Episodios

  • Curls, Coils, and Pixels: Researchers Crack the Code on Black Hair Animation
    Jun 25 2025
    The animation industry has long struggled to get Black hair right — from the infamous “Killmonger locs,” named after the Black Panther character and copied across video games, to the stiff, oversized afros of The Sims 4. As it turns out, hair animation tools were built almost exclusively with straight hair in mind. Two researchers, A.M. Darke and Theodore Kim, recently published a landmark paper about the physics of animating curly, coiled, and afro-textured hair. Morgan sits down with A.M. and Theodore as they discuss the surprising pushback they encountered in the animation industry, the findings of their paper, and the uphill battle they faced in getting this field of study recognized within academia. Guests: A.M. Darke, artist, game designer, and an associate professor of Performance, Play, & Design at UC Santa Cruz Theodore Kim, Professor of Computer Science at Yale University Further reading: Lifted Curls: A Model for Tightly Coiled Hair Simulation - Alvin Shi, Haomiao Wu, A.M. Darke, and Theodore Kim Curly-Cue: Geometric Methods for Highly Coiled Hair - Alvin Shi, Haomiao Wu, A.M. Darke, and Theodore Kim The 'Killmonger Cut' Is Everywhere In Games, Here's Why the Industry Needs to Fix This — Trone Dowd, IGN We’re Much Closer to A Disney Princess With Type 4 Hair — Essence Gant, Allure Open Source Afro Hair Library - A.M. Darke Read the transcript here Want to give us feedback on the series? Shoot us an email at CloseAllTabs@KQED.org You can also ⁠follow us on Instagram Credits: This episode was reported and hosted by Morgan Sung. Our Producer is Maya Cueva. Chris Egusa is our Senior Editor. This episode was edited by Chris Hambrick and Chris Egusa. Jen Chien is KQED’s Director of Podcasts, and also helps edit the show. Sound design by Maya Cueva, Chris Egusa and Brendan Willard. Original music by Chris Egusa, with additional music from APM. Mixing and mastering by Brendan Willard. Audience engagement support from Maha Sanad and Alana Walker. Katie Sprenger is our Podcast Operations Manager. Holly Kernan is our Chief Content Officer. Learn more about your ad choices. Visit megaphone.fm/adchoices
    Más Menos
    34 m
  • The Spotify Effect, Pt 2: Micro-Genre Madness
    Jun 18 2025
    Spotify didn’t just change how we listen to music — it changed what a genre even is. In this episode, producer and rapper Quinn reflects on being thrust into the spotlight at age 15 as one of the breakout faces of Spotify’s meteoric Hyperpop playlist.. Then, music journalist Kieran Press-Reynolds breaks down how Spotify’s made-up micro-genres—like Goblincore, Anime Drill, and Bubblegrunge—are reshaping music discovery and putting pressure on artists to conform. Guests: Quinn, independent producer and rapper Kieran Press-Reynolds, independent reporter covering music and internet culture Further reading: How to break free of Spotify's algorithm — Tiffany Ng, MIT Technology Review The Lost Promises of Hyperpoptimism — Kieran Press-Reynolds, Pitchfork Read the transcript here Want to give us feedback on the series? Shoot us an email at CloseAllTabs@KQED.org You can also follow us on Instagram Credits: This episode was reported and hosted by Morgan Sung. Our Producer is Maya Cueva. Chris Egusa is our Senior Editor. Additional editing by Jen Chien. Sound design by Chris Egusa and Brendan Willard. Theme and credits music by Chris Egusa, with additional music from APM. Mixing and mastering by Brendan Willard. Audience engagement support from Maha Sanad and Alana Walker. Katie Sprenger is our Podcast Operations Manager. Holly Kernan is our Chief Content Officer. Learn more about your ad choices. Visit megaphone.fm/adchoices
    Más Menos
    36 m
  • Elon's Great Crash-Out / Unmasked in LA
    Jun 11 2025
    Elon Musk and President Trump breaking up? LA protesters clashing with law enforcement? Waymos on fire (again)? Things have been moving fast the last few days — and like you, our feeds are on overload. Today, we’re bringing you a quick reaction episode to catch you up on a couple stories we’ve covered before that are suddenly back in the news. Close All Tabs producer Maya Cueva joins Morgan to break it all down. We’ve talked about a few of these stories before — if you want to go deeper, here are some past episodes to check out: The Broligarchy Pt 1: Chronicles of the PayPal Mafia | KQED The Surveillance Machine, Pt. 1: How We Got Here | KQED Waymo Robotaxis - Uneasiness and Vandalism | KQED Further reading: A timeline of the twists and turns in the Trump-Musk relationship — Nnamdi Egwuonwu, NBC News Immigration Protests Threaten to Boil Over in Los Angeles — E. Tammy Kim, The New Yorker ICE raids tried to split LA apart, but might have made it stronger — Michael Lozano, LA Public Press How Waymo got caught in the crossfire of Los Angeles ICE protests — Joe Berkowitz, Fast Company Read the transcript here Want to give us feedback on the series? Shoot us an email at CloseAllTabs@KQED.org You can also follow us on Instagram Credits: This episode was reported and hosted by Morgan Sung. Our Producer is Maya Cueva. Chris Egusa is our Senior Editor. Additional editing by Jen Chien. Sound design by Maya Cueva, Chris Egusa and Brendan Willard. Original music by Chris Egusa, with additional music from APM. Mixing and mastering by Brendan Willard. Audience engagement support from Maha Sanad and Alana Walker. Katie Sprenger is our Podcast Operations Manager. Holly Kernan is our Chief Content Officer. Learn more about your ad choices. Visit megaphone.fm/adchoices
    Más Menos
    27 m
  • The Spotify Effect, Pt 1: Ghosts in the Playlist
    Jun 4 2025
    Spotify has morphed from a straightforward music library and search engine into a data-driven system built to feed you songs to match your mood and optimize your time on the platform. In this episode, Morgan is joined by music journalist and author Liz Pelly to break down how Spotify built its playlist empire, the rise of so-called “ghost artists” on the platform, and how its algorithmic approach is changing our relationship to music, artists, and the culture around them. Plus, Morgan tries to solve a personal mystery: “Am I being haunted by Sabrina Carpenter?” Guests: Liz Pelly, independent music journalist and author of Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist Further reading: Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist — Liz Pelly The Spotify conspiracy theories about “Espresso,” explained — Rebecca Jennings, Vox ‘Algorithm fatigue:’ Spotify Fans Say It’s Going Downhill. Company Insiders Agree. — John Paul Titlow, Business Insider Read the transcript here Want to give us feedback on the series? Shoot us an email at CloseAllTabs@KQED.org You can also follow us on Instagram Credits: This episode was reported and hosted by Morgan Sung. Our Producer is Maya Cueva. Chris Egusa is our Senior Editor. Additional editing by Jen Chien. Sound design by Chris Egusa and Brendan Willard. Original music by Chris Egusa, with additional music from APM. Mixing and mastering by Brendan Willard. Audience engagement support from Maha Sanad and Alana Walker. Katie Sprenger is our Podcast Operations Manager. Holly Kernan is our Chief Content Officer. Learn more about your ad choices. Visit megaphone.fm/adchoices
    Más Menos
    35 m
  • Do You Hear What I Hear? Audio Illusions and Misinformation
    May 28 2025
    Are you old enough to remember the “Magic Eye” optical illusion mania that gripped the nation in the 90’s—random patterns that you had to squint at just right for the 3D image to pop out? It turns out it's not just our eyes that can be fooled. Our ears can play tricks on us too. There's a whole world of auditory illusions that seem to say one thing when they're really saying something else, and that matters, especially in our age of digital misinformation. In today’s episode, Morgan talks to KQED Digital Community Producer Francesca Fenzi about why we hear what we think we hear, and how understanding the limits of our perception might actually make us better at spotting dis- and misinformation online. Guest: Francesa Fenzi, KQED Digital Community Producer Read the transcript here Want to give us feedback on the series? Shoot us an email at CloseAllTabs@KQED.org You can also follow us on Instagram Credits: This episode was reported and hosted by Morgan Sung. Our Producer is Maya Cueva. Chris Egusa is our Senior Editor. Additional editing by Jen Chien. Sound Design by Maya Cueva. Original music by Chris Egusa, with additional music from APM. Mixing and mastering by Katherine Monahan and Brendan Willard. Audience engagement support from Maha Sanad and Alana Walker. Katie Sprenger is our Podcast Operations Manager. Holly Kernan is our Chief Content Officer. Learn more about your ad choices. Visit megaphone.fm/adchoices
    Más Menos
    33 m
  • Why Can’t Hentai Go Legit?
    May 21 2025
    Hentai, sexually explicit Japanese animation (anime) and comics (manga), is a genre that’s been criticized for depicting violent or ethically questionable scenarios. But some fans also see it as a space for expanding the boundaries of art, culture, and sexuality in a way that reverberates beyond its status as a niche subculture. In this episode, Morgan talks with anime marketer Drea Ramirez about how discovering hentai helped her explore her own sexual identity — and how today’s streaming platforms are stifling weirder, more experimental forms of animation. We’ll also hear from Jacob Grady, CEO of the hentai manga site Fakku, about the challenges of running a licensed and legal business in the face of content piracy, and how anti-trafficking laws like SESTA and FOSTA can make it harder forhentai artists to make a living. This episode is part of a collaboration with our friends at the podcast Never Post. While we’re digging into the culture and industry behind hentai, they’re coming at it from a completely different angle. Give it a listen wherever you get your podcasts. Guests: Drea Ramirez, social media marketing manager at Azuki Jacob Grady, founder and CEO of FAKKU Mike Rugnetta, host of Never Post Further reading: The Hentai Platform Streaming Wars — Aurélie Petit, Porn Studies Why "The Crunchyroll of Hentai" Failed to Take Off — Jay Allen, Unseen Japan Hentai Sites Go To War, Leaving Animated Porn's Future In Doubt — Cecilia D’Anastasio, Kotaku FOSTA-SESTA was supposed to thwart sex trafficking. Instead, it’s sparked a movement — Liz Tung, WHYY Read the transcript here Want to give us feedback on the series? Shoot us an email at CloseAllTabs@KQED.org You can also follow us on Instagram Credits: This episode was reported and hosted by Morgan Sung. Our Producer is Maya Cueva. Chris Egusa is our Senior Editor. Additional editing by Jen Chien. Original music and sound design by Chris Egusa, with additional music from APM. Mixing and mastering by Brendan Willard. Audience engagement support from Maha Sanad and Alana Walker. Katie Sprenger is our Podcast Operations Manager. Holly Kernan is our Chief Content Officer. Learn more about your ad choices. Visit megaphone.fm/adchoices
    Más Menos
    34 m
  • The Surveillance Machine, Pt 2: No Opt-Out
    May 14 2025
    Think you can opt out of surveillance? Think again. Our locations, behaviors, and images are being tracked at unprecedented levels — and private tech companies are at the center, selling that information directly to the government. In this episode, Morgan talks with Nicol Turner Lee, Director of the Center for Technology Innovation at The Brookings Institution, about why avoiding identification in public spaces is almost impossible, and how civilians are now helping do the government’s work by surveilling each other. Guests: Jalsa Drinkard, Columbia University student and an organizer for Columbia University Apartheid Divest, CUAD Don Bell, policy counsel at The Constitution Project at The Project On Government Oversight, POGO Nicol Turner Lee, Director of the Center for Technology Innovation at The Brookings Institution Further reading: This pro-Israel group keeps a blacklist. Now it’s taking credit for deportations. — Zack Beauchamp, Vox Privacy on the Map: How States Are Fighting Location Surveillance — Rindala Alajaji, Electronic Freedom Foundation Police surveillance and facial recognition: Why data privacy is imperative for communities of color — Nicol Turner Lee and Caitlin Chin-Rothmann, Brookings Institute It’s Possible to Track Someone’s Personal Phone to an Abortion Clinic. And It’s Legal Too. — Byron Tau, NOTUS Planning to attend a protest? Check out the Electronic Frontier Foundation’s Attending a Protest guide for practical digital security tips to help protect your privacy and data. Read the transcript here Want to give us feedback on the series? Shoot us an email at CloseAllTabs@KQED.org You can also follow us on Instagram Credits: This episode was reported and hosted by Morgan Sung. Our Producer is Maya Cueva. Chris Egusa is our Senior Editor. Additional editing by Jen Chien. Sound design by Maya Cueva and Brendan Willard. Original music by Chris Egusa, with additional music from APM. Mixing and mastering by Brendan Willard. Audience engagement support from Maha Sanad and Alana Walker. Katie Sprenger is our Podcast Operations Manager. Holly Kernan is our Chief Content Officer. Learn more about your ad choices. Visit megaphone.fm/adchoices
    Más Menos
    33 m
  • The Surveillance Machine, Pt 1: How We Got Here
    May 7 2025
    The tools of high tech surveillance are increasingly all around us: security cameras in public and embedded in doorbells, location data on your phone, online ad tracking. A lot of this has become normalized, utterly mundane. But in the year since nationwide student protests for Palestine, heightened scrutiny of and retaliation against activists in the U.S. have raised new concerns. Government surveillance, particularly on social media, has grown exponentially since the massive Black Lives Matter protests of 2020, but the precedent in this country stretches much further back. In this episode, Columbia University student organizer Jalsa Drinkard shares her experience protecting other students from invasive surveillance and targeting, and Don Bell, policy counsel for The Constitution Project at the Project On Government Oversight, walks us through the long history of government surveillance in American protest movements, and why today’s moment feels different. Guests: Jalsa Drinkard, Columbia University student and an organizer for Columbia University Apartheid Divest, CUAD Don Bell, policy counsel at The Constitution Project at The Project On Government Oversight, POGO Further reading: Protest Under a Surveillance State Microscope - Don Bell, Project On Government Oversight Surveillance & Policing Bodily Autonomy - Don Bell, Project On Government Oversight ‘Discredit, disrupt, and destroy’: FBI records acquired by the Library reveal violent surveillance of Black leaders, civil rights organizations - Virgie Hoban, Berkeley Library How Watergate Changed America’s Intelligence Laws - Barbara Maranzani, History ‘Panic made us vulnerable’: how 9/11 made the US surveillance state – and the Americans who fought back - Ed Pilkington, The Guardian Read the transcript here Want to give us feedback on the series? Shoot us an email at CloseAllTabs@KQED.org You can also follow us on Instagram Credits: This episode was reported and hosted by Morgan Sung. Our Producer is Maya Cueva. This episode was edited by Alan Montecillo. Chris Egusa is our Senior Editor. Additional editing by Jen Chien. Sound design by Maya Cueva. Original music by Chris Egusa, with additional music from APM. Mixing and mastering by Brendan Willard and Katherine Monahan. Audience engagement support from Maha Sanad and Alana Walker. Katie Sprenger is our Podcast Operations Manager. Holly Kernan is our Chief Content Officer. Learn more about your ad choices. Visit megaphone.fm/adchoices
    Más Menos
    33 m