"An intensely personal and engrossing portrait of a bygone era... An avid partier and drinker in the right place at the right time, the author met and/or befriended a variety of the celebrities of the day, many of whom would go on to become legends (Patti Smith, Andy Warhol, David Bowie). Hannah's frequently poetic descriptions of his underground cohorts recalls Genet's parade of subversive heroes, and the author's enthusiasm for la vie boheme and general disdain for the square world at times reads like a cross between a glam-rock Kerouac and a stoned Holden Caulfield (in the best possible way).... Devotees of the underground art and punk scenes of 1970s New York will devour Hannah's journals, each page of which contains something fascinating or worthy of note - best enjoyed while listening to Bowie's 'Diamond Dogs,' Television's 'Marquee Moon,' and Patti Smith's 'Horses.'" (Kirkus Reviews)

"In early '70s downtown NYC, Duncan Hannah was one of the wild boys, precocious and impossibly gorgeous. Besotted with lust and relentless intoxication David Bowie's "Rebel, Rebel" tolled for him. These diaries, hidden away for ages, are like the Dead Sea Scrolls of a mythological Lower Manhattan underground, where the New York Dolls glitter-rock brigade made way for the CBGB revolution of Patti Smith and Television. With gobs of Warholian gossip and passionate listings of all the most radical records, books and films of the day, Twentieth Century Boy immerses the reader in a history of beauty from the Nouvelle vague to meetings with David Hockney. As the writing progresses from rat-a-tat teen beat to more adult considerations, we glean Duncan's romance and eventual providence: to be cool is not the point, being an artist in love with the universe is." (Thurston Moore, co-founder of Sonic Youth)

"Arriving in New York in 1973, the Minneapolis-born painter Duncan Hannah quickly immersed himself in the downtown art-and-music scene. These journal entries from the time chronicle young adulthood and a phantasmagoria of alcohol, sex, art, conversation, glam rock, and New Wave cinema. Hannah's writing combines self-aware humor with an intoxicating punk energy. Gregarious and game, he seems to know everyone; at one point, he winds up in a limo bound for a drag club with Andy Warhol, Bryan Ferry, and David Bowie. Somehow, by the end of the book, he's become a real artist." (The New Yorker)