
The Vorrh
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Narrado por:
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Allan Corduner
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De:
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Brian Catling
Acerca de esta escucha
Prepare to lose yourself in the heady, mythical expanse of The Vorrh, a daring debut that Alan Moore has called "a phosphorescent masterpiece" and "the current century's first landmark work of fantasy".
Next to the colonial town of Essenwald sits the Vorrh, a vast - perhaps endless - forest. It is a place of demons and angels, of warriors and priests. Sentient and magical, the Vorrh bends time and wipes memory. Legend has it that the Garden of Eden still exists at its heart. Now a renegade English soldier aims to be the first human to traverse its expanse. Armed with only a strange bow, he begins his journey, but some fear the consequences of his mission, and a native marksman has been chosen to stop him. Around them swirl a remarkable cast of characters, including a Cyclops raised by robots and a young girl with tragic curiosity as well as historical figures, such as writer Raymond Roussel and photographer Edward Muybridge. While fact and fictional blend, the hunter will become the hunted, and everyone's fate hangs in the balance under the will of the Vorrh.
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Narración:
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In M. John Harrison’s dangerously illuminating new novel, three quantum outlaws face a universe of their own creation, a universe where you make up the rules as you go along and break them just as fast, where there’s only one thing more mysterious than darkness.
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You’ll never see anything the same way again
- De Amazon Customer en 01-30-22
De: M. John Harrison
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West Heart Kill
- A Novel
- De: Dann McDorman
- Narrado por: Robert Petkoff
- Duración: 9 h y 11 m
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When private detective Adam McAnnis joins an old college friend for the Bicentennial weekend at the exclusive West Heart club in upstate New York, he finds himself among a set of not-entirely-friendly strangers. Then the body of one of the members is found at the lake’s edge; hours later, a major storm hits. By the time power is restored on Sunday, two more people will be dead . . .
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A fun deconstruction of the mystery genre
- De Barbara S en 11-25-23
De: Dann McDorman
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Ascension
- The Trysmoon Saga, Book 1
- De: Brian K. Fuller
- Narrado por: Simon Vance
- Duración: 11 h y 43 m
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Gen was a bard's apprentice, his nimble hands meant for the lute and his voice for a song. Then the half-mad and completely bored Shadan Khairn invaded Gen's village to winter there and start a war. He shoved a sword in Gen's hands and tormented his body, shaping a bard into a warrior to be killed for sport. As the days of torture pile up like the snow, Gen searches for death. But the day is at hand when the shattered shards of the world will knit together again, and the world's slain god will be reborn.
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Fantastic Epic Fantasy
- De Andrew Stone en 05-14-15
De: Brian K. Fuller
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The Red Tree
- De: Caitlin R. Kiernan
- Narrado por: Eileen Stevens, Katherine Kellgren, Christian Rummel
- Duración: 10 h y 24 m
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Sarah Crowe left Atlanta, and the remnants of a tumultuous relationship, to live alone in an old house in rural Rhode Island. Within its walls she discovers an unfinished manuscript written by the house's former tenant - a parapsychologist obsessed with the ancient oak growing on a desolate corner of the property. And as the gnarled tree takes root in her imagination, Sarah risks her health and her sanity to unearth a revelation planted centuries ago.
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Hmmm......
- De Laura Foley Gray en 05-09-10
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The Painted Bird
- De: Jerzy Kosinski
- Narrado por: Fred Berman, Michael Aronov
- Duración: 10 h y 12 m
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A harrowing story that follows the wanderings of a boy abandoned by his parents during World War II, The Painted Bird is a dark masterpiece that examines the proximity of terror and savagery to innocence and love. It is the first, and the most famous, novel by one of the most important and original writers of this century.
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A guided tour of Hell.
- De Shawn en 12-01-11
De: Jerzy Kosinski
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The Cipher
- De: Kathe Koja
- Narrado por: Joshua Saxon
- Duración: 8 h y 52 m
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Nicholas, a would-be poet, and Nakota, his feral lover, discover a strange hole in the storage room floor down the hall - "Black. Pure black and the sense of pulsation, especially when you look at it too closely, the sense of something not living but alive." It begins with curiosity, a joke - the Funhole down the hall. But then the experiments begin. "Wouldn't it be wild to go down there?" says Nakota. Nicholas says "We're not." But they're not in control, not from the first moment, as those experiments lead to obsession, violence, and a very final transformation.
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An Interesting Book of Weird...
- De Rachael en 04-21-20
De: Kathe Koja
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Pilgrim
- A Medieval Horror
- De: Mitchell Lüthi
- Narrado por: Alan Turton
- Duración: 21 h y 27 m
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Set in 12th-century Jerusalem, Pilgrim follows the treacherous journey of a German knight and his companions as they return home after seven arduous years battling for God in the Holy Land. Within this sprawling tale lies a tapestry of medieval horror, intertwining history and folklore, encompassing both a metaphysical and literal odyssey.
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An even greater story than I had hoped for
- De RandyMarsh en 09-13-24
De: Mitchell Lüthi
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Little, Big
- or, The Fairies' Parliament
- De: John Crowley
- Narrado por: John Crowley
- Duración: 24 h y 35 m
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Edgewood - which is not found on any map - is many houses, all put inside each other or across each other. It’s filled with and surrounded by mystery and enchantment; the further in you go, the bigger it gets. Smoky Barnable, who has fallen in love with Daily Alice Drinkwater, travels from the City on foot to Edgewood, her family home. There he finds himself on the magical border of an otherworld.
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The Farther in You Go, the Bigger it Gets
- De Jefferson en 04-19-12
De: John Crowley
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Revelator
- A Novel
- De: Daryl Gregory
- Narrado por: Reagan Boggs
- Duración: 11 h y 35 m
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In 1933, nine-year-old Stella is left in the care of her grandmother, Motty, in the backwoods of Tennessee. The mountains are home to dangerous secrets, and soon after she arrives, Stella wanders into a dark cavern where she encounters the family's personal god, an entity known as the Ghostdaddy. Years later, after a tragic incident that caused her to flee, Stella - now a professional bootlegger - returns for Motty's funeral, and to check on the mysterious 10-year-old girl named Sunny that Motty adopted.
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Very Unusual
- De troconn en 10-12-21
De: Daryl Gregory
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Beyond Redemption
- Manifest Delusions, Book 1
- De: Michael R. Fletcher
- Narrado por: Paul Woodson
- Duración: 15 h y 21 m
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Common knowledge isn't an axiom, it's a force of nature. What the masses believe is. But insanity is a weapon; conviction a shield. Delusions give birth to foul new gods. Violent and dark, the world is filled with the Geisteskranken - men and women whose delusions manifest, twisting reality. High Priest Konig seeks to create order from chaos. He defines the beliefs of his followers, leading their faith to one end: a young boy, Morgen, must Ascend to become a god. A god they can control. But there are many who would see this would-be-god in their thrall....
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Extraordinarily dark and disturbing
- De Amazon Customer en 04-28-21
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Songs of a Dead Dreamer and Grimscribe
- De: Thomas Ligotti, Jeff VanderMeer - foreword
- Narrado por: Jon Padgett, Linda Jones
- Duración: 21 h y 54 m
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Thomas Ligotti’s debut collection, Songs of a Dead Dreamer, and his second, Grimscribe, permanently inscribed a new name in the pantheon of horror fiction. Influenced by the strange terrors of Lovecraft and Poe and by the brutal absurdity of Kafka, Ligotti eschews cheap, gory thrills for his own brand of horror, which shocks at the deepest, existential, levels.
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Incredible!
- De Erik McHatton en 02-27-23
De: Thomas Ligotti, y otros
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The Haar
- De: David Sodergren
- Narrado por: Mhairi Morrison
- Duración: 6 h y 56 m
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Muriel McAuley has lived in the Scottish fishing village of Witchaven all her life. She was born there, and she intends to die there. But when an overseas property developer threatens to evict the residents from their homes and raze Witchaven to the ground in the name of progress, all seems lost . . . until the day a mysterious fog bank creeps inland.
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The protagonist
- De Alyssa Scholler en 08-25-24
De: David Sodergren
Fantastic fiction with heavy religious inspiration
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What the heck!
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Unusual
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The narrator is tied with Simon Vance and Steven Pacey for my favorite narrator of all time. I think a big part of why the story works is because of his expert delivery.
Skillfully written and superbly narrated
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Incredibly complex but imaginative
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Mind blowing.
I feel like this work has given birth to a new genre impossible to name.
Hallucinatory and utterly unique
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A hundred pages into this, I had almost resolved to give it up altogether. I wanted more of our original protagonist, but the book had spun into at least half a dozen seemingly unrelated tangents. There’s a story about a cyclops being raised in the basement of a well-preserved old mansion (where disembodied creatures keep a vague but terrifying order) by creatures made of bakelite plastic. There’s a native hunter, resentful of the British who have trained and armed him, who determines to kill our bow-explorer. There’s a “Frenchman” who, as various footnotes and commentaries explain, is Raymond Rousell, the French surrealist poet, who determines to venture into the Vorrh in dilettante fashion. There’s the pioneering photographer Edward Muybridge who’s venturing around the world taking pictures and dipping a toe into the Victorian occult. There’s a vicious Scottsman, MacLeish, who oversees work crews of slaves who are the only ones able to harvest the timber of the Vorrh – and then only because they are near-zombies.
And those separate plots – I may have missed a couple – all have further branches that divide into ever smaller tributaries of narrative, only some of which later come together. It’s so busy, so crowded with strange characters and radically shifting metaphysics, that it seemed – after those first 100 pages – an impenetrable mess.
But I did keep reading. For a time it was out of perversity, with a sense that I wanted to be able to counter some of the great hype I’d heard about the book. Then I felt a growing curiosity as I saw some of the different elements beginning to cohere. And at last I discovered an unexpected and deep joy: this was a book that seemed never to exhaust its inventiveness. It implies familiar fantastic tropes, mythological possibilities, and historical touchstones, all of which come together in a balance I could never have predicted but that I can still somehow appreciate.
Nothing here turns out as you would expect. [MAJOR SPOILERS:] Williams, our bowman, loses everything – his bow, his memory, and finally his life. Ishmael, our cyclops, gets a second eye and becomes a dull figure inclined to settle down with the woman whose sight he has restored while remaining friends with the woman who “raised” him and now bears his child. The economy of the great city by the Vorrh begins to falter as the slave work crews have fled and no one can bring in the wood. What begins as a quest concludes as a murder but, maybe, we see our hunter Tsungali assume the mantle and proceed in what will be the second part of the trilogy.
[END SPOILER:] The surprising and, to some readers I imagine, disappointing outcomes are only part of what makes this a concussive, memorable work. This is – as Alan Moore says in his spectacular afterword – an effort to wrest the fantasy novel from the narrow tropes and signifiers of the post-Tolkien experience. This is fantasy written by someone who may never have read a word of George R.R. Martin, and that’s all to the good even as Martin does many things very well.
Moore’s point, one I’ve tried to make without Moore’s articulateness, is that the imagination ought to be freer to follow its own course. All of this book is vaguely familiar, yet none of it proceeds as we expect it might. This is a glimpse of how we might free fantasy from the tyranny of the Tor paperback, those punishingly long “high fantasies” of kingdoms governed by rules from what Blake would have called “Newton’s night” rather than from a truly unfettered imagination.
I see some reviewers comparing this to the Gormenghast trilogy, and I do buy it. Gormenghast is haunted by what-might-have-beens, though – a fine ambition, but one that makes it feel as if we are coming too late to the real magic of its vision – while this feels more like ever-unfolding possibility.
By way of comparison, I’d add Drew Magary’s The Hike and Josiah Bancroft’s Sendlin Ascends, recent books that explore a similar refusal to play by “the conventions” of the quest narrative and, instead, plunge into the surreal and imaginative. Solid as each of those is, though, neither is at this level.
Instead, the only comparison that really holds for me is Alan Moore’s own Jerusalem, a vast and ambitious novel that begins not with the surreal but with the lower-case-D divine of Blake himself.
I’d rank Jerusalem even above this – it’s more coherent while achieving a similar sense of deep wonder – but I have two more books of Catling’s trilogy to go so maybe it will get there by the end.
You’ll know if this sounds too busy and too strange for you, and, if it is, stay away. If you’re intrigued, though, if you think there’s a chance that the deep weird might attract you, then give this a shot. With Moore’s Jerusalem and a handful of other books, it’s at the heart of a set of novels showing the potential for the true fantastic to produce a literature as vast and colorful as dream.
A Glimpse of All that Fantasy Might Make Possible
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Poetic, unique, disjointed, boring.
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One of the most original works of fantasy published this century
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Here there be monsters
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