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Tunnel Rat 3

A LitRPG Adventure

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Tunnel Rat 3

De: Walrus King
Narrado por: Garrett Michael Brown
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Milo needed a break from fighting giant monsters, insane wizards, and the constant gang warfare of Shadowport.

The World Boss he'd accidentally woken up was dead. The annoying wizard who'd captured him was lost in the void along with his annoying little dragon, his airship stolen, and his library destroyed. That left him free to go exploring in the dark tunnels beneath the city.

He'd thought that as a were-rat he was unique, but he's heard a rumor of a small town of ratkin living beneath the city and sets out to find it.

Limburger Hollow will test him in new ways. Friendly people will welcome him to their town, and then toss him into the fighting pits, wizardly duels, and competitions between the local assassins who love to play a game called Surprise!

But Milo loves a challenge, and if he doesn't know all the rules, he'll make up some of his own.

Book 3 of this unique spin on LitRPG featuring an unusual MC you can't help but root for. Featuring plenty of humor, action, thievery, ninja abilities, a detailed world and System, science skills, magic tinkering, item invention, and more originality than you can shake a rat tail at!

©2025 Aethon Books (P)2025 Aethon Audio Acción y Aventura Comedia Fantasía Mágico Ingenioso Hechicería Usuarios de magia
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The book is addicting. It keeps you interested without it being all fighting and isn’t heavy.

Entertaining

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It feels like a standalone as many characters are completely ignored in this story. 95% of the story takes place in the game world and zero progress on any plots from previous books. The author takes a step back from game mechanics, levels, and the system. I see this as a good thing as the author wasn't very good with the numbers and the game was very imbalanced. The feel of the story is different with more points of view and an effort to make a web of schemes. This both fun and not fun. Two villain's(the mage included) who are slavers is a unfortunate trend, Slavers just make me sick reading of them, thinking of all their victims and are a big minus to fantasy stories with them. If you ignore any of the numbers involved, the fights are fun. The author needs to work on their multiple people vs people fights though. All in all, it feels like an 'ok' filler used to explore some small differences in writing plot. Many new people/enemies at lose ends to pop up later. I miss the Game Engine talking to Milo in prompts the most.

Standalone feeling

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Loved the story on RR and found this audiobook to be a step up from the previous two in terms of narration. Dwarves , Pirates and especially Pirate Dwarves make everything better. The beer does not hurt either :)

Fun mix of science, magic and engineering .

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another absolutely amazing book in such a great series.
Plus, Garrett Michael Brown is just outstanding!

already can't wait for next one!

cozy & exciting

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Now everybody's playable, and we get to see what the culture is for this, particularly interesting, main character, and we get to see what happens with all his friends as we tie up old storylines and start new ones. And we get to see the political areas of
The minds and we get to see something of The progression of the character outside of the video game

Now everybody's playable

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This book is a massive step down from the previous two. It feels like a completely different series.

Granny Gherkin and the Pickle Boys are trying to steal the jelly bean trees! Seriously!?! What is going on in this book? Half way through and the story has taken a nose dive into nonsense.

The last two books had focus and progressed quickly, but this one is constantly changing perspectives and story lines. Every time the story starts to get going it switches to a different group of people or jumps back in time. It's extremely frustrating.

The main character no longer makes any sense. It seems like the author forgot about the abilities he gave him before. He was a highly intelligent and observant person. Now he is just making pancakes and is completely oblivious to everything going on around him. Making all the characters stupid and obtuse to move the plot line along is just lazy writing. If it's obvious who the bad guys are to the reader. Dangling all the clues for the reader but having every character just straight up ignore it feels forced.

I listened to the first 2 books just before this this one gave me whiplash it was such a big change in tone and style.

Is the author on drugs? This is not the same story

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