The new book censor hasn't slept soundly in weeks. By day he combs through manuscripts at a government office, looking for anything that would make a book unfit to publish-allusions to queerness, unapproved religions, any mention of life before the Revolution. By night the characters of literary classics crowd his dreams, and pilfered novels pile up in the house he shares with his wife and daughter. As the siren song of forbidden reading continues to beckon, he descends into a netherworld of resistance fighters, undercover booksellers, and outlaw librarians.

Two couples in two separate but similar times-set against a backdrop of political disappointment and intellectual controversy-face the challenges of marriage, fidelity, and pregnancy. Lauren Elkin's Scaffolding is about the way our homes hold communal memories of all their inhabitants and their stories; about the bonds we create, and the difficulty of ever fully severing them; about the ways people we've loved live on in us.

Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate’s dreary confines come with an intimate knowledge of the perversions and pathetic preoccupations of the Pounds family—Mr. Pounds can’t keep his eyes off Winifred’s chest, and Mrs. Pounds takes a sickly pleasure in punishing Winifred for her husband’s wandering gaze.

Thrift fashionista Dez Lane doesn't want to date Patrick Ruskin; she just wants to meet his mother, the editor-in-chief of Nouveau magazine. When he invites her to his family's big Easter reunion at their ancestral home, she's certain she can put up with his arrogance and fend off his advances long enough to ask Marie Caulfield-Ruskin for an internship someone with her pedigree could never nab through the regular submission route. But once all the family members are on the island and the ferry has departed, things take a dark turn.

Lauded for the power of her writing and having attracted an online fan base of millions for her extraordinary spoken-word performances, Olivia Gatwood now weaves together her own coming-of-age with an investigation into our culture’s romanticization of violence against women. At times blistering and riotous, at times soulful and exuberant, Life of the Party explores the boundary between what is real and what is imagined in a life saturated with fear. Gatwood asks, How does a girl grow into a woman in a world racked by violence? Where is the line between perpetrator and victim?

A modern story of family, I’ll Come to You chronicles intersecting lives over the course of one year—1995—anchored by the anticipation and arrival of a child. With empathy, insight, and humor, Rebecca Kauffman explores overlapping narratives involving a couple whose struggle to become pregnant has both softened and hardened them; a woman whose husband of forty years has left her for reasons he’s unwilling to share and the man who is now attempting to woo her; and a couple in denial about a looming health crisis as well as their son who is fumbling toward middle age and can’t stop lying.

It’s been raining for a long time now, so long that the land has reshaped itself and old rituals and religions are creeping back into practice. Sisters Isla, Irene, and Agnes have not spoken in some time when their father, an architect as cruel as he was revered, dies. His death offers an opportunity for the sisters to come together in a new way. In the grand glass house they grew up in, their father’s most famous creation, the sisters sort through the secrets and memories he left behind, until their fragile bond is shattered by a revelation in his will.

Dominoes opens in London, twenty-nine days before a young couple’s wedding. Layla is a mixed-race woman—with a Black, Jamaican mother, and a white father she’s never met—and Andy is a white man of Scottish descent. When they first meet at a party, they can’t believe how instant their chemistry is, and how quickly their relationship unfolds. Funnily enough, they even share a last name: McKinnon.

One of the most recognizable young poets in America, Olivia Gatwood dazzles with her tribute to contemporary American womanhood in her debut book, New American Best Friend. Gatwood's poems deftly deconstruct traditional stereotypes. The focus shifts from childhood to adulthood, gender to sexuality, violence to joy. And always and inexorably, the book moves toward celebration, culminating in a series of odes: odes to the body, to tough women, to embracing your own journey in all its failures and triumphs.

Connie can't deny she's nervous about meeting her boyfriend's family. Spending the weekend at their ritzy woodland summer home, Evan's already given her fair warning that his parents are cold, snobbish, and especially unpleasant toward those outside their usual social circles. So when Evan's mother warmly greets them with open arms, Connie is as confused as he is. They're so friendly, in fact, Evan himself can hardly believe they're real. Then, while helping Evan's mother with dinner, Connie overhears strange noises coming from the basement—what almost sounds like voices calling out for help.

Linda is doing her best to lead a life that would appear normal to the casual observer. Weekdays, she earns $20 an hour moderating comments for a video-sharing platform, then rides the bus home to the windowless garage she rents on the outskirts of San Francisco. But on the last Friday of each month, she indulges her true passion, taking BART to SFO for a round-trip flight to a regional hub. The destination is irrelevant, because each trip means a new date with a handsome stranger—a stranger with intelligent windscreens, sleek fuselages, and powerful engines.

This will be the first authoritative trade book to unpack the concept of a cap on wealth, where to draw the line, how to collect the excess, and what to do with the money. In the process, Robeyns ignites an urgent debate about wealth, one that calls into question the very forces we live by (capitalism and neoliberalism) and invites us to a radical reimagining of our world.

Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago's lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family's decaying Mexico City estate. Eventually, Monstrilio begins to resemble the Santiago he once was, but his innate impulses—though curbed by his biological and chosen family's communal care—threaten to destroy this fragile second chance at life.

On a White Night in 2019, prima ballerina Natalia Leonova returns to St. Petersburg two years after a devastating accident that stalled her career. Once the most celebrated dancer of her generation, she now turns to pills and alcohol to numb the pain of her past. She is unmoored in her old city as the ghosts of her former life begin to resurface: her loving but difficult mother, her absentee father, and the two gifted dancers who led to her downfall. One of those dancers, Alexander, is the love of her life, who transformed both Natalia and her art.

One Sunday afternoon in Southern California, Bert Cousins shows up at Franny Keating's christening party uninvited. Before evening falls, he has kissed Franny's mother, Beverly - thus setting in motion the dissolution of their marriages and the joining of two families.

An hour from the closest West Virginia mining town, 15-year-old Wren Bird lives in a cloistered mountain cabin with her parents. Every Sunday, Wren's father delivers winding sermons in an abandoned gas station. But over the course of one summer, a miracle performed by Wren's father quickly turns to tragedy. As the order of her world begins to shatter, Wren must uncover the truth of her father's mysterious legend and her mother's harrowing history and complex bond with her best friend.

When Leona Warlon heads across the city to meet her husband, David, for a rare dinner out, she hopes they can share a moment of relief after their year of loss. But Leona quickly realizes this is no ordinary date night. She hasn’t just stepped into an upscale ristorante; she’s stepped into a different version of her life. One in which her marriage is no longer tender, in which her days are pressured by her powerful in-laws, and in which her precious baby girl lived.

Katherine, an attentive mother to her teenagers, comfortably married to her strapping provider of a husband, longs to overcome her dark thoughts and intermittent fears of sexual intimacy. This brisk, mesmerizing version of her life is told in alternating short chapters by Truitt, Star, and Smooshed Bug—her inner children, each with their particular strategy for coping with Katherine’s past at the hands of a hopeless mother and a terrifying, seductive father.

Diana Wood has a job she likes and a husband, Oliver, she loves. Together, they have a daughter they adore. She and Oliver spend so much time together that they even carpool to work in the same office. They’re in married love, which isn’t exactly the same as love love, but it’s fine. Or is it? Is fine good enough?

At 40, May Attaway is more at home with plants than people. Over the years, she's turned inward, finding pleasure in language, her work as a gardener, and keeping her neighbors at arm's length while keenly observing them. But when she is unexpectedly granted some leave from her job, May is inspired to reconnect with four once close friends. She knows they will never have a proper reunion, so she goes, one by one, to each of them. A student of the classics, May considers her journey a female Odyssey.

About her debut, Out of Love, Hazel Hayes said, “The journey from writing horror to writing love stories was a short one. There is nothing more horrific than love.” In her new novel, she sets out to prove it. This genre-defying, meta-modern novel is unlike anything you have ever heard, and yet at its core it is a story we all deeply understand. A story of love and liminality, and the ways in which grief grips us all. Prepare to laugh and cry; Hazel Hayes will break your heart, but then she’ll mend it for you.

Dominoes opens in London, twenty-nine days before a young couple’s wedding. Layla is a mixed-race woman—with a Black, Jamaican mother, and a white father she’s never met—and Andy is a white man of Scottish descent. When they first meet at a party, they can’t believe how instant their chemistry is, and how quickly their relationship unfolds. Funnily enough, they even share a last name: McKinnon.

Written in a voice that’s alternately humorous, lacerating, and wise, Long Division features two interwoven stories. In the first, it’s 2013: after an on-stage meltdown during a nationally televised quiz contest, fourteen-year-old Citoyen “City” Coldson becomes an overnight YouTube celebrity. The next day, he’s sent to stay with his grandmother in the small coastal community of Melahatchie. Before leaving, City is given a strange book without an author called Long Division. He learns that one of the book’s main characters is also named City Coldson—but Long Division is set in 1985.

Billington, Texas, is a place where nothing changes. Well, almost nothing. For the first time in nearly four decades, Mary Alice Roth is not getting ready for the first day of school at Billington High. A few months into her retirement—or, district mandated exile as she calls it—Mary Alice does not know how to fill her days.

Lucy Hull, a young children's librarian in Hannibal, Missouri, finds herself both a kidnapper and kidnapped when her favorite patron, 10-year-old Ian Drake, runs away from home. The precocious Ian is addicted to reading but needs Lucy's help to smuggle books past his overbearing mother, who has enrolled Ian in weekly antigay classes with celebrity Pastor Bob. Lucy stumbles into a moral dilemma when she finds Ian camped out in the library after hours with a knapsack of provisions and an escape plan.

Early 1900s: The world belongs to men, and the art world in Stockholm, Sweden, is no different, until Hilma af Klint brings together a mysterious group of female painters and writers—Anna, Cornelia, Sigrid, and Mathilda—to form their own emotional and artistic support system. The members of the Friday Night Club find themselves thrust into uncharted territory when Hilma and her best friend, Anna, begin dabbling in the occult, believing that through séances they can channel unseen spirits to help them achieve their potential as artists.

On paper, Gemma's life is just like any other successful, single thirtysomething. Her students adore her. She lives in a cute beachside cottage next door to the world's sweetest neighbor, Margie. And she's definitely caught the eye of Karim, the resident hot PE teacher at her school. But every day of her life, she can't get one thing out of her mind: the baby she gave up for adoption when Gemma was just sixteen years old. This is the year that Baby--the only name Gemma has for her little girl--will turn eighteen. And it might be the year she actually meets her daughter face-to-face.

Born with mysterious powers she does not know how to control, young Jieun accidentally causes her family to vanish. She vows to live a million lives in search of them. Finally, one night, she brings the Marigold Mind Laundry into existence. Its service: to remove the deepest pain from our hearts. Jieun listens while customers share their unhappy memories. As they speak, she transfers their sadness onto T-shirts as stains. After a spin in the washing machine, the stains become flower petals that soar into the air, and Jieun’s customers find solace.

In present-day Greece, deep in an ancient forest, lives a family: Irini, a musician, who teaches children to read and play music; her husband, Tasso, who paints pictures of the forest, his greatest muse; and Chara, their young daughter, whose name means joy. On the fateful day that will forever alter the trajectory of their lives, flames chase fleeing birds across the sky. The wildfire that will consume their home, and their lives as they know it, races toward them.

Mary Davies finds safety in her ordered and productive life. Working as an engineer, she genuinely enjoys her job and her colleagues—particularly a certain adorable and intelligent consultant. But something is missing. When Mary’s estranged childhood friend, Isabel Dwyer, offers her a two-week stay in a gorgeous manor house in England, she reluctantly agrees in hopes that the holiday will shake up her quiet life in just the right ways.