
The Cossacks
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Narrado por:
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David Thorn
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De:
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Leo Tolstoy
Acerca de esta escucha
Tolstoy's first novel and acknowledged as one of his best. The Cossacks is based on Tolstoy's own forays into the Caucasus, abandoning his aristocrat life of gambling and carousing in Moscow and volunteering to be attached to the regular army. Leo Tolstoy's firsthand insight to the magnificent landscape and the colorful Cossack way of life is lushly descriptive, in a text translated from his manuscript by close friends.
Olenin is an aimless young nobleman who is disenchanted with city life. Taking a post as a Cadet in the army, he finds himself assigned to the remote Cossack outpost in the Caucasus. It is here, among the Tatars, the Chechens, and the Old Believers, that he will fall in love with a beautiful Cossack girl. The only problem is that she is promised to a Cossack warrior.
In the setting of what is present-day Kazakhstan, Tolstoy examines two psychological problems. The first is the dilemma of a young man who desires both fulfilling love and a place as a respected member of society. The other is the difficulty of a primitive society to accept domination by a higher culture that has no understanding of the traditions it asks its colonists to cast aside.
Leo Tolstoy (1828–1910) was born in 1828 about two hundred miles from Moscow. His mother died when he was two, his father when he was nine. His parents were of noble birth, and Tolstoy remained acutely aware of his aristocratic roots, even when he later embraced doctrines of equality and the brotherhood of man. After serving in the army in the Caucasus and Crimea, where he wrote his first stories, he traveled and studied educational theories.
In 1862 he married Sophia Behrs and for the next fifteen years lived a tranquil, productive life, finishing War and Peace in 1869 and Anna Karenina in 1877. In 1879 he underwent a spiritual crisis. Tolstoy then sought to propagate his beliefs on faith, morality, and nonviolence, writing mostly parables, tracts, and morality plays. He died of pneumonia in 1910 at the age of eighty-two.
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Dmitry Andreich Olenin, in the hope of escaping the hollowness of his privilege, joins the army and heads to the Caucasus. There among the foothills he will meet the Cossacks: a people he considers to be at one with the land. In their company he will hunt, he will drink, he will fall in love and, slowly, he will begin to understand that between people, between cultures, there is often a space that cannot be traversed.
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Tolstoy based Resurrection, the last of his novels, on a true story of a philanderer whose misuse of a beautiful young orphan girl leads to her ruin. Fate brings the two together many years later, and the meeting awakens the man's moral conscience. Anger, intimacy, forgiveness, and grace result.
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General
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Tolstoy’s autobiographical essay is a dissection of his soul, a study of his life’s movement away from the religious certainties of youth, and a vital piece of reading which contextualizes the great works he is best known for. Marking the point at which his life moved from the worldly to the spiritual, Tolstoy’s philosophical reassessment of the Orthodox faith is a work that holds vital spiritual and intellectual importance to this very day.
-
-
Wow
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General
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Narración:
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Historia
Dmitry Andreich Olenin, in the hope of escaping the hollowness of his privilege, joins the army and heads to the Caucasus. There among the foothills he will meet the Cossacks: a people he considers to be at one with the land. In their company he will hunt, he will drink, he will fall in love and, slowly, he will begin to understand that between people, between cultures, there is often a space that cannot be traversed.
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- Duración: 13 h y 1 m
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General
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Narración:
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Historia
Mikhail Sholokhov’s groundbreaking epic novel gives a sweeping depiction of Russian life and culture in the early 20th century. In the same vein as War and Peace, by Leo Tolstoy, And Quiet Flows the Don gives listeners a glimpse into many aspects of Russian culture, and the choices a country makes when faced with war and destruction.
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Do not buy this version!
- De Liam Foley en 11-27-20
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The Cossacks
- De: Leo Tolstoy
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- Duración: 7 h y 2 m
- Versión completa
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General
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Narración:
-
Historia
Dissolute, disenchanted Dmitri Olénin decides to join the army as a cadet and is despatched to the Caucasus. There, he is transformed by seeing how the indigenous people live in harmony with nature, how their lives have more meaning than those of the superficial social elite in Moscow, and he finds a new sense of self and purpose. But nothing is ever quite that simple.
Love and loyalty are tested to the very limits in this semi-autobiographical novella, which is one of Tolstoy’s best-loved works.
-
-
A surprisingly quiet story
- De Tad Davis en 03-10-13
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Historia
War and Peace is one of the greatest monuments in world literature. Set against the dramatic backdrop of the Napoleonic Wars, it examines the relationship between the individual and the relentless march of history. Here are the universal themes of love and hate, ambition and despair, youth and age, expressed with a swirling vitality which makes the book as accessible today as it was when it was first published in 1869.
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A Truly Great Book and a Truly Astounding Narrator
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Cossacks
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If you’ve never read Tolstoy, this is a superb place to start — much less daunting than his famous epics.
If you have read some Tolstoy, this should be high on your list of must-reads from his extensive bibliography.
I am not especially fond of 19th century literature (though I’ve read a lot of it), and Tolstoy is one of the few timeless novelists from that century. His insights, sentiments, and plot structures still feel modern, and his prose is not overwrought in a way that makes it feel dated.
This novel is arguably the first of his “greatest period” culminating in War & Peace and Anna Karenina. I realize that’s a debatable distinction, since he produced thoughtful works of literature in all the phases of his life, but for those who are just looking for a place to start, or who aren’t looking for “super deep cuts,” this novel is worth your consideration and time.
Personally, I much prefer “The Cossacks” to two of his other shorter works that are more often recommended — “The Death of Ivan Ilyich” (a touch boring) or “The Sebastopol Sketches” (innovative and insightful but not very cohesive).
By comparison, The Cossacks is an engaging story that is seamlessly constructed from start to satisfying finish, and it gives you an authentic taste of the talents he will bring to bear on a grander scale in his two epics.
“Daddy Eroshka” is a particular bright spot, though he’s only a supporting character who would be 4th on the cast list — a memorable and touching blend of Thoreau and Hemingway, for an anachronistic analogy. Eroshka’s persistent influence from the background of the main story arc might just be the finest part of this novel.
An excellent, lesser-known Tolstoy work
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“Suddenly he saw, about twenty paces away as it seemed to him at first glance, pure white gigantic masses with delicate contours, the distinct fantastic outlines of their summits showing sharply against the far-off sky. When he had realized the distance between himself and them and the sky and the whole immensity of the mountains, and felt the infinitude of all that beauty, he became afraid that it was but a phantasm or a dream. He gave himself a shake to rouse himself, but the mountains were still the same.”
Tolstoy then introduces the local inhabitants, the Grebensk Cossacks, who live in a village near the Terek River, across which live their rivals, the Muslim Tartars (Chechens), with whom they are continuously engaged in small scale horse-trading, raiding, and ambushing. The Cossacks are Old Believer Christians, free-spirited, down-to-earth, and feisty, close to nature, poor in material things but rich in passion and pride. They feel more akin to and respectful of their Islamic enemies across the river (and speak a lot of their Tartar language) than of their Russian allies whom they must billet in their villages.
Tolstoy develops his story by depicting the developing relationships between three Cossacks and Olenin. Taking the Russian under his muscular wing is Daddy Eroshka, a “solitary and superannuated,” powerfully-built, seventy-something guy who loves nothing better than hunting, drinking, gossiping, mooching, and boasting about his youthful exploits. Marianka, the young daughter of the village cornet in whose house Olenin is lodging, is a masculine girl who strikes Olenin as being as beautiful and inaccessible as the mountains and becomes his Cossack muse. And Rukashaka, the most dashing, plucky, and handsome of the young Cossacks, becomes Olenin’s unacknowledged rival. There are many neat moments: Olenin going hunting, being swarmed by mosquitoes, and having an epiphany about the best way to live; Daddy Eroshka wondering why Russians are so well educated but never know anything or explaining to Olenin why animals are at least as wise as people; Marianka cracking seeds, harvesting grapes or perching atop the stove; Rukashaka waiting in ambush or communicating with his deaf and dumb sister.
Tolstoy is not telling a page-turning, action-packed adventure story! With two notable exceptions, every scene of violent action happens off-stage, and most of the “action” consists of people drinking and talking as Tolstoy evokes Cossack culture (poised as it was between the Tartars and Russians in the fertile and sublime mountains), and to examine Olenin’s heart in that context. Will he forever remain an outsider? Will he learn what love is, or how to be happy in life?
David Thorn reads the novel with enthusiasm, irony, and clarity, and, fortunately, doesn’t try to make female voices sound female. Unfortunately, this audiobook production is damaged by two flaws: the end of each chapter is signaled by some pseudo “Russian” music that sounds like a digital guitar or harpsichord from a low-budget fantasy computer game, and the number of each new chapter is announced by a horribly syrupy, buttery, and American-sounding woman’s voice, and there are 42 of the durn things in this short novel. An awful mood-breaker. Oh, and the cover picture has egregiously little to do with the content of the novel.
The Cossacks is a perfect book to begin an acquaintance with Tolstoy, because it’s short and is accessible, filled with the psychological and philosophical insights of his longer tomes, but set in an exotic place and told with a more humorous tone.
A Fool’s Guide to Happiness
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Excellent snapshot of time
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Казаки
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Sounded very English.
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This minor masterpiece is full of Tolstoy's fascination with the Cossacks (both men and women) and the Chechen braves (abreks), his love of the mountains, rivers, and flora and fauna of the Caucuses. There is part of it that reminded me a lot of an early Hemingway novel: a war, women, real men, horses and lots of food and drink. Again, if you've read 'War & Peace' and 'Anna Karenina' and are looking for another good Tolstoy, this is a solid piece (it happened to be Turgenev's favorite Tolstoy novel).
The major problem with this audiobook is the audio quality. The transitions (I think its a balalaika) is too loud and doesn't quite work. The narrator sounds distant and muffled like he read the entire novel with a 20 gallon paint gallon on his head. I got through it, but didn't really enjoy the novel like I hoped to because of the quality of the audio.
Tolstoy masterpiece is wounded by terrible audio
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As other reviewers have said, the cheesy MIDI music at the end of the chapter is irritating, but it’s bearable.
The regionalisation of accents/language patterns from Russia to the UK is necessary because it conveys class differences that simply couldn’t be reproduced (or couldn’t be reproduced without it being a total disaster) in, say, US or Canadian English.
Interesting story
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Great Performance of Tolstoy
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