“Come home.” Vera’s mother called and Vera obeyed. In spite of their long estrangement, in spite of the memories — she's come back to the home of a serial killer. Back to face the love she had for her father and the bodies he buried there, beneath the house he'd built for his family.

Art Barbara was so not cool. He was a seventeen-year-old high school loner in the late 1980s who listened to hair metal, had to wear a monstrous back-brace at night for his scoliosis, and started an extracurricular club for volunteer pallbearers at poorly attended funerals. But his new friend thought the Pallbearers Club was cool. And she brought along her Polaroid camera to take pictures of the corpses.

During the overthrow of the Mexican government, Beatriz’s father was executed and her home destroyed. When handsome Don Rodolfo Solórzano proposes, Beatriz ignores the rumors surrounding his first wife’s sudden demise, choosing instead to seize the security that his estate in the countryside provides. She will have her own home again, no matter the cost. But Hacienda San Isidro is not the sanctuary she imagined. Something is wrong with the hacienda. And no one there will save her. Far from a refuge, San Isidro may be Beatriz’s doom.

Alison has never been a fan of Christmas. But with it right around the corner and her husband busily decorating their cozy Vermont home, she has no choice but to face it. Then she gets the call. Mavis, Alison’s estranged mother, has been diagnosed with cancer and has only weeks to live. She wants to spend her remaining days with her daughter’s family. But Alison grew up with her mother’s alcoholism and violent abuse and is reluctant to unearth these traumatic memories.

Nobody has a “normal” family, but Vesper Wright’s is truly...something else. Vesper left home at eighteen and never looked back—mostly because she was told that leaving the staunchly religious community she grew up in meant she couldn’t return. But then an envelope arrives on her doorstep.

This forest isn't charted on any map. Every car breaks down at its treeline. Mina's is no different. Left stranded, she is forced into the dark woodland only to find a woman shouting, urging Mina to run to a concrete bunker. As the door slams behind her, the building is besieged by screams. Mina finds herself in a room with a wall of glass, and an electric light that activates at nightfall, when the watchers come above ground. These creatures emerge to observe their captive humans and terrible things happen to anyone who doesn't reach the bunker in time.

When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world. Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success.

Fresh out of rehab, Mallory Quinn takes a job as a babysitter for Ted and Caroline Maxwell. She is to look after their five-year-old son, Teddy. Mallory immediately loves it. She has her own living space, goes out for nightly runs, and has the stability she craves. And she sincerely bonds with Teddy, a sweet, shy boy who is never without his sketchbook and pencil. His drawings are the usual fare: trees, rabbits, balloons. But one day, he draws something different: a man in a forest, dragging a woman’s lifeless body.

It’s the day of his ex-wife’s wedding when Dan makes the winding mountain journey to a remote cabin for an escape from the life that another man has stepped into. Less than 48 hours into his reprieve, the forest tranquility is shattered when he looks through a telescope and witnesses the violent abduction of a young woman. Dan springs into action, but there’s no evidence of an abduction nor reports of a missing woman. That is, until Dan sees the missing person’s poster for Ivy Trent.

"Mom seems off." Her brother's words echo in Sam Montgomery's ear as she turns onto the quiet North Carolina street where their mother lives alone. She brushes the thought away as she climbs the front steps. Sam's excited for this rare extended visit, and looking forward to nights with just the two of them, drinking boxed wine, watching murder mystery shows, and guessing who the killer is long before the characters figure it out. But stepping inside, she quickly realizes home isn’t what it used to be.

1978: At her renowned treatment center in picturesque Vermont, the brilliant psychiatrist, Dr. Helen Hildreth, is acclaimed for her compassionate work with the mentally ill. But when she’s home with her cherished grandchildren, Vi and Eric, she’s just Gran—teaching them how to take care of their pets, preparing them home-cooked meals, providing them with care and attention and love.

Willy and Marianne’s farmhouse in Maine has acres of meadow and fresh air, and a lonesome bridle path in the forest along which Willy daydreams and ambles. When he’s loaned a decrepit old baby stroller to cart his groceries home, the rickety squeak of the wheels comforts him. So do the sweet coos of a baby Willy knows can’t be real. Can it? In this twisted thicket, wishes come true—with a price.

16-year-old Mara Westray has just lost her mother, and now, being shipped off to live with the father she doesn’t know is not how she imagined grieving. She's already counting down the days until she turns 18 and can leave the tiny island of Swans Landing. But from the moment she steps off the ferry, nothing is as ordinary as it looks. As she tries to unravel the events that led to her mom fleeing the island 16 years ago, Mara finds that the biggest secret of all is only the beginning.

Mary is a quiet middle-aged woman doing her best to blend into the background. Unremarkable. Invisible. Unknown even to herself. But lately, things have been changing inside Mary. Along with the hot flashes and body aches, she can’t look in a mirror without passing out, and the voices in her head have been urging her to do unspeakable things. Fired from her job in New York, she moves back to her hometown hoping to reconnect with her past and inner self. What she finds instead are visions of terrifying mutilated specters that come with increasing regularity.

Lillian Linden is a liar. On the surface, she looks like a brave survivor of a plane crash. But she's been lying to her family, her friends, and the whole world since rescue helicopters scooped her and her fellow survivor, Dave Hall, off a deserted island in the South Pacific. Missing for almost two years, the castaways are thrust into the spotlight after their rescue, becoming media darlings overnight. But they can't tell the real story--so they lie.

Asher Todd comes to live with the mysterious Morwood family as a governess to their children. Asher knows little about being a governess but she is skilled in botany and herbcraft, and perhaps more than that. And she has secrets of her own, dark and terrible—and Morwood is a house that eats secrets. With a monstrous revenge in mind, Asher plans to make it choke. However, she becomes fond of her charges, of the people of the Tarn, and she begins to wonder if she will be able to execute her plan—and who will suffer most if she does.

State Road 177 runs along the Suwannee River, between Fargo, Georgia, and the Okefenokee Swamp. Drive that route from east to west, and you'll cross six bridges. Take it from west to east, and you might find seven. But you'd better hope not. Titus and Melanie Bell leave their hotel in Fargo for a second honeymoon canoeing the Okefenokee Swamp. But shortly before they reach their destination, they draw up to a halt at the edge of a rickety bridge with old stone pilings, with room for only one car....

Tamsyn Pride knows someone–or something–killed her grandmother. But every attempt she makes to catch the killer is met with whispers behind her back and suspicious looks. In the sleepy village of Much Wenlock, everyone has a secret. Everyone has something to hide.

Ella Louise has lived in the woods surrounding Pilot's Creek, Virginia, for nearly a decade. Publicly, she and her daughter Jessica are shunned by their upper-crust family and the Pilot's Creek residents. Privately, desperate townspeople visit her apothecary for a cure to what ails them - until Ella Louise is blamed for the death of a prominent customer. Accused of witchcraft, both mother and daughter are burned at the stake in the middle of the night.

Sally has recently left an unfulfilling job to volunteer at a living history museum, where she is assigned to the Death House. Every day, she dons Victorian mourning garb and describes traditional funeral services to tourists. It sounds depressing as hell, but for Sally, it’s less depressing than her tepid marriage to her childhood sweetheart. This becomes all too clear when she accidentally travels through time and space to a liminal world where the ghosts of the living history museum haunt its grounds. There, she meets and falls hard for Victorian-era pretty boy Nathaniel.

One last laugh for the summer as it winds down. One last prank just to scare a friend. Bringing a mannequin into a theater is just some harmless fun, right? Until it wakes up. Until is starts killing. Luckily, Sawyer has a plan. He'll be a hero. He'll save everyone to the best of his ability. He'll kill as many people as he needs to so he can save the day. That's the thing about heroes - sometimes you have to become a monster first.

Jessamyn Teoh is closeted, broke, and moving back to Malaysia, a country she left when she was a toddler. So when Jess starts hearing voices, she chalks it up to stress. But there's only one voice in her head, and it claims to be the ghost of her estranged grandmother, Ah Ma. In life Ah Ma was a spirit medium, the avatar of a mysterious deity called the Black Water Sister. Now she's determined to settle a score against a gang boss who has offended the god - and she's decided Jess is going to help her do it.

Orphaned as a young child, Mirin O'Malley has been brought up by her grandparents on their isolated, rambling estate Hob's Hallow. Long ago her family prospered due to a deal struck with the mer, the terrifying creatures who live in the depths of the sea: safety for their merchant ships in return for a child of each generation. But for many years the family have been unable to keep their side of the bargain and their fortunes have suffered as a result. When Mirin's grandfather dies, her grandmother puts in train a plan to restore their glory - but at the price of Mirin's freedom.

Paul Gallo saw the report on the news: a mass murderer leading police to his victims' graves in remote Dread's Hand, Alaska. It's not even a town; more like the bad memory of a town. The same bit of wilderness where his twin brother went missing a year ago. As the bodies are exhumed, Paul travels to Alaska to get closure and put his grief to rest. But the mystery is only beginning. What Paul finds are superstitious locals who talk of the devil stealing souls, and a line of wooden crosses to keep what's in the woods from coming out.

A lyrical and dreamy reimagining of Dracula's brides, A Dowry of Blood is a story of desire, obsession, and emancipation. Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realizes that her beloved is capable of terrible things. Finding comfort in the arms of her rival consorts, she begins to unravel their husband's dark secrets.

Her name was written in the pages of someone else’s story: Lucy Westenra was one of Dracula’s first victims. But her death was only the beginning. Lucy rose from the grave a vampire and has spent her immortal life trying to escape from Dracula’s clutches—and trying to discover who she really is and what she truly wants.

Business consultant Rose Josten might not have officially reached “pug lady” middle age, but she’s already got the pugs—along with their little Gucci coats and trash-lovin’ appetites. Still, life is good, with her work, her sisters, and a secret hobby creating incredibly tactile (if surprisingly sexy) mindfulness videos. So why does it feel like it’s not quite enough? Which is exactly when former filmmaker Ash Stewart enters camera left, and Rose’s world suddenly goes full technicolor . . .

Tananarive Due, author of The Living Blood won the American Book Award and is praised as Stephen King's equal by Publishers Weekly. In The Good House, Due sets a story of ancient powers and modern retribution in a small Pacific Northwest town. When a young woman returns to her grandmother's empty mansion, she is pitted against demonic forces that have poisoned her family for generations.

Fourteen-year-old Mona isn't like the wizards charged with defending the city. She can't control lightning or speak to water. Her familiar is a sourdough starter, and her magic only works on bread. She has a comfortable life in her aunt's bakery making gingerbread men dance. But Mona's life is turned upside down when she finds a dead body on the bakery floor. An assassin is stalking the streets of Mona's city, preying on magic folk, and it appears that Mona is his next target. And in an embattled city suddenly bereft of wizards, the assassin may be the least of Mona's worries.

For nearly two decades, Jamie Warren has been running from darkness. He's haunted by a traumatic childhood and the guilt at having disappeared from his disabled brother's life. But then a series of unusual events reunites him with his estranged brother and their childhood friends, and none of them can deny the sense of fate that has seemingly drawn them back together. Nor can they deny the memories of that summer, so long ago—the strange magic taught to them by an even stranger man, and the terrible act that has followed them all into adulthood.