
The Man Who Could Move Clouds
A Memoir
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Narrado por:
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Marisol Ramirez
A TIME BEST BOOK OF THE SUMMER
From the author of the “original, politically daring and passionately written” (Vogue) novel Fruit of the Drunken Tree, comes a dazzling, kaleidoscopic memoir reclaiming her family's otherworldly legacy.
For Ingrid Rojas Contreras, magic runs in the family. Raised amid the political violence of 1980s and '90s Colombia, in a house bustling with her mother’s fortune-telling clients, she was a hard child to surprise. Her maternal grandfather, Nono, was a renowned curandero, a community healer gifted with what the family called “the secrets”: the power to talk to the dead, tell the future, treat the sick, and move the clouds. And as the first woman to inherit “the secrets,” Rojas Contreras’ mother was just as powerful. Mami delighted in her ability to appear in two places at once, and she could cast out even the most persistent spirits with nothing more than a glass of water.
This legacy had always felt like it belonged to her mother and grandfather, until, while living in the U.S. in her twenties, Rojas Contreras suffered a head injury that left her with amnesia. As she regained partial memory, her family was excited to tell her that this had happened before: Decades ago Mami had taken a fall that left her with amnesia, too. And when she recovered, she had gained access to “the secrets.”
In 2012, spurred by a shared dream among Mami and her sisters, and her own powerful urge to relearn her family history in the aftermath of her memory loss, Rojas Contreras joins her mother on a journey to Colombia to disinter Nono’s remains. With Mami as her unpredictable, stubborn, and often hilarious guide, Rojas Contreras traces her lineage back to her Indigenous and Spanish roots, uncovering the violent and rigid colonial narrative that would eventually break her mestizo family into two camps: those who believe “the secrets” are a gift, and those who are convinced they are a curse.
Interweaving family stories more enchanting than those in any novel, resurrected Colombian history, and her own deeply personal reckonings with the bounds of reality, Rojas Contreras writes her way through the incomprehensible and into her inheritance. The result is a luminous testament to the power of storytelling as a healing art and an invitation to embrace the extraordinary.
*Includes a downloadable PDF of the author’s personal photographs of family members, scenes, and mementos, from the printed book
PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.
©2022 Ingrid Rojas Contreras (P)2022 Random House AudioListeners also enjoyed...




















Reseñas de la Crítica
PULITZER PRIZE FINALIST • NATIONAL BOOK AWARD FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • CARNEGIE MEDAL FOR EXCELLENCE NOMINEE • CALIFORNIA BOOK AWARDS SILVER MEDAL WINNER • CALIBA Golden Poppy/Martin Cruz Smith Award Finalist
A Best Book of the Year: TIME, NPR, Vulture, People, Vanity Fair, The Boston Globe, Esquire and more
“Rojas Contreras reacquaints herself with her family’s past, weaving their stories with personal narrative, unraveling legacies of violence, machismo and colonialism…In the process, she has written a spellbinding and genre-defying ancestral history.”—New York Times Book Review
"Striking...Beautifully written and layered, an empowering act of recovery and self-discovery."—San Francisco Chronicle
"A blazing memoir...A lyrically rich excavation of memory, mythology and history."—Los Angeles Times
Artículo destacado: Grandes joyas de la literatura latinoamericana
Latinoamérica ha regalado al mundo a algunos de los mejores escritores de todos los tiempos. Cinco premios Nobel de Literatura y nombres como Juan Rulfo, Alejo Carpentier, Isabel Allende, Rómulo Gallegos o Jorge Luis Borges respaldan su prestigio. Confiamos en que esta selección puede acercarte a lo mejor de las letras de la región y dejarte con ganas de conocer más de la literatura que se produce en este rincón del mundo.
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meh
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