A dark psychological thriller set in a Victorian asylum in the heart of Wales.

The forest village of Monkspike sits brooding. There is a sickness here passed down through ancient lines, one which is noted and deeply felt by Sylvia Massey, the new psychologist. What is wrong with nurse Belinda Sully's son? Why did her husband take his own life? Why are the old people in Temple Lake Nursing Home so terrified? And what are the lawless inhabitants of nearby Wolfs Cross hiding?

Lauren Stafford, a traumatized divorcee, decides to rent a cottage on the edge of a beautiful ancestral estate in the Welsh Marches. But from the very first day of arrival she instinctively knows there's something terribly wrong here—something malevolent and ancient—a feeling the whole place is trapped in a time warp. She really ought to leave. But the pull of the lake is too strong, its dark magic so powerful it crosses over into dreams . . . turning them into nightmares. What lies beneath its still black surface? And why can't Lauren drag herself away? Why her? And why now?

Ruby is the most violently disturbed patient ever admitted to Drummersgate Asylum, high on the bleak moors of northern England. With no improvement after two years, Dr. Jack McGowan finally decides to take a risk and hypnotizes her. With terrifying consequences.

Ellie Blake is recovering from a nervous breakdown. Deciding to move back to her northern roots, she and her psychiatrist husband buy Tanners Dell at auction - an old water mill in the moorland village of Bridesmoor. However, there is disquiet in the village. Tanners Dell has a terrible secret, one so well guarded no one speaks its name. But in her search for meaning, Ellie is drawn to traditional witchcraft and determined to pursue it.

In the summer of 1994, psychologist Daniel Hill buys a rustic farmhouse nestled in the rolling hills of West Virginia. Along with his wife and teenage daughter, the family uproots their lives in Ohio and moves south. They are initially seduced by the natural beauty of the country setting. That soon changes when they discover a hidden room in the basement with a well, boarded shut and adorned with crucifixes. Local legends about the previous owner being an exorcist come to light, but by then, all Hell has broken loose.

Blackwood mansion looms, surrounded by nightmare pines, atop the hill over the small town of New Haven. Ben Bookman, bestselling novelist and heir to the Blackwood estate, spent a weekend at the ancestral home to finish writing his latest horror novel, The Scarecrow. Now, on the eve of the book’s release, the terrible story within begins to unfold in real life.

Czechoslovakia, 1935: Viktor Kosárek, a newly trained psychiatrist who studied under Carl Jung, arrives at the infamous Hrad Orlu Asylum for the Criminally Insane. The facility is located in a medieval mountaintop castle surrounded by forests, on a site that is well known for concealing dark secrets going back many centuries. The asylum houses six inmates - the country's most treacherous killers - known to the terrified public as the Devil's Six. Viktor intends to use a new medical technique to prove that these patients share a common archetype of evil, a phenomenon he calls The Devil Aspect.

It’s the mid-'90s. Grunge and flannel are fading as the Spice Girls and Hot Topic conquer the malls. Cherry gloss glistens on the lips of the youth. Modems hiss as America comes online. And in a fog-drenched cove at the edge of New England, something terrible awakens when a fisherman reels in a gruesome catch: the remains of a young woman. Remains still pulsing with furious life.

Eric Ross is on the run from a mysterious past with his two daughters in tow. Having left his wife, his house, his whole life behind in Maryland, he's desperate for money—it's not easy to find steady, safe work when you can't provide references, you can't stay in one place for long, and you're paranoid that your past is creeping back up on you.

Some art takes on a life of its own. A beautiful house. A loving family. Two kids, a dog, and a tenure-track professorship teaching art at the local university. Dan Rineheart is living the dream. But all dreams must end. When an anonymous painting arrives at the university, Dan is tasked with uncovering the artist. No title. No name. No signature or frame. It’s a disturbing work of grotesque perfection. A work of art...that changes with each viewing. So begins the nightmare. Where painted clocks tick-tock in the dark hours before dawn.

On a day that begins like any other, Hal receives a mysterious letter bequeathing her a substantial inheritance. She realizes very quickly that the letter was sent to the wrong person - but also that the cold-reading skills she's honed as a tarot card reader might help her claim the money. Soon, Hal finds herself at the funeral of the deceased...where it dawns on her that there is something very, very wrong about this strange situation and the inheritance at the center of it. Full of spellbinding menace and told in Ruth Ware's signature suspenseful style, an addictive thriller.

In his wickedly brilliant first novel, Debut Dagger Award winner Alan Bradley introduces one of the most singular and engaging heroines in recent fiction: Eleven-year-old Flavia de Luce, an aspiring chemist with a passion for poison. It is the summer of 1950 - and a series of inexplicable events has struck Buckshaw, the decaying English mansion that Flavia’s family calls home. A dead bird is found on the doorstep, a postage stamp bizarrely pinned to its beak. Hours later, Flavia finds a man lying in the cucumber patch and watches him as he takes his dying breath.

Bethan Griffiths has returned home for Christmas to unwrap secrets. It's the 1970s and she is back in the village of Foel in the Welsh hills to raise her daughter. They arrive to the open arms of her family and the community, but not all is what it seems, and Beth isn't home for the reason she pretends, either. Vicious notes start appearing that reveal harsh truths about the village inhabitants, stirring up ancient pasts, old loves, and the dead. Not even local dignitary, the elegant and aloof Lady Melling who hides in her manor house, is safe from the accusations.

Alan Moore channels both the ecstatic visions of William Blake and the theoretical physics of Albert Einstein through the hardscrabble streets and alleys of his hometown of Northampton, UK. In the half a square mile of decay and demolition that was England's Saxon capital, eternity is loitering between the firetrap housing projects. Embedded in the grubby amber of the district's narrative, among its saints, kings, prostitutes, and derelicts, a different kind of human time is happening.