Hart is a marshal, tasked with patrolling the strange and magical wilds of Tanria. It’s an unforgiving job, and Hart’s got nothing but time to ponder his loneliness. Mercy never has a moment to herself. She’s been single-handedly keeping Birdsall & Son Undertakers afloat in defiance of sullen jerks like Hart, who seems to have a gift for showing up right when her patience is thinnest. After yet another exasperating run-in with Mercy, Hart finds himself penning a letter addressed simply to “A Friend”.

Callum Flannelly would rather dive into an open grave than take a stranger to dinner. But he can only inherit the family undertaking business under one condition: He must marry before his 35th birthday. So it’s out of the mortuary and into the dating scene. Lark Thompson came to Galway, Ireland to embrace life, not be reminded of losing her husband by moving in next to a funeral home. Then, the vivacious Texan animator learns of painfully shy Callum’s dilemma and makes it her mission to help him find The One.

Ever since she was cursed by a faerie, Theodora Ettings has had no sense of fear or embarrassment—an unfortunate condition that leaves her prone to accidental scandal. Dora hopes to be a quiet, sensible wallflower during the London Season—but when Elias Wilder, the strange, handsome, and utterly ill-mannered Lord Sorcier, discovers her condition, she is instead drawn into peculiar and dangerous faerie affairs.

After losing both their parents, Bristol Keats and her sisters struggle to stay afloat in their small, quiet town of Bowskeep. When Bristol begins to receive letters from an “aunt” she’s never heard of who promises she can help, she reluctantly agrees to meet—and discovers that everything she thought she knew about her family is a lie. Even her father might still be alive, not killed but kidnapped by terrifying creatures to a whole other realm—the one he is from.

As a child, Delia Merriweather believed with all her heart that she was a witch. Because all Merriweather women were witches. There was just one problem: they had no magic. As an adult, Delia no longer believes magic even exists. However, when she accidentally breaks a hex and restores her family’s powers, she’s forced to accept a new reality: she is a witch. And maybe that’s why the crushingly handsome guy next door has been looking at her like he’s expecting her to fly off on a broomstick, cackling into the night.

Murder is not her department. It’s not like it used to be. Modern-day grim reapers wear business casual, not black cloaks, and they don’t carry scythes, they work for S. C. Y. T. H. E. (Secure Collection, Yielding, and Transportation of Human Essences), where the Department of Natural Causes is the least exciting gig. And that’s how Kathy Valence likes it: boring and predictable. She has enough stress in her personal life; she’s mid-divorce, pregnant, and terrified she doesn’t have what it takes to be a good mom. Then, she goes to pick up a new client and finds his soul is missing.

When professional—and self-taught—violinist Gwen Jackson plays, she disappears into the peaks and valleys of each song, a quiet passion that never quite explodes into pure emotion. Xander Thorne is the exact opposite. A cellist and a rock star, he’s all about big emotion, but not even his six-foot-four frame can contain his skill, his genius...and an attitude that borders on jerkitude.

Cordelia knows her mother is . . . unusual. Their house doesn’t have any doors between rooms—there are no secrets in this house—and her mother doesn't allow Cordelia to have a single friend. Unless you count Falada, her mother's beautiful white horse. The only time Cordelia feels truly free is on her daily rides with him. But more than simple eccentricity sets her mother apart. Other mothers don’t force their daughters to be silent and motionless for hours, sometimes days, on end. Other mothers aren’t sorcerers.

With ailing family to support, Evie Sage's employment status isn't just important, it's vital. So when a mishap with Rennedawn's most infamous Villain results in a job offer—naturally, she says yes. No job is perfect, of course, but even less so when you develop a teeny crush on your terrifying, temperamental, and undeniably hot boss. Don't find evil so attractive, Evie. But just when she's getting used to severed heads suspended from the ceiling and the odd squish of an errant eyeball beneath her heel, Evie suspects this dungeon has a huge rat . . . and not just the literal kind.

As a Holder’s daughter, Aspeth Honori knows the importance of magical artifacts . . . which is why it’s a disaster that her father has gambled all theirs away. Now that her family is in danger of losing their hold—and their heads—if anyone finds out the truth, Aspeth decides to do something about it. She’ll join the Royal Artifactual Guild and the adventurers who explore ancient underground ruins to retrieve the coveted arcane items. It’s a great plan—with one big problem. The guild won’t let her train because she’s a woman. Aspeth needs a chaperone of some kind.

Nineteen-year-old Signa Farrow, orphaned as a baby, has been raised by a string of guardians, each more interested in her wealth than her well-being—and each has met an untimely end. Her last remaining relatives are the Hawthornes, an eccentric family living at the glittering and gloomy estate of Thorn Grove. Thorn Grove’s patriarch, Elijah, mourns his late wife, Lillian, through wild parties and drink, while eldest son Percy grapples for control of the family’s waning reputation and daughter Blythe suffers from the same mysterious illness that killed her mother.

Kenna Heron is best known in her village for being a little wild—some say half feral—but she’ll need every ounce of that ferocity to survive captivity in the cruel Fae court. Trapped as a servant in the faeries’ underground kingdom of Mistei, Kenna must help her new mistress undertake six deadly trials, one for each branch of magic: Fire, Earth, Light, Void, Illusion, and Blood. If she succeeds, her mistress will gain immortality and become the heir to Earth House. If she doesn’t, the punishment is death—for both mistress and servant.

To all the world, Alizeh is a disposable servant, not the long-lost heir to an ancient Jinn kingdom forced to hide in plain sight. The crown prince, Kamran, has heard the prophecies foretelling the death of his king. But he could never have imagined that the servant girl with the strange eyes, the girl he can’t put out of his mind, would one day soon uproot his kingdom—and the world.

Fonda Lee returns to the acclaimed Green Bone Saga with four prequel short stories that delve into the personal histories of the Kaul and Ayt families.

Once upon a time, the kingdoms of Wales were rife with magic and conflict, and eighteen-year-old Mererid “Mer” is well-acquainted with both. She is the last living water diviner and has spent years running from the prince who bound her into his service. Under the prince’s orders, she located the wells of his enemies, and he poisoned them without her knowledge, causing hundreds of deaths. After discovering what he had done, Mer went to great lengths to disappear from his reach. Then Mer’s old handler returns with a proposition: use her powers to bring down the very prince that abused them both.

Hart is a marshal, tasked with patrolling the strange and magical wilds of Tanria. It’s an unforgiving job, and Hart’s got nothing but time to ponder his loneliness. Mercy never has a moment to herself. She’s been single-handedly keeping Birdsall & Son Undertakers afloat in defiance of sullen jerks like Hart, who seems to have a gift for showing up right when her patience is thinnest. After yet another exasperating run-in with Mercy, Hart finds himself penning a letter addressed simply to “A Friend”.

Immortal demigod Rosie Fox has been patrolling Tanria for decades, but lately, the job has been losing its luster. After one hundred and fifty-seven years of being alive, everything is beginning to lose its luster. When Rosie dies (again) by electrocution (again) after poking around inside a portal choked with shadowy thorns only she can see, she feels stuck in the rut that is her unending life. Thanks to Rosie’s meddling, the portal’s inventor, Dr. Adam Lee, must come in person to repair the damage.

As a child, Delia Merriweather believed with all her heart that she was a witch. Because all Merriweather women were witches. There was just one problem: they had no magic. As an adult, Delia no longer believes magic even exists. However, when she accidentally breaks a hex and restores her family’s powers, she’s forced to accept a new reality: she is a witch. And maybe that’s why the crushingly handsome guy next door has been looking at her like he’s expecting her to fly off on a broomstick, cackling into the night.

Ever since she was cursed by a faerie, Theodora Ettings has had no sense of fear or embarrassment—an unfortunate condition that leaves her prone to accidental scandal. Dora hopes to be a quiet, sensible wallflower during the London Season—but when Elias Wilder, the strange, handsome, and utterly ill-mannered Lord Sorcier, discovers her condition, she is instead drawn into peculiar and dangerous faerie affairs.

The mythical Vase of Venus Aurelia hasn’t been seen since 1932, but Margot Rhodes is determined to change that. Drawn by the vase’s supposed magical properties, Margot embarks on her school’s archaeological trip to Pompeii. Sure, it’s her first time holding a shovel, but she’s got something no one else does: lost teenage explorer Van Keane’s journal. Poring over the poetic entries that serve as a map to the vase’s missing shards, Margot finds herself falling in love with the boy who wrote it a century ago.

As the threat of a common enemy closes in, Ferren finds solace in the commander. While working together in the hope of saving their people, they forge a profound connection that tethers them in unexpected ways. Ferren must decide if she can go back to the stoic existence she once led when he has shown her a taste of the life she deserves.

Callum Flannelly would rather dive into an open grave than take a stranger to dinner. But he can only inherit the family undertaking business under one condition: He must marry before his 35th birthday. So it’s out of the mortuary and into the dating scene. Lark Thompson came to Galway, Ireland to embrace life, not be reminded of losing her husband by moving in next to a funeral home. Then, the vivacious Texan animator learns of painfully shy Callum’s dilemma and makes it her mission to help him find The One.

Myra has a gift many would kidnap, blackmail, and worse to control: she’s a portrait artist whose paintings alter people’s bodies. Guarding that secret is the only way to keep her younger sister safe now that their parents are gone. But one frigid night, the governor’s wife discovers the truth and threatens to expose Myra if she does not complete a special portrait that would resurrect the governor's dead son.

The kingdom of Kandala is on the brink of disaster. Rifts between sectors have only worsened since a sickness began ravaging the land, and within the Royal Palace, the king holds a tenuous peace with a ruthless hand. King Harristan was thrust into power after his parents’ shocking assassination, leaving the younger Prince Corrick to take on the brutal role of the King’s Justice. The brothers have learned to react mercilessly to any sign of rebellion - it’s the only way to maintain order when the sickness can strike anywhere.

Unable to shift for three months, Mateo Cruz knows all too well. His wolf has taken up residence in his head, taunting him night and day with vividly violent and carnal thoughts. Convinced he's cursed, he needs the help of a powerful witch before he literally goes insane. ​Evie Savoie has always obeyed the house rule of her coven: no werewolves. They're known for being volatile. So, when a distempered, dangerous werewolf strolls into the bar and almost strangles one of her late-night customers, she's ready to bounce him through the door. But she sees the desperation in his eyes....

Max is living the screenwriter dream. He's not even thirty, he's just won an Oscar, and he's dating the gorgeous star of his movie. But after that one magical night, everything crumbles. The movie star dumps him, and his latest screenplay is a blank document that stubbornly refuses to write itself. So Max decides to disappear into the middle of nowhere and maybe obscurity. He's just getting settled into his new life when suddenly someone is trying to kill him.

When professional—and self-taught—violinist Gwen Jackson plays, she disappears into the peaks and valleys of each song, a quiet passion that never quite explodes into pure emotion. Xander Thorne is the exact opposite. A cellist and a rock star, he’s all about big emotion, but not even his six-foot-four frame can contain his skill, his genius...and an attitude that borders on jerkitude.

Haelewise has always lived under the shadow of her mother, Hedda—a woman who will do anything to keep her daughter protected. For with her strange black eyes and even stranger fainting spells, Haelewise is shunned by her village, and her only solace lies in the stories her mother tells of child-stealing witches, of princes in wolf-skins, of an ancient tower cloaked in mist, where women will find shelter if they are brave enough to seek it. Then, Hedda dies, and Haelewise is left unmoored.

Once upon a time, the kingdoms of Wales were rife with magic and conflict, and eighteen-year-old Mererid “Mer” is well-acquainted with both. She is the last living water diviner and has spent years running from the prince who bound her into his service. Under the prince’s orders, she located the wells of his enemies, and he poisoned them without her knowledge, causing hundreds of deaths. After discovering what he had done, Mer went to great lengths to disappear from his reach. Then Mer’s old handler returns with a proposition: use her powers to bring down the very prince that abused them both.

Jude Maddox knows nothing of love or even light. He knows only his grim duty as the Hand of Death, to lead the Knights of the Eternal Star into a land filled with nightmares and certain demise. It’s only when he sees her—a young woman with wild, amber eyes who’s as fierce, defiant, and swift as the shadow beasts themselves—that he feels the warmth of life in his blood …