, doctors, muleteers, and other base troops, stiffened by a few dogged Yorkshiremen and a handful of tank crews, managed to defeat a much larger and sophisticated contingent of some of the finest infantry in the Japanese army on their march toward India.

Kenneth Branagh stars in BBC Radio 4's ambitious eight-hour dramatisation of Life and Fate, Vasily Grossman's epic masterpiece set during the Battle of Stalingrad. This powerful work, completed in 1960, charts the fate of both a nation and a family in the turmoil of war. Its comparison of Stalinism with Nazism was considered by Soviet authorities to be so dangerous that the KGB placed the manuscript under arrest and Grossman was informed his book would not be published for at least 200 years.

A two-part radio dramatisation of Vasily Grossman's dark, honest account of the Battle of Stalingrad; a prequel to Life and Fate - plus Stalingrad: Destiny of a Novel. With this astonishing prequel published in its first ever English translation by Richard and Elizabeth Chandler, we are transported back to the very beginning of Vasily Grossman’s panoramic tale, as the ‘harsh whirlwind’ of war approaches the city of Stalingrad.

In August 1942, an overconfident Adolf Hitler would attempt to invade Stalin's namesake city on the Volga. The battle of Stalingrad is extraordinary in every way: the triumphant invader fought to a standstill; then the Soviet trap sprung, surrounding their attackers; and the terrible siege, with Germans starving and freezing, forced to fight on by a disbelieving Hitler.

Vasily Grossman, author of Life and Fate, was transformed by his experiences as a war correspondent. Following the shock invasion of the Soviet Union in June 1941, Grossman volunteered for front line duty. Declared unfit for active service he was assigned to Red Star newspaper as a special correspondent. In these BBC Radio programmes, Elliot Levey reads three of Vasily Grossman's front line despatches.

If Vasily Grossman's 1961 masterpiece, Life and Fate, had been published during his lifetime, it would have reached the world together with Pasternak's Doctor Zhivago and before Solzhenitsyn's Gulag. But Life and Fate was seized by the Russian KGB. When it emerged posthumously, decades later, it was recognized as the War and Peace of the 20th century.

On August 5, 1942, giant pillars of dust rose over the Russian steppe, marking the advance of the 6th Army, an elite German combat unit dispatched by Hitler to capture the industrial city of Stalingrad and press on to the oil fields of Azerbaijan. The Germans were supremely confident; in three years, they had not suffered a single defeat. The Luftwaffe had already bombed the city into ruins. German soldiers hoped to complete their mission and be home in time for Christmas.

Germany's winter campaign of 1941-1942 has commonly been seen as its "first defeat". In Retreat from Moscow, David Stahel argues that, in fact, it was its first strategic success in the east. Though the Red Army managed to push the Wehrmacht back from Moscow, the Germans lost far fewer men (one to six), frustrated their enemy's strategic plan, and emerged in the spring unbroken and poised to recapture the initiative.

Mansur Abdulin fought in the front ranks of the Soviet infantry against the German invaders at Stalingrad, Kursk, and on the banks of the Dnieper. This is his extraordinary story. His vivid firsthand account of a ruthless war on the Eastern Front gives rare insight into the reality of the fighting and into the tactics and mentality of the Red Army's soldiers.

The battle of Verdun lasted ten months. It was a battle in which at least 700,000 men fell, along a front of fifteen miles. Its aim was less to defeat the enemy than bleed him to death and a battleground whose once fertile terrain is even now a haunted wilderness. Alistair Horne's classic work, continuously in print for over fifty years, is a profoundly moving, sympathetic study of the battle and the men who fought there. It shows that Verdun is a key to understanding the First World War.

In November 1941, Hitler ordered German forces to complete the final drive on the Soviet capital, now less than 100 kilometers away. Army Group Center was pressed into the attack for one last attempt to break Soviet resistance before the onset of winter. From the German perspective, the final drive on Moscow had all the ingredients of a dramatic final battle in the east, which, according to previous accounts, only failed at the gates of Moscow.

Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.

The battle of Stalingrad was the turning point of World War II. The German capture of the city, their encirclement by Soviet forces shortly afterwards, and the hard-fought but futile attempts to relieve them, saw bitter attritional fighting and extremes of human misery inflicted on both sides. In this title, a renowned expert on warfare on the Eastern Front reveals the often-overlooked German counteroffensive post-Stalingrad, and how it prevented the whole Axis front line from collapsing.

Comic, ironic, grotesque, disturbingly poetic in its use of language, and profoundly sorrowful, Chevengur—here published in a new English translation based on the most authoritative Russian text—is the most ambitious of the extraordinary novels that the great Andrey Platonov wrote in the 1920s and 1930s

Prit Buttar retraces the ebb and flow of the various battles and campaigns fought throughout the Ukraine and Romania in 1944. January and February saw Army Group South encircled in the Korsun Pocket. Although many of the encircled troops did escape, in part due to Soviet intelligence and command failures, the Red Army would endeavour to not make the same mistakes again. Indeed, in the coming months the Red Army would demonstrate an ability to learn and improve, reinventing itself as a war-winning machine, demonstrated clearly in its success in the Iasi-Kishinev operation.

Quando Pëtr Vavilov, un giorno del 1942, vede la giovane postina attraversare la strada con un foglio in mano, puntando dritto verso casa sua, sente una stretta al cuore. Sa che l’esercito sta richiamando i riservisti. È il fiume della Storia, che sta per esondare e che travolgerà tutto e tutti: lui, Vavilov, la sua famiglia, e la famiglia degli Šapošnikov – raccolta in un appartamento a Stalingrado per quella che potrebbe essere la loro "ultima riunione" –, e gli altri indimenticabili personaggi di questo romanzo sconfinato, dove si respira l’aria delle grandi epopee.