When Fred Carpenter suggests to his wife, Sally, that they should take a boating holiday on the Norfolk Broads, she is filled with trepidation. Nevertheless she summons her courage and they and their bull-terrier Bill set off, with Fred at the helm of Dogfish Three. Sally's misgivings are soon justified, as a series of disasters - human, nautical, and canine - threaten to ruin their holiday. Then everything changes as they make friends with the boating fraternity and encounter the remarkable 15-year-old Rosie, whose family history stirs their curiosity and sympathy.

When Connie buys a house on the moors, she has to negotiate with the abrupt Vincent O'Connor. She soon discovers that mystery is a way of life for Vincent, who has an increasing influence on her life. Then the shocking truth about the man with whom she shared many years of her life comes to light.

Mary Hetherington was a mother who dominated her family. And when David brought home Sarah from the "wrong end" of the 15 Streets, a girl who brought life and laughter into her dustless house, she soon took against her.

At the end of the Second World War, Matthew Wallingham returns home, blinded and uncertain about his future. Worse yet, his father is ill, and his mother is obviously unhappy, while his younger brother, who has made a success of running the farm on the family’s estate in the war years, is resentful of Matthew’s desire to help him. The only person Matthew feels he can talk to is his grandmother, but the rest of the family regards her as a holy terror.

Some women are destined to arouse in men either fierce hatred or insatiable desire. Such a woman was Katie Mulholland. At 15, a scullery maid in the house of the Rosires, she had been raped by the master. Now, many years later, she had enough money to maintain three carriages if she wanted to and she was on her way to see Bernard Rosier under very different circumstances.

Bristol, 1939. School leaver Maisie Miles suspects her father, a small-time crook, has an ulterior motive for insisting she gets a job at the W. D. & H. O. Wills tobacco factory but keeps it to herself. She's befriended by effervescent Phyllis Mason and kind-hearted Bridget Milligan who take pity on her and take Maisie under their wing. But beneath their happy-go-lucky exteriors, they all harbour dreams and worries about what the future holds.

Abandoned by her father and neglected by her self-centered, unstable mother, Sheila McGee cannot wait to escape the drudgery of her mill village life in Northern Ireland. Her classic Irish beauty helps her win the 1941 Linen Queen competition, and the prize money that goes with it finally gives her the opportunity she's been dreaming of. But Sheila does not count on the impact of the Belfast blitz which brings World War II to her doorstep. Now even her good looks are useless in the face of travel restrictions, and her earlier resolve is eroded by her ma's fear of being left alone.

Di Canzio follows their story past the end of Maurice to the front lines of battle in World War I and beyond. Forster, who tried to write an epilogue about the future of his characters, was stymied by the radical change that the Great War brought to their world. With the hindsight of a century, di Canzio imagines a future for them and a past for Alec—a young villager possessed of remarkable passion and self-knowledge.

Robinswood, Co. Waterford, 1939. The once grand house is home to two very different families. Despite delusions of grandeur, Lord and Lady Kenefick and their adult children live a life of decayed opulence as the money needed to keep such a large house and grounds ever dwindles. Meanwhile, the Murphy family, Dermot, Isabella and their three almost grown-up girls, live and work on the estate and do their best to keep everything running smoothly.

A heartbreaking, enthralling and utterly unforgettable World War 2 story of two young sisters cruelly abandoned by their mother at an orphanage. 1929: four-year-old Etty and eight-year-old Dorothy are abandoned at Blakely Hall orphanage by their mother, never to see her again. With no other family to speak of, the sisters worship their beloved mam - and they are confused and heartbroken to be deserted by her when they need her the most.

Set in 1920s London, this is the inspiring story of Kate Goss' struggle against poverty, hunger and cruel family secrets. Her mother died in a fall, her father has vanished without trace, and now her aunt and cousins treat her viciously. In a freezing, vermin-infested garret, factory girl Kate has only her own brave spirit and dreams of finding her father to keep her going. She has barely enough money to feed herself, or to pay the rent. The factory where she works begins to lay off people and it isn't long before she has fallen into the hands of the violent local money-lender.

The Yellow House delves into the passion and politics of Northern Ireland at the beginning of the 20th century. Eileen O'Neill's family is torn apart by religious intolerance and secrets from the past. Determined to reclaim her ancestral home and reunite her family, Eileen begins working at the local mill, saving her money and holding fast to her dream. As war is declared on a local and global scale, Eileen cannot separate the politics from the very personal impact the conflict has had on her own life.

Soon-to-be heiress Betty Stanhope is a runaway bride, but not for the usual reasons - she didn't flee because of a change of heart. Reluctant about the wedding at the outset, the dutiful Betty reaches the altar to find that her groom is a different man altogether and someone she's dreaded most of her life! Before the wedding can proceed, she is taken to a room to recover from her fainting spell.

Delia Sweeney has always been unlike her older sister - fair and delicate compared to tall, statuesque Nora, whose hair is as dark as Donegal turf. In other ways, too, the sisters are leagues apart. Nora is her mother's darling, favored at every turn, and expected to marry into wealth. Delia, constantly slighted, finds a measure of happiness helping her da on the farm. The rest of the time, she reads about far-off places that seem sure to remain a fantasy. Until the day a letter arrives from America.

This acclaimed new translation of Dostoyevsky's 'psychological record of a crime' gives his dark masterpiece of murder and pursuit a renewed vitality, expressing its jagged, staccato urgency and fevered atmosphere as never before. Raskolnikov, a destitute and desperate former student, wanders alone through the slums of St. Petersburg, deliriously imagining himself above society's laws. But when he commits a random murder, only suffering ensues.