In the heart of the Maine woods, an experienced Appalachian Trail hiker goes missing. She is forty-two-year-old Valerie Gillis, who has vanished 200 miles from her final destination. Alone in the wilderness, Valerie pours her thoughts into fractured, poetic letters to her mother as she battles the elements and struggles to keep hoping. At the heart of the investigation is Beverly, the determined Maine State Game Warden tasked with finding Valerie, who leads the search on the ground.

Isaac is at a crossroads in his young life. Growing up in Missouri, the son of a caustic, hard-driving father, he was conditioned to suppress his artistic pursuits and physical desires, notions that didn’t align with a traditional view of masculinity. But now, in late ’80s Chicago, Isaac has finally carved out a life of his own. He is sensitive and tenderhearted and has built up the courage to seek out a community. Yet just as he begins to embrace who he is, two social catalysts—the AIDS crisis and Rodney King’s attack—collectively extinguish his hard-earned joy.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Frank is a miserable old curmudgeon. An agoraphobic recluse and widower whose only company is the 'ghost' of his wife, Marcie. He is estranged from friends and family and is entirely cut off from the rest of the world. That is until he meets Red. Red is six years old. He's a funny, imaginative, and kind little boy who - following the separation of his parents - moves in next door. Red is fascinated by his new neighbour and seemingly oblivious to Frank's grumpy demeanour and strange ways.

Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead. And the company can’t fire a dead person. The ensuing fallout forces him to realize that life may be actually worth living.

Zahra Starling and her younger half sister, Aurora, have nothing in common. Not their childhoods or their personalities. And certainly not their outlooks. After a terrible loss, Zahra prefers the solitude of her LA kitchen to people, especially family. Bubbly Aurora, a rising Hollywood starlet, has everything she’s ever dreamed of, except a relationship with her sister. Then comes a plea from their dying father, who wants both daughters by his side. He has a secret to share that’s been a long time coming.

The newly nameless narrator of Make Sure You Die Screaming has rejected the gender binary, has flamed out with a vengeance at their corporate gig, is most likely brain damaged from a major tussle with their now ex-boyfriend, and is on a bender to end all benders. A call from their mother with the news that their MAGA-friendly, conspiracy-theorist father has gone missing launches the narrator from Chicago to deep red Arkansas in a stolen car.

New York City, 1950. Dreams come true for radio personality Maggie Lane when she gets her big break in the exciting new world of television. The Maggie Lane Baking Show is on the air. All she has to do is act like the ideal housewife, create sumptuous desserts, charm the show’s sponsors, and sign a morality clause to ensure that her girl-next-door image remains untarnished. Although newlywed Maggie has never baked so much as a cookie, and knows even less about maintaining a home, keeping up appearances is a necessary ingredient for success. Easy.

It’s 1947 when Sister Mary Agnes arrives in New Mexico. Her mission is to establish a monastery in the town of Roswell, where weeks before rumors of the crash landing of an unidentified craft have triggered a crisis of faith. Residents are drifting away from the divine, awed no longer by the heavens but rather the stars.

For fans of Megan Collins with the taut character study of Angie Kim comes a searing mystery that follows three siblings as they reckon with the darkness hidden within their family after multiple graves are discovered behind their childhood home.

The Kenner siblings are at odds. Jenn is a harried mom struggling under the weight of family obligations. Fred is a novelist who can’t write, maybe because she’s lost faith in storytelling itself. Jude is a recovering corporate lawyer with her own story to tell, and a grudge against her former favorite sister, Fred. George, the baby, is estranged from his wife and harboring both a secret about his former employer and an ill-advised crush on one of his sisters’ friends. Gathered after a major loss, each sibling needs the others more than ever—if only they could trust each other.

Jessamyn St. Germain is meant to be a star. Not an actor who occasionally books yogurt commercials and certainly not a lowly usher at one of Vancouver’s smallest regional theaters. No, she is bound for greatness, and that’s why the part of Maria in the theater’s upcoming production of The Sound of Music is hers. Or it’s going to be.

Linda is doing her best to lead a life that would appear normal to the casual observer. Weekdays, she earns $20 an hour moderating comments for a video-sharing platform, then rides the bus home to the windowless garage she rents on the outskirts of San Francisco. But on the last Friday of each month, she indulges her true passion, taking BART to SFO for a round-trip flight to a regional hub. The destination is irrelevant, because each trip means a new date with a handsome stranger—a stranger with intelligent windscreens, sleek fuselages, and powerful engines.

It’s 1980s California, and everyone’s dreaming of the endless summer: sun-drenched beaches, infinite waves, and most of all, beautiful, beautiful freedom. For the Merrick siblings, this idyllic vision is their reality, as they travel up and down the coast with their parents in a van year-round, surfing and swimming their days away. But when a photographer secretly snaps a stunning photo of the family with their boards in the sand, and the image ripples across the country, the only life they’ve ever known is put at risk.

Hannah is a fusion scientist working alone at a remote cottage off the coast of Scotland when she sees a figure making his way from the sea. It is a young man from a human settlement on Mars, traveling backwards through time to try to make a crucial intervention in the fate of our dying planet, and he needs Hannah's help. Hannah and the stranger are on the path towards a breakthrough—and then things go terribly wrong.

Marina gave up her career as a chef to raise her children, but her divorce has left her harried, lonely, and the black sheep of her family. It’s also left her in dire financial straits. Opal is a post-menopausal fitness guru who spends her days chasing likes and followers in an industry that worships youth. Even her glossy online persona can’t mask her checkered past. Lilah is a shy and optimistic librarian who spends her days tending to the stacks, until she wins an unbelievable sum in the lottery. With a growing bank account and a dashing fiancé, life seems too good to be true.

At sixty-three years old, million-dollar lottery winner PJ Halliday would be the luckiest man in Pondville, Massachusetts, if it weren’t for the tragedies of his life: the sudden death of his eldest daughter and the way his marriage fell apart after that. Since then, PJ spends both his money and his time at the bar, and he probably doesn’t have much time left—he’s had three heart attacks already. But when PJ reads the obituary of his old romantic rival, he realizes his high school sweetheart, Michelle Cobb, is finally single again.

The four Endicott siblings—Gemma, Connor, Roddy, and Jude—were once inseparable, a bond created by the absence of their dazzling, mercurial mother, who would return for a few weeks each summer to whisk them off on sprawling road trips around the country. Decades later, the unthinkable has happened: the Endicotts haven’t spoken in years . . . until an out-of-the-blue text arrives from Jude, now a famous actress, summoning them to a small town in North Dakota.

Emma Page grew up the black sheep in a bookish household, raised to believe that fine literature is the only worthy type of fiction. Her parents, self-proclaimed “serious” authors who run their own vanity press, The Mighty Pages, mingle in highbrow social circles that look down on anything too popular or mainstream, while her sister, Jess, is a powerful social media influencer whose stylish reviews can make or break a novel.

Steven Mills has reached a crossroads. His wife and son have left, and they may not return. Which leaves him determined to find out what happened to his own father, a brilliant, charismatic professor who disappeared in 1984 when Steve was twelve, on a wave of ignominy. As Steve drives up the coast of California, seeking out his father’s friends, family members, and former colleagues, the novel offers us tantalizing glimpses into Steve’s childhood—his parents’ legendary pool parties, the black-and-white films on the backyard projector, secrets shared with his closest friend.