It’s spring of 2020 and Rachel Bloomstein—mother of three, recent divorcée, and Brooklynite—is stuck inside. But her newly awakened sexual desire and lust for a new life refuse to be contained. Leaning on her best friend Lulu to show her the ropes, Rachel dips a toe in the online dating world, leading to park dates with younger men, flirtations with beautiful women, and actual, in-person sex. None of them, individually, are perfect . . . hence her rotation. But what if one person could perfectly cater to all her emotional needs?

A carefree New England vacation is just what sixteen-year-old Lucia needs to chase her sadness away. At least, according to her mom, who whisks them away for the summer with her ridiculously wealthy new boyfriend. Nothing bad happens in Nantucket, a charming island with cobblestone streets and million-dollar cottages. But when Lucia stumbles upon the body of a teenage girl on a beach, the discovery reopens old wounds from her past. With the dead girl's identity a mystery, Lucia takes it upon herself to investigate and crosses paths with Selah and her pack of devil-may-care besties.

Tam hasn’t eaten anyone in years. She is now Mama’s soft-spoken, vegan daughter—everything dangerous about her is cut out. But when Tam’s estranged Aunt Tigress is found murdered and skinned, Tam inherits an undead fox in a shoebox, and an ensemble of old enemies. The demons, the ghosts, the gods running coffee shops by the river? Fine. The tentacled thing stalking Tam across the city? Absolutely not.

Cherry Hendricks might be down on her luck, but she can write the book on what makes something funny: she’s a professional clown who creates raucous, zany fun at gigs all over Orlando. Between her clowning and her shifts at an aquarium store for extra cash, she’s always hustling. Not to mention balancing her judgmental mother, her messy love life, and her equally messy community of fellow performers. Things start looking up when Cherry meets Margot the Magnificent—a much older lesbian magician—who seems to have worked out the lines between art, business, and life.

When Emma meets Matthew, a kind, handsome widower, he seems to be just what she needs. Yet as their relationship moves fast, Emma’s friends worry she might be exploited. She’s a rich woman after all. Emma doesn’t care Matthew has no money. But as the memory of his perfect first wife hangs over them, Emma does have one tiny doubt. If Matthew’s wife hadn’t died, he wouldn’t be with her. And Emma wonders if she’s second best. Can she ever fill the dead woman’s shoes?