James Arness gives the full story on his early years, his family, his military career and his film work in Hollywood, including appearances in the cult-favorite science fiction movies Them! and The Thing. He had a very long run on television’s Gunsmoke and a role in the miniseries How The West Was Won. His post-theatrical period is also covered. This is the long anticipated account of one of the icons of 20th–century television.

Caddyshack is one of the most beloved comedies of all time, a classic snobs vs. slobs story of working-class kids and the white-collar buffoons that make them haul their golf bags in the hot summer sun. It has sex, drugs, and one very memorable candy bar, but the movie we all know and love didn't start out that way, and everyone who made it certainly didn't have the word classic in mind as the cameras were rolling.

Michael Palin's diaries begin in the late 1960s when he began writing for hugely popular programs. He recounts how Monty Python emerged and triumphed. From the success and cult status brought by Monty Python, Palin shares stories from their world tours, their stay at hotels recently trashed by Led Zeppelin, their battles over censorship, and how individually the Pythons went their separate ways. Yet at the same time they were working on the now celebrated series of films, including The Holy Grail....

In the novel by L. Sprague de Camp and Lin Carter, the Cimmerian youth Conan witnesses the death of his parents at the hands of Thulsa Doom, a priest of Set. Enslaved, he is trained as a gladiator. Gaining his freedom he allies with Subotai, a Hyrkanian archer, and a skilled swordswoman thief named Valeria. Together they raid the Tower of the Serpent, and then Conan breaks away to seek the cult of Doom—and revenge on the sorcerer who leads it.

From grand follies to misunderstood masterpieces, disastrous sequels to catastrophic literary adaptations, Box Office Poison tells a hugely entertaining alternative history of Hollywood, through a century of its most notable flops. What can these films tell us about the Hollywood system, the public’s appetite–or lack of it–and the circumstances that saw such flops actually made? Away from the canon, this is the definitive take on these ill-fated, but essential celluloid failures.