In this incandescent novel, V.S. Naipaul takes us deeply into the life of one man, an Indian who, uprooted by the bloody tides of Third World history, has come to live in an isolated town at the bend of a great river in a newly independent African nation. Naipaul gives us the most convincing and disturbing vision yet of what happens in a place caught between the dangerously alluring modern world and its own tenacious past and traditions.

On an unnamed Caribbean Island, political tensions provoked by race and poverty are high. Jimmy Ahmed, a young mixed-race man, has been hailed as a revolutionary leader of the people. Roche, imprisoned for activities against South Africa's apartheid regime, and Jane, a feckless English rich girl wanting to feel a part of something bigger, get sucked into the turmoil and world of Ahmed. But does anyone achieve anything by causing unrest? Do any of them really want freedom in a new society or just the old society with themselves at the helm of power?

V. S. Naipaul's legendary command of broad comedy and acute social observation is on abundant display in these classic works of fiction - two novels and a collection of stories - that capture the rhythms of life in the Caribbean and England with impressive subtlety and humor.

The son of a Brahmin ascetic and his lower-caste wife, Willie Chandran grows up sensing the hollowness at the core of his father's self-denial and vowing to live more authentically. That search takes him to the immigrant and literary bohemias of 1950s London, to a facile and unsatisfying career as a writer, and at last to a decaying Portuguese colony in East Africa, where he finds a happiness he will then be compelled to betray.

In 1975, at the height of Indira Gandhi’s “Emergency”, V. S. Naipaul returned to India, the country his ancestors had left 100 years earlier. Out of that journey he produced this concise masterpiece: a vibrant, defiantly unsentimental portrait of a society traumatized by centuries of foreign conquest and immured in a mythic vision of its past.

A House for Mr. Biswas, by Nobel and Booker Prize-winning author V. S. Naipaul, is a powerful novel about one man's struggle for identity and belonging. Born into poverty, then trapped in the shackles of charity and gratitude, Mr. Biswas longs for a house he can call his own. He loathes his wife and her wealthy family, upon whom he is dependent. Finding himself a mere accessory on their estate, his constant rebellion is motivated by the one thing that can symbolize his independence.

Spanning continents and centuries and defying literary categories, A Way in the World tells intersecting stories whose protagonists include the disgraced and half-demented Sir Walter Raleigh, who seeks El Dorado in the New World; the 19th-century insurgent Francisco Miranda, who becomes entangled in his own fantasies and borrowed ideas; and the doomed Blair, a present-day Caribbean revolutionary stranded in East Africa.

In this slyly funny and lavishly inventive novel, Nobel Prize winner V. S. Naipaul traces the unlikely career of Ganesh Ramsumair, a failed schoolteacher and impecunious village masseur who in time becomes a revered mystic, a thriving entrepreneur, and the most beloved politician in Trinidad. Witty, tender, filled with the sights, sounds, and smells of Trinidad's dusty Indian villages, The Mystic Masseur is Naipaul at his most expansive and evocative.

On a road trip through Africa, two English people - Bobby, a civil servant with a guilty appetite for African boys; and Linda, a supercilious "compound wife" - are driving back to their enclave after a stay in the capital. But in between lies the landscape of an unnamed country whose squalor and ethnic bloodletting suggest Idi Amin's Uganda. And the farther Naipaul's protagonists travel into it, the more they find themselves crossing the line that separates privileged outsiders from horrified victims.

"A stranger could drive through Miguel Street and just say 'Slum!' because he could see no more." But to its residents, this derelict corner of Trinidad's capital is a complete world, where everybody is quite different from everybody else. In this tender, funny early novel, V. S. Naipaul renders their lives (and the legends their neighbors construct around them) with Dickensian verve and Chekhovian compassion.

The first volume in Paul Scott's historical tour-de-force opens in 1942 as the British fear both Japanese invasion and Indian demands for self-rule. In the Mayapore gardens, Daphne Manners, daughter of the provincial governor, leaves her Indian lover, who will soon be arrested for her alleged rape.

The Bell Jar chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful but slowly going under - maybe for the last time. Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made The Bell Jar a haunting American classic.

From the Booker Prize-winning author of The Remains of the Day and When We Were Orphans comes an unforgettable edge-of-your-seat mystery that is at once heartbreakingly tender and morally courageous about what it means to be human.

At the center of this invigorating novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn’t quite match her name (Jamaican for “no problem”). Samad’s late-in-life arranged marriage produces twin sons whose separate paths confound Iqbal’s every effort to direct them.

The Years is a personal narrative of the period of 1941 to 2006 told through the lens of memory, impressions past and present - even projections into the future - photos, books, songs, radio, television, and decades of advertising and headlines, contrasted with intimate conflicts and written notes from six decades of diaries. Local dialect, words of the time, slogans, brands, and names for ever-proliferating objects are given a voice here. The voice we recognize as the author's continually dissolves and re-emerges.