The Goldfinch is a haunted odyssey through present-day America and a drama of enthralling force and acuity. It begins with a boy. Theo Decker, a 13-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by his unbearable longing for his mother, he clings to one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art.

Our narrator should be happy, shouldn't she? She's young, thin, pretty, a recent Columbia graduate; she works an easy job at a hip art gallery and lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn't just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It's the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?

The second novel by Donna Tartt, best-selling author of The Goldfinch (winner of the 2014 Pulitzer Prize), The Little Friend is a grandly ambitious and utterly riveting novel of childhood, innocence, and evil. The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved. So Robin’s sister Harriet - unnervingly bright and insufferably determined - sets out to unmask his killer.

Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries. But their search for the transcendent leads them down a dangerous path, beyond human constructs of morality.

It's 1939, in New York City. Joe Kavalier, a young artist who has also been trained in the art of Houdiniesque escape, has just pulled off his greatest feat: smuggling himself out of Hitler's Prague. He's looking to make big money, fast, so that he can bring his family to freedom. His cousin, Brooklyn's own Sammy Clay, is looking for a partner in creating the heroes, stories, and art for the latest novelty to hit the American dreamscape: the comic book. Inspired by their own fantasies, fears, and dreams, they create the Escapist.