On a bright spring afternoon, Ciara Fay makes a split-second decision that will change everything. Grabbing an armful of clothes off the clothesline, she straps her two young daughters into her car and drives away. Head spinning, all she knows for certain is that home is no longer safe—and that this time, when she leaves, she must stay away. On the surface, she has a perfect life: her husband, Ryan, is a good provider, sometimes even kind and attentive, from a nice Irish family, and they have another baby on the way.

Yiyun Li’s remarkable, defiant work of radical acceptance as she considers the loss of her son James. Things in Nature Merely Grow is a testament to Li’s indomitable spirit.

Sad Tiger is built on the facts of a series of devastating events. Neige Sinno was seven years old when her stepfather started sexually abusing her. At nineteen, she decided to break the silence that is so common in all cultures around sexual violence. This led to a public trial and prison for her stepfather, and Sinno started a new life in Mexico.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day–partner, parent, creator, muse–and the truths every performance masks, especially from those who think they know us most intimately.

Ukraine, 2022. Yeva is a loner and a maverick scientist who lives out of her mobile lab. She scours the country’s forests and valleys, trying and failing to breed rare snails, while her relatives urge her to settle down and finally start a family of her own. What they don’t know: Yeva already dates plenty of men—not for love, but to fund her work—entertaining Westerners who come to Ukraine on guided romance tours believing they’ll find docile brides untainted by feminism and modernity.

On the eve of the Nazi occupation, in the heart of Brussels, life for the residents of 33 Place Brugmann is about to change forever. Charlotte Sauvin, an art student raised by her beloved architect father in apartment 4L, knows all the details of the building and its people: how light falls on wood floors and voices echo off the marble staircase, the distinct knock of her dear friend, Julian Raphaël, the son of the art dealer’s family across the hall. Then the Raphaëls disappear, leaving everything behind but their priceless art collection, which has simply vanished.

In twelve luminous stories set across three centuries, The History of Sound examines the unexpected ways the past returns to us and how love and loss are entwined and transformed over generations. In Ben Shattuck's ingenious collection, each story has a companion story, which contains a revelation about the previous, paired story. Mysteries and murders are revealed, history is refracted, and deep emotional connections are woven through characters and families.

Burnt out and in need of retreat, a middle-aged woman leaves Sydney to return to the place she grew up, taking refuge in a small religious community hidden away on the stark plains of rural Australia. She doesn't believe in God, or know what prayer is, and finds herself living this strange, reclusive existence almost by accident.

New York City, late September 2001. The walls of the city are papered over with photos of the missing. Cora Brady’s father is there, the poster she made taped to columns and bridges. When a letter arrives from an aunt she didn’t know existed in Ireland with the offer of a new life, the name jogs a memory: an old videocassette game Cora used to play as a child where two sisters must save the students of a mysterious boarding school.

When Nadia Amin, a witty and bighearted PhD, publishes an article on deradicalization, everything changes. The United Nations comes calling with an opportunity to put her theory into practice and lead a rehabilitation program for women caught in the crosshairs of harmful ideology. And why not? Abandoned by her mother and devastated by unrequited love, she leaps at the chance.

In November 1999, Joan Didion began seeing a psychiatrist because, as she wrote to a friend, her family had had “a rough few years.” She described the sessions in a journal she created for her husband, John Gregory Dunne. For several months, Didion recorded conversations with the psychiatrist in meticulous detail. The initial sessions focused on alcoholism, adoption, depression, anxiety, guilt, and the heartbreaking complexities of her relationship with her daughter, Quintana. The subjects evolved to include her work, which she was finding difficult to maintain for sustained periods.

From “the great German-language writer of his generation” (Joshua Cohen) comes the second novel of Christian Kracht’s career narrated by an eponymous “Christian”. Eurotrash begins in Zurich, where Christian has returned to care for his 80-year-old mother after her discharge from a psychiatric institution. Confronting the dark shadows of his family’s past—particularly his grandfather’s strong ties with the Nazi regime—and struggling to navigate the emotionally wrenching terrain of his relationship with his mother, he sets off on a road trip with her.

Abe Winter and Ruth Warneke were never meant to be together—at least if you ask Ruth. Yet their catastrophic blind date in college evolved into a seventy-year marriage and a life on a farm on Bainbridge Island with their hens and beloved Labrador, Megs. Through the years, the Winters have fallen in and out of lockstep, and from their haunting losses and guarded secrets, a dependable partnership has been forged.

What happened to feminism in the twenty-first century? This question feels increasingly urgent after a period of cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert identifies an inflection point in the late 1990s and early 2000s, when the energy of third-wave and “riot grrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization.

In the heart of the Maine woods, an experienced Appalachian Trail hiker goes missing. She is forty-two-year-old Valerie Gillis, who has vanished 200 miles from her final destination. Alone in the wilderness, Valerie pours her thoughts into fractured, poetic letters to her mother as she battles the elements and struggles to keep hoping. At the heart of the investigation is Beverly, the determined Maine State Game Warden tasked with finding Valerie, who leads the search on the ground.

England, 1979. Vincent, Lawrence and William are the last remaining residents of a secluded New Forest home, part of the government's Sycamore Scheme. Every day, the triplets do their chores, play their games and take their medicine, under the watchful eyes of three mothers: Mother Morning, Mother Afternoon and Mother Night.

Vivian Yin is dead. The first Chinese actress to win an Oscar, the trailblazing ingénue rose to fame in the eighties, only to disappear from the spotlight at the height of her career to live out the rest of her life as a recluse. Now her remaining family members are gathered for the reading of her will, and her daughters expect to inherit their childhood home: Vivian’s grand, sprawling, Southern California garden estate. But due to a last-minute change to the will, the house is passed on to another family instead—one that has suddenly returned after decades of estrangement.

From the author of The End We Start From, now a major film starring Jodie Comer, and taking inspiration from the influential artists and intellectuals of the Bloomsbury Group, Days of Light is a sweeping, sensual historical novel of art, desire, and faith set against the backdrop of a changing England.

Cape Town, 2028. The land cracks from a years-long drought, the nearby mountains threaten to burn, and the queue for the water trucks grows ever longer. In her crumbling corner of a public housing complex, Deidre van Deventer receives a call from the South African police. Her family home, recently reclaimed by the government, has become the scene of a criminal investigation. The remains of several bodies have just been unearthed from her land, after decades underground.

It's 1973 and Mona Glass is a 24-year-old amateur tennis star in a long-running affair with Saul Plotz, her former college professor. Her parents like Saul and desperately want the free-spirited Mona to marry. But 34-year-old Saul already has a wife and two children. One day, Saul happens on an idea: stage a fake wedding for the benefit of her old world parents, invite a few friends in on the joke, and go about their lives. The ruse works. Except Saul realizes he actually wants to marry Mona, who vows never to permanently tie herself to a man.

A cinematic and unforgettable debut novel, Gulf casts a harsh desert light on often overlooked stories from the Arabian Gulf through the voices of five diverse women whose lives collide with devastating and profound consequences. Written with unsettling intimacy and determined empathy, Gulf exposes the stark realities of what happens when a woman’s agency is stripped away and asks how far we will go in order to survive.

Dash, a reporter in Monterey, California, is desperate to outrun his past. During the day, he investigates the reemergence of a long-dormant serial killer. At night, he has become entangled with a criminal cult that promises a pill to erase his traumatic memory. But as Dash begins to lose his memories—and his sense of self—he discovers a dark secret about the cult, one that would horrify its members. And soon he finds himself in a race against time to evade the cult, unveil the killer, and reconcile his past before his own memories fade away ...

In the nineties, Lydia was one half of a teen pop group. Their image was sexy, edgy, girly yet 'in control.' The reality was very different. Now, thirty years later, with #MeToo revelations a daily reality, a famous ex-lover resurfaces with a slick, self-serving apology, demanding forgiveness. Suddenly, Lydia is overwhelmed with memories of a harmful time in her life that refuses to leave her in peace.

Four wine experts, each at a crucial point in their lives, arrive at a French vineyard estate for an unforgettable experience—but not the kind they expected. Avery gave up her hard-won but exploitative sommelier job to come, while wine prodigy Cosmo is trying to disguise that his life is in freefall. The chemistry between the pair is unmistakable, but so are the signs of danger. Millionaire Sonny owns a tacky wine brand and can’t help aggravating Cosmo, while caustic magazine writer Maëlys hovers with her pen poised.

It’s another scorching summer in Chicago, and fifteen-year-old Margarita is spending her vacation as usual, under the not-so-watchful eyes of her aging maternal grandparents. All told, the plucky teen would much rather be at home in Germany, exploring Berlin with her best friend, Anna, or with Avi, her doting Israeli father, a cantor at their local synagogue with whom she has shared a special bond ever since her mother, Marsha, abandoned the family. Instead, she’s stuck halfway around the world, homesick and tortured by the sound of her grandparents’ chewing.

Leah Lockhart is proudly science-minded and woo-woo averse. But the life she’s carefully curated is knocked suddenly off course, first by a destabilizing case of vertigo, and then by an astrology reading that claims she’s living way out of line with what was written in her stars.

Since the weekend of the party—the one twenty-two-year-old Liv can’t remember, the one that left her covered in bruises—she’s been locked out of her bedroom by a padlock. Her parents are behaving oddly and her best friend won’t respond to her texts. Maybe she really was out of control that night? Meanwhile Liv’s father, Janus, is not sure he can do what is necessary to keep this secret hidden. He brought his family from Australia to Los Angeles to chase his dream of seeing his novel on the big screen, and he can’t let them down. Not again.

When a minor criminal is murdered in the smallest residential square in London, elderly heiress and landlady Celeste van Duren recruits two of her tenants to investigate. Her cleaner, Audrey, knows everyone and is liked by all, while failed writer Lewis is known by no one. He hates his job, hates his life, and he’s not that fond of Audrey either—but Celeste is persuasive. As they hunt for clues in and around the Square, they discover everyone has something to hide, including their fellow residents. Audrey and Lewis must find a way to work together if they’re to find the killer in their midst.

On a bright spring afternoon, Ciara Fay makes a split-second decision that will change everything. Grabbing an armful of clothes off the clothesline, she straps her two young daughters into her car and drives away. Head spinning, all she knows for certain is that home is no longer safe—and that this time, when she leaves, she must stay away. On the surface, she has a perfect life: her husband, Ryan, is a good provider, sometimes even kind and attentive, from a nice Irish family, and they have another baby on the way.

It’s 1989, and Joe Agabian and his best friend Ronnie set out to spend their first summer working in the hedonistic gay paradise of Fire Island Pines. Joe is desperate to let loose and finally move beyond the heartbreak of having lost his boyfriend to the HIV/AIDS epidemic. The two friends are quickly taken in by a pair of quirky, older house cleaners. But something seems off, and Joe starts to suspect the two older men of being up to something otherworldly. In truth, Howie and Lenny are members of a secret disco witch coven tasked with protecting the island.