Major Brendan Archer travels to Ireland - to the Majestic Hotel and to the fiancée he acquired on a rash afternoon's leave three years ago. Despite her many letters, the lady herself proves elusive, and the Major's engagement is short-lived. But he is unable to detach himself from the alluring discomforts of the crumbling hotel. Ensconced in the dim and shabby splendour of the Palm Court, surrounded by gently decaying old ladies and proliferating cats, the Major passes the summer.

Acclaimed author JG Farrell came to fame with his Empire Trilogy, exploring the collapse of British colonialism and its repercussions in three different countries. The first book in the series, Troubles, won the Geoffrey Faber Memorial Prize and the Lost Man Booker Prize, while the second, The Siege of Krishnapur, was awarded the Booker Prize for Fiction. Included here are three BBC Radio adaptations of the trilogy, plus an edition of Witness History exploring Farrell's tragic accidental death.

Colombo, 1990. Maali Almeida—war photographer, gambler, and closet queen—has woken up dead in what seems like a celestial visa office. His dismembered body is sinking in the serene Beira Lake and he has no idea who killed him. In a country where scores are settled by death squads, suicide bombers, and hired goons, the list of suspects is depressingly long, as the ghouls and ghosts with grudges who cluster round can attest. But even in the afterlife, time is running out for Maali.

This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the audience through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy.

When sensible, sophisticated Flora Poste is orphaned at 19, she decides her only choice is to descend upon relatives in deepest Sussex. At the aptly named Cold Comfort Farm, she meets the doomed Starkadders: cousin Judith, heaving with remorse for unspoken wickedness; Amos, preaching fire and damnation; their sons, lustful Seth and despairing Reuben; child of nature Elfine; and crazed old Aunt Ada Doom, who has kept to her bedroom for the last 20 years. But Flora loves nothing better than to organise other people.

1660 England. General Edward Whalley and his son-in law Colonel William Goffe board a ship bound for the New World. They are on the run, wanted for the murder of King Charles I—a brazen execution that marked the culmination of the English Civil War, in which parliamentarians successfully battled royalists for control.

Two years ago, a hostile Prime Minister launched the Monochrome inquiry, investigating "historical over-reaching" by the British Secret Service “to investigate historical over-reaching.” Monochrome’s mission was to ferret out any hint of misconduct by any MI5 officer—and allowed Griselda Fleet and Malcolm Kyle, the two civil servants seconded to the project, unfettered access to any and all confidential information in the Service archives in order to do so. But MI5’s formidable First Desk did not become Britain’s top spy by accident, and she has successfully thwarted the inquiry at every turn.

Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India’s Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala’s long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time.

A landslide has closed the Korowai Pass on New Zealand’s South Island, cutting off the town of Thorndike and leaving a sizable farm abandoned. The disaster presents an opportunity for Birnam Wood, an undeclared, unregulated, sometimes-criminal, sometimes-philanthropic guerrilla gardening collective that plants crops wherever no one will notice. For years, the group has struggled to break even. To occupy the farm at Thorndike would mean a shot at solvency at last. But the enigmatic American billionaire Robert Lemoine also has an interest in the place.

In the India of 1942, two rapes take place simultaneously - that of an English girl in Mayapore, and that of India by the British. In each, physical violence, racial animosity, the coercion of the weak by the strong all play their part, but playing a part too are love, affection, loyalty, and recognition that the last division of all to be overcome is the colour of the skin.

Evelyn Waugh's most celebrated work is a memory drama about the intense entanglement of the narrator, Charles Ryder, with a great Anglo-Catholic family. Written during World War II, the story mourns the passing of the aristocratic world Waugh knew in his youth and vividly recalls the sensuous pleasures denied him by wartime austerities; in so doing it also provides a profound study of the conflict between the demands of religion and the desires of the flesh.

Here is an extraordinary portrait of one of the most complicated - and misunderstood - figures among the Founding Fathers. In 1804, while serving as vice president, Aaron Burr fought a duel with his political nemesis, Alexander Hamilton, and killed him. In 1807, he was arrested, tried, and acquitted of treason. In 1833, Burr is newly married, an aging statesman considered a monster by many. But he is determined to tell his own story, and he chooses to confide in a young New York City journalist. Burr is the first novel in Gore Vidal's Narratives of Empire series.

Murasaki Shikibu, born into the middle ranks of the aristocracy during the Heian period (794-1185 CE), wrote The Tale of Genji, widely considered the world's first novel, during the early years of the 11th century. Expansive, compelling, and sophisticated in its representation of ethical concerns and aesthetic ideals, Murasaki's tale came to occupy a central place in Japan's remarkable history of artistic achievement and is now recognized as a masterpiece of world literature.

In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle and rumours start to swell, middle sister becomes "interesting" - the last thing she ever wanted to be. To be interesting is to be noticed, and to be noticed is dangerous. Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is a story of inaction with enormous consequences.

Amelia Peabody embarks on her first Egyptian adventure armed with unshakable self-confidence, a journal for her thoughts, and, of course, a sturdy umbrella. On her way, she rescues Evelyn Barton-Forbes, who has been "ruined" and abandoned on the streets of Rome by her lover. With a typical disregard for convention, Amelia promptly hires her fellow countrywoman as a companion and takes her to Cairo, where strange visitations and a botched kidnapping convince Amelia that there is a plot afoot to harm Evelyn.