The Crocodile, the Devourer of Men, has devoured something he shouldn’t: a Myth Maker Witch. Now, with the witch’s dark power swirling inside of him, he’s losing control of his monster and quickly making his way through my ship and my crew. It’s only me and Wendy Darling who can pull him back. But even we know time is running out.

Morsel is a chilling testament to the burden of generational poverty and the all-consuming nature of capitalism, where the monster and the monstrous, in the end, are not the same.

After Bristol Keats nearly loses her beloved King Tyghan to the monsters her mother had unleashed, their love deepens to a whole new level. Together, Bristol and Tyghan work to understand and reconcile their differences, moving forward with their common goal of saving Elphame. But when a daring rescue attempt turns into a disaster, and a beloved knight dies, Bristol is forced to confront the fact that her mother is more powerful than she could have ever imagined—and more dangerous.

When Maggie wakes up cold, filthy, and naked in a gutter, it doesn't take her long to recognize Kair Toren, a city she knows intimately from the pages of the famously unfinished dark fantasy series she's been obsessively reading and re-reading while waiting years for the final novel. Her only tools for navigating this gritty world of rival warlords, magic, and mayhem? Her encyclopedic knowledge of the plot, the setting, and the characters' ambitions and fates.

I have few friends and fewer allies. What I do have on the island of Everland is a lot of people who want me gone. So when the Crocodile and Captain Hook reappear in my life, I am in no mood. And worse, they’re unknowingly endangering themselves by asking for me by a name I long considered dead. Now, not only do I have to save myself, I have to save the two men who I swore I would murder with my bare hands if I ever set eyes on them again considering they abandoned me.