In what many refer to as one of the first and greatest science fiction thrillers, a mysterious stranger wanders into an inn, wrapped head-to-toe in bandages. What lies beneath the bandages is something even more mysterious. As Wells tackles issues of identity, deception, and the deterioration of the human mind, listeners will be drawn into the story of the mysterious man, whose own mistakes end up whisking him into a whirlwind of deceit, terror, and even murder. In the end, the question will be asked: when your sense of self and identity vanish, who will you become?

On a freezing February day, a stranger emerges from out of the gray to request a room at a local provincial inn. Who is this out-of-season traveler? More confounding is the thick mask of bandages obscuring his face. Why does he disguise himself in this manner and keep himself hidden away in his room? Aroused by trepidation and curiosity, the local villagers bring it upon themselves to find the answers.

Meet Mr. Samuel Pickwick, luminous presence, general chairman and member of the Pickwick Club, an organization devoted to meeting good friends, sharing good stories and spreading good cheer. Join Mr. Pickwick and his friends Mr. Snodgrass, Mr. Jingle and all the rest in Part One of their adventures, which include: the first day's journey, an old-fashioned card party, the action of Bardell against Pickwick, and Christmas.

Jimmy, Gerald, and Cathy discover an enchanted garden and wake a beautiful princess from a hundred-year-sleep - only to have her immediately made invisible by a magic ring. The quest to rescue her from her own magic proves difficult, humorous, and at times very frightening.

Willa Cather renders the tough inner terrain of a man in mid-life crisis. Bartley Alexander is a master bridge engineer. At 43 he is at the height of his power, comfortable with success and all it brings. Yet he yearns for the lost vibrancy of his youth. He leads a double life, veering between his beautiful, accomplished wife and his mistress, an actress he knew as a student in Paris. The conflict creates a crack in the structure of his life that ultimately undermines him.

The most gorgeously theatrical of all Dickens's novels, Nicholas Nickleby follows the delightful adventures of a hearty young hero in 19th-century England. Nicholas, a gentleman's son fallen upon hard times, must set out to make his way in the world. His journey is accompanied by some of the most swaggering scoundrels and unforgettable eccentrics in Dickens's pantheon.

The three novels that make up The Forsyte Saga chronicle the ebbing social power of the commercial upper-middle class Forsyte family through three generations, beginning in Victorian London during the 1880s and ending in the early 1920s. Galsworthy's masterly narrative examines not only their fortunes but also the wider developments within society, particularly the changing position of women.

Timeless Tales for Kids is an enchanting compilation of children's classic stories read by an all-star cast. Olivia Colman reads E. Nesbit's classic novel The Railway Children, a masterpiece in children's fiction wonderfully evoking a bygone age, packed with fun, excitement and adventure. Bill Nighy reads a much-loved children's classic, The Wonderful Wizard of Oz, which continues to delight young and old with its enchanting tale of witches, flying monkeys and magical shoes.

In 1889, satirist Jerome K. Jerome fully intended to write a serious travel guide when he and his two best friends embarked on a boating trip up the river Thames to Oxford. But his musings on landmarks and local history were soon hijacked by his own digressive, waggish voice. And so, what began as a peaceful and edifying two-week exploration soon floated upriver into farce - aided, quite naturally, by a portly ration of cheese, some very bad weather, and a dog named Montmorency.

Under the Greenwood Tree is an affectionate and youthful portrait of a world Hardy knew well - village life in 'Wessex' - in which a romantic tale is set against changing circumstances. The traditional feature of local music making performed by the village band and choir is challenged by the modern innovation of organ and organist providing music in the church.

Tess of the d'Urbervilles is the 19th century novel lately thought to be one of the inspirations of E .L.James' Fifty Shades of Grey. It depicts the life of an impressionable, naive, somewhat educated young woman who yearns to be free to live her own life, but finds herself constricted by the bonds of the sexual, religious and socially hypocritical customs that have surrounded her from birth.

Dombey and Son is vintage Dickens and explores the classic themes of betrayal, cruelty and deceit. Dombey's dysfunctional relationships are painted against a backdrop of social unrest in industrialized London, which is populated by a host of fascinating and memorable secondary characters. The complete and unabridged novel is brought spectacularly to life by veteran reader David Timson.

Verging on death, a starving, destitute writer navigates the cold and indifferent city of Kristiania in search of his next meal. Frenzied and fevered, he chews on stale bread, devours scraps of wood, and bites his own finger, sleeping under the stars in old, pungent blankets, until one day he is able to sell an article and buy some food - only for the cycle then to repeat itself....

Lady Wetherby had a big, soft heart, and she hated hurting her fellows. As a rule, when she had bad news to impart to any one, she administered the blow so gradually and with such mystery as to the actual facts that the victim, having passed through the various stages of imagined horrors, was genuinely relieved, when she actually came to the point, to find that all that had happened was that he had lost all his money.

Jacob’s Room is Virginia Woolf’s own modernist manifesto. Jacob Flanders is a mere point of contact between a crowd of people, appearing and disappearing in a tableau in which all is flux, without certainty and without a controlling viewpoint. But it seems that the author could not maintain this rigorous impersonality, and the radical technique breaks down, so that we finally see Jacob as a person, just as his world is blown apart.