
The Queen City Detective Agency
A Novel
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Narrado por:
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Shayna Small
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De:
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Snowden Wright
Following an unforgettable cast of characters and a jaded female P.I. enmeshed in a criminal conspiracy in 1980s Mississippi, The Queen City Detective Agency is a riveting, razor-sharp Southern noir that unravels the greed, corruption, and racism at the heart of the American Dream.
Meridian, Mississippi—once known as the Queen City for its status in the state—has lost much of its royal bearing by 1985. Overshadowed by more prosperous cities such as New Orleans and Atlanta, Meridian attracts less-than-legitimate businesses, including those enforced by the near-mythical Dixie Mafia. The city’s powerbrokers, wealthy white Southerners clinging to their privilege, resent any attempt at change to the old order.
Real-estate developer Randall Hubbard took advantage of Meridian’s economic decline by opening strip malls that catered to low-income families in Black neighborhoods—until he wound up at the business end of a .38 Special. Then a Dixie Mafia affiliate named Lewis “Turnip” Coogan, who claims Hubbard’s wife hired him for the hit, dies under suspicious circumstances while in custody for the murder.
Ex-cop turned private investigator Clementine Baldwin is hired by Coogan’s bereaved mother to find her son’s killer. A woman struggling with her own history growing up in Mississippi, Clem braves the Queen City’s corridors of crime as she digs into the case, opening wounds long forgotten. She soon finds herself in the crosshairs of powerful and dangerous people who manipulate the law for their own ends—and will kill anyone who threatens to reveal their secrets.
©2024 Snowden Wright (P)2024 HarperCollins PublishersListeners also enjoyed...




Not a single soul in Mississippi speaks like this narrator.
The narration was painful to endure and had a largely negative impact on the story.
How can one form a relationship with characters when you can hardly tolerate the sound of “their voice”?
Please, for the love of God, utilize southern narrators for southern stories.
Not a fan of the narration
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The foul language was the mani idea of this book
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