The murder of Sarah Payne, Adam the Thames Torso, the London bombings, the Night Stalker and the poisoning of Alexander Litvinenko. The solving of all these cases can be linked to one man: Ray Fysh, a beer-swigging Charlton Athletic fan from Woolwich, a natural raconteur, and also one of the finest forensic detectives the country has ever seen. Ray began work for the Met Police in the 1970s when forensic investigation was seen as little more than a geeky side show, only in existence to confirm or eliminate evidence. But by the mid '90s Ray and his team had made huge progress in their field.

As the country's top forensic pathologist, Dr Richard Shepherd has spent a lifetime uncovering the secrets of the dead. When death is sudden or unexplained, it falls to Shepherd to establish the cause. Each post-mortem is a detective story in its own right - and Shepherd has performed over 23,000 of them. Through his skill, dedication and insight, Dr Shepherd solves the puzzle to answer our most pressing question: how did this person die?

Fans of true crime shows like CSI, NCIS, Criminal Minds, and Law and Order know that when it comes to “getting the bad guy” behind bars, your best chance of success boils down to the strength of your evidence—and the forensic science used to obtain it. Beyond the silver screen, forensic science has been used for decades to help solve even the most tough-to-crack cases.

Bonus material! Includes an excerpt from John Douglas and Mark Olshaker’s Obsession! Discover the classic behind-the-scenes chronicle of John E. Douglas’ 25-year career in the FBI Investigative Support Unit, where he used psychological profiling to delve into the minds of the country’s most notorious serial killers and criminals - the basis for the upcoming Netflix original series.

Barbara Butcher was early in her recovery from alcoholism when she found an unexpected lifeline: a job at the Medical Examiner’s Office in New York City. The second woman ever hired for the role of Death Investigator in Manhattan, she was the first to last more than three months. The work was gritty, demanding, morbid, and sometimes dangerous—and she loved it. In What the Dead Know, she writes with the kind of New York attitude and bravado you might expect from decades in the field, investigating more than 5,500 death scenes, 680 of which were homicides.