
The Heiress of Winterwood
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Narrado por:
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Jackie Schlicher
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De:
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Sarah Ladd
In this sweet Regency romance, Amelia Barret will risk everything to keep her word — even to the point of proposing to a sea captain she’s never met.
Amelia Barrett, heiress to an estate nestled in the English moors, defies family expectations and promises to raise her dying friend’s baby. But she knows she can’t do it alone and finds herself in the surprising position of asking Graham, the child’s father — a man she’s never met before — to marry her.
When the baby vanishes with little more than an ominous ransom note hinting at her whereabouts, Amelia and Graham are driven to test the boundaries of their love for this little one.
Amelia’s detailed plans would normally see her through any trial, but now, desperate and shaken, she’s forced to examine her soul and face her one weakness: pride.
Graham’s strength and self-control have served him well and earned him much respect, but chasing perfection has kept him a prisoner of his own discipline. And away from the family he has sworn to love and protect.
To save the child they’ve both come to love — and any hopes of preserving their fledgling love — both must learn to relinquish control so they can embrace the future ahead of them.
Praise for The Heiress of Winterwood
“My kind of book! [It] grabbed my attention from the first lines and I eagerly returned to its pages.” (Julie Klassen, best-selling, award-winning author)
“A one-of-a-kind regency that kept me sighing with joy, laughing, crying, and even biting my nails when the occasion called for it!” (MaryLu Tyndall, best-selling author)
“A timeless regency that rises to the ranks of Heyer and Klassen” (Julie Lessman, award-winning author)
The first book in the Whispers on the Moors series (The Headmistress of Rosemere is second and A Lady at Willowgrove Hall is third.)
Books can be listened to out of order
A full-length novel at 90,000 words
A happily ever after clean romance
©2013 Thomas Nelson (P)2013 Thomas NelsonListeners also enjoyed...




















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Would you be willing to try another one of Jackie Schlicher’s performances?
NO, NO, NO. First of all, the story is set in England so an English accent should have been used. Secondly, there is some kind noise in the background like crinkling paper or turning pages AND smacking/swallowing almost the entire time. I usually had to keep the bluetooth almost completely out of my ear just to be able to tolerate this mess. Thirdly, there is hardly any distinction at all between different people talking.Any additional comments?
Story was good, liked the mystery, but the narration ruined it and I stayed annoyed most of the time and didn't enjoy the book hardly at all. I will listen to another book by this author only if the narrator is different.Good story, HORRIBLE narrator.
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Held my attention... barely
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It's disappointing when a rich story line with a wide array of characters exceeds the talent of the narrator.
The story takes place in England, yet the only time you hear an English accent at all is with a couple of poor blokes. The nanny is Irish, but the narrator did not make the effort to learn a beautiful Irish brogue. Almost no accent at all! Very disappointing. She does fairly good voices, but her acting is not great. She does not portray the depth of emotion the manuscript describes. They really should have selected someone whose talent matched the manuscript.
Great story; Disappointing performance
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I liked the prayer theme, but the heroine was weak
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Good plot - characters
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Just so good
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Narrator needs to be English
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Narration is good
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The story was okay. Amelia's tenacity to taking care of her slightly known friend's baby, when the woman dies in childbirth, is noteworthy, even if unbelievable. If the baby had been her close friend's child - maaybe........ but a woman she'd only known for a few months? THAT doesn't make sense - unless Amelia had some deep need in her character that she wanted to fill. But this was never discussed or explored.
I was glad, though, that her want/need to keep the child let her see the how deeply self-centered and selfish her fiance was. As it always is to me in these type of stories, I was frustrated that both she and the baby's father would never be honest with each other. A little communication would have made a world of difference for both of them. I understand that this is a "plot ploy" to make the novel last longer, but it is such an overused ruse and so trite, that I am always surprised that yet another author has used it. Makes me realize that the author isn't that good, and doesn't have the imagination he/she should.
Bad narration - story okay
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Enthralling
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