Love and marriage. Children and family. Death and grief. Life touches everyone the same. But living under lockdown, it changes us alone. In these ten beautifully moving short stories written mostly over the last year, Booker Prize winner Roddy Doyle paints a collective portrait of our strange times.

Paula Spencer begins on the eve of Paula's 48th birthday. She hasn't had a drink for four months and five days. Having outlived an abusive husband and father, Paula and her four children are now struggling to live their adult lives, with two of the kids balancing their own addictions. Paula rebuilds her life slowly. As she goes about her daily routine working as a cleaning woman, and cooking for her two children at home, she re-establishes connections with her two sisters, her mother, and grandchildren, expanding her world.

Just moved into a new apartment, alone for the first time in years, Victor Forde goes every evening to Donnelly's for a pint, a slow one. One evening his drink is interrupted. A man in shorts and a pink shirt comes over and sits down. He seems to know Victor's name and to remember him from secondary school. His name is Fitzpatrick. Victor dislikes him on sight, dislikes, too, the memories that Fitzpatrick stirs up of five years being taught by the Christian Brothers.

Patrick Clarke is a 10-year-old boy trying to make sense of his world. He is confused. His Ma and Da fight too much. School seems like a joke. And love, though it has a good reputation, seems pretty cruel. Paddy sees everything, but has trouble understanding it all. His story is an exuberant romp through the triumphs, indignities, and troublemaking detours of an Irish childhood.

After losing his leg to a land mine in Afghanistan, Cormoran Strike is barely scraping by as a private investigator. Strike is down to one client, creditors are calling, and after a breakup with his longtime girlfriend, he’s living in his office. Then John Bristow walks through his door with a shocking story: His sister, the legendary supermodel Lula Landry - known to her friends as the Cuckoo - famously fell to her death a few months earlier.

Queenie Jenkins is a 25-year-old Jamaican British woman living in London, straddling two cultures and slotting neatly into neither. She works at a national newspaper, where she’s constantly forced to compare herself to her white middle-class peers. After a messy breakup from her White long-term boyfriend, Queenie seeks comfort in all the wrong places...including several hazardous men who do a good job of occupying brain space and a bad job of affirming self-worth.

Calling Major Tom is a funny, uplifting tale of friendship and community about a man who has given up on the world...but discovers in the most unlikely way that it might not have given up on him. We all know someone like Thomas. The grumpy next-door neighbour who complains to the residents' committee about the state of your front lawn. The man who tuts when you don't have the correct change at the checkout. The colleague who sends an all-company email when you accidentally use the last drop of milk.

People ask me how come I'm still alive, and I don't know what to say. When I was growing up, if you'd have put me up against a wall with the other kids from my street and asked me which one of us was gonna make it to the age of 60, with five kids and four grandkids and houses in Buckinghamshire and California, I wouldn't have put money on me, no f--king way. But here I am: ready to tell my story, in my own words, for the first time. A lot of it ain't gonna be pretty. I've done some bad things in my time. But I ain't the devil.

Fifteen-year-old Rosie lies in hospital fighting for her life. She’s trying to tell her mother what happened to her, but she can’t speak the words out loud. Toni is a doting and over-protective mother, terrified for her daughter’s life. Having lost her husband in a tragic accident, Toni has dedicated her life to keeping Rosie safe from harm. She needs to know what secrets Rosie has been keeping and how she ended up in a hospital bed - but Toni has a secret of her own....

Thisbe Chisholm wants to be a writer. It’s 2007, a time of digital revolution and skyrocketing property prices, but she’s an old-fashioned girl. She longs only to tell the stories written on her heart. While her best friends, Penny and Jane, and her darling boyfriend, John, seem set for stellar careers in their chosen fields, Thisbe works nights as a hostess at a glitzy harbourside Sydney club - a job she despises but has paid the rent for the last three years since university graduation.

Among the students of Pimlico Academy, Red, Leo, Rose, and Naomi are misfits - outsiders who have found a safe haven in music and their band, Mirror, Mirror. For these 16-year-olds, fitting in at school is nearly as difficult as navigating their complicated home lives. Red has an alcoholic mother and a father who's never around. Leo's brother is in prison. Rose uses sex and alcohol to numb the pain of a brutal attack. Naomi's punk rock princess persona gives her the freedom to be her true self.

When she hears Niamh busking in the center of town, Becky is stunned by the intensity of her attraction to the itinerant young musician. The feeling is mutual. For Niamh, Becky has a familiar feel that reminds her of the home and family she has lost, and she quickly finds herself looking for ways to meet this intriguing young woman again.

In We Don't Know Ourselves, Fintan O'Toole weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary "backwater" to an almost totally open society - perhaps the most astonishing national transformation in modern history. O'Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism.

Dimple Pennington knows of her half-siblings, but she doesn’t really know them. Five people who don’t have anything in common except for faint memories of being driven through Brixton in their dad’s gold jeep, and some pretty complex abandonment issues. Dimple has bigger things to think about. She’s thirty, and her life isn’t really going anywhere. An aspiring lifestyle influencer with a wayward boyfriend, Dimple’s life has shrunk to the size of a phone screen. And despite a small but loyal following, she’s never felt more alone in her life.

Dan Starkey is a young journalist in Belfast, who shares with his wife, Patricia, a prodigious appetite for drinking and dancing. Then Dan meets a beautiful and apparently impoverished student. And then, terrifyingly, she is murdered. Is it because she was not exactly who she claimed to be? Is it the IRA? A Protestant extremist group? A jealous lover? Before long, Dan is a target himself.…