In the late 1970's, when there was nothing like the indie film scene that we now take for granted, the film NORTHERN LIGHTS surprised the cinema world by winning the coveted Camera d'Or Award at the 1979 Cannes Film Festival. NORTHERN LIGHTS has the feel of an old black and white photograph discovered in an attic. The bitter-sweet story of young lovers caught up in a political struggle waged by farmers against the grain trade, the banks and the railroads, NORTHERN LIGHTS brings back a forgotten era of American history and evokes the austere beauty of the Northern Plains. Called “The greatest movie you will never see," this rare and remarkable film has been lovingly revived by a team lead by IndieCollect for a gorgeous 4K restoration, and is now being brought back to North American arthouses by Kino Lorber. In support of this re-release, we are very happy to welcome co-director Rob Nilsson for a discussion about this landmark film. Join us on INSIDE THE ARTHOUSE, starting now. @kinolorber @laemmle BehindTheScenes #FilmDiscussion #MovieReview #NewReleases #NewFilmReleases #FilmLovers #Cinema #MoviePodcast #GregLaemmle #RaphaelSbarge #LaemmleTheatres #WatermelonPictures #FilmDistribution #MovieIndustry #FilmBusiness Video Podcast Independent Film / Indie Film Arthouse Film / Arthouse Movie Film Lovers / Cinema New Movie Releases / New Film Releases Repertory Cinema / Classic Films / Classic Movies Filmmaker Interviews / Filmmakers (Directors, Writers, Producers) Film Distributors / Film Distribution Movie Industry / Film Business / Movie Business Behind-the-Scenes Insights Film Discussion / Movie Reviews / Film Analysis Greg Laemmle / Raphael Sbarge Laemmle Theatre Northern Lights 1979 Cannes Film Festival Camera d'Or Indie film Independent film Rob Nilsson (co-director) Film restoration 4K restoration IndieCollect Kino Lorber Arthouse film Black and white film American history film Political struggle (film theme) Farmers movement (film theme) Grain trade (film theme) Banks (film theme) Railroads (film theme) Northern Plains (setting) Forgotten historyLost film Rare film Landmark film

It is a truth universally acknowledged that Jane Austen has inspired some of our favorite movies.

There are the faithful adaptations: Oscar-nominated PRIDE & PREJUDICE, Oscar-winning SENSE & SENSIBILITY.

You also have more fanciful adaptations like the EMMA-inspired CLUELESS. And then you have the Jane Austen "adjacent" films like THE JANE AUSTEN BOOK CLUB, the hilarious AUSTENLAND, and a personal favorite - COLD COMFORT FARM.

Laura Piani's JANE AUSTEN WRECKED MY LIFE is squarely in this last category. And it is a most welcome addition to the club. A beguiling Camille Rutherford stars as a desperately single Parisian bookseller, who feels that she has lost her chance at love. But when she is invited to participate in a writer's retreat in England, she finds herself tossed into an Austen-esque situation, juggling the affection of two suitors, and trying to find a way to stay true to herself.

A hit at the Toronto International Film Festival, JANE AUSTEN WRECKED MY LIFE is now opening in theatres across the US.

Join us for a discussion with the film's writer and director, Laura Piani, on INSIDE THE ARTHOUSE, starting now...

MOST PEOPLE DIE ON SUNDAYS may be the quirkiest film you see this year ...or any year.

Directed and starring Iair Said, and asking the big question: when “ordinary people’’-- not extraordinary people-- die? What happens to those of us who stay here on earth without them?

Funny, outrageous, surprising and utterly unique, MOST PEOPLE DIE ON SUNDAYS, has a deadpan tone that recalls the early films of Jim Jarmusch.

We follow the protagonist David as he returns home to Argentina to attend the funeral of his uncle. This is a story about how people go through a "mourning moment" as they try to survive, with a pain that will transform their lives forever.

As an actor, Said has a sad sack quality of classic screen comics like Buster Keaton and Jacques Tati. And the rest of the cast plays off of Said perfectly. A sensation when it premiered in the Acid Section at Cannes, MOST PEOPLE DIE ON SUNDAYS is a comic gem that is truly worth searching out.

Join us for a conversation with filmmaker Iair Said, on INSIDE THE ARTHOUSE, starting now…

I#air Said #indiefilms film #arthouse #comedy #drama #Argentina #interview #film review #Cannes #filmlovers #filmmaking #filmfestival #quirkycomedy #cinema #deadpan humor BehindTheScenes #FilmDiscussion #MovieReview #NewReleases #NewFilmReleases #FilmLovers #Cinema #MoviePodcast #GregLaemmle #RaphaelSbarge #LaemmleTheatres #WatermelonPictures #FilmDistribution #MovieIndustry #FilmBusiness Video Podcast Independent Film / Indie Film Arthouse Film / Arthouse Movie Film Lovers / Cinema New Movie Releases / New Film Releases Repertory Cinema / Classic Films / Classic Movies Filmmaker Interviews / Filmmakers (Directors, Writers, Producers) Film Distributors / Film Distribution Movie Industry / Film Business / Movie Business Behind-the-Scenes Insights Film Discussion / Movie Reviews / Film Analysis Greg Laemmle / Raphael Sbarge Laemmle Theatres

With a spectacular cast, stunning costumes and set design, beautiful cinematography and gorgeous locations— BONJOUR TRISTESSE shares all the hallmarks of the Merchant Ivory classics that delighted audiences for years.

Originally published in 1954, Francoise Sagan's novel, BONJOUR TRISTESSE was an overnight sensation. But for every rave review, there were an equal number of critics shocked by a casual attitude toward a young woman's sexual awakening.

In Otto Preminger's 1958 film adaptation, the focus was on the sensational.

But thankfully, visionary producers pushing for a new adaptation, recognized the need for a woman’s voice and recruited Canadian writer Durga Chew-Bose to work on the screenplay. Having found someone with just the right approach to bring this new version to life, Chew-Bose was asked to stay on board and direct the film as well. The result is a debut film of remarkable depth and sensitivity that premiered at the Toronto International Film Festival and is opening in theaters everywhere. Please join our conversation with first time screenwriter and director Durga Chew-Bose, about her remarkable film, on INSIDE THE ARTHOUSE, starting now…

#BonjourTristesseMovie is in theaters this Friday! A revelatory new take on Françoise Sagan’s classic novel, starring @lilliumm @chloessevigny @claesbang, written and directed by @durgapolashi, produced by @babenationfilms. Showtimes:

http://bit.ly/BonjourTristesseFilm

#BehindTheScenes #FilmDiscussion #MovieReview #NewReleases #NewFilmReleases #FilmLovers #Cinema #MoviePodcast #GregLaemmle #RaphaelSbarge #LaemmleTheatres #WatermelonPictures #FilmDistribution #MovieIndustry #FilmBusiness Video Podcast Independent Film / Indie Film Arthouse Film / Arthouse Movie Film Lovers / Cinema New Movie Releases / New Film Releases Repertory Cinema / Classic Films / Classic Movies Filmmaker Interviews / Filmmakers (Directors, Writers, Producers) Film Distributors / Film Distribution Movie Industry / Film Business / Movie Business Behind-the-Scenes Insights Film Discussion / Movie Reviews / Film Analysis Greg Laemmle / Raphael Sbarge Laemmle Theatres

Beyond the policy debates surrounding immigration, the human experience of starting anew in America remains a powerful narrative.

BLUE SUN PALACE, a compelling new film from director Constance Tsang, delves into this experience with sensitivity and depth. Set within a Chinese massage parlor in Flushing, New York, the film beautifully portrays the interconnected lives of three immigrants as they navigate joy, pain, guilt, and personal growth.

The remarkable performances of Ke-Xi Wu, Haipeng Xu, and Lee Kang Sheng bring these immigrant stories to life in a real and memorable way.

Awarded at Cannes and celebrated at the New Directors/New Films Festival in New York, BLUE SUN PALACE is now playing in select theaters in New York and Los Angeles, with a wider release coming soon. Tune in to INSIDE THE ARTHOUSE now for an insightful conversation with Constance Tsang about this moving film, on INSIDE THE ARTHOUSE, starting now...

@dekanalog @laemmle #BlueSunPalace

#BLUSESUNPALACE @Dekanalog @laemmle @InsidetheArthouse #BehindTheScenes #FilmDiscussion #MovieReview #NewReleases #NewFilmReleases #FilmLovers #Cinema #MoviePodcast #GregLaemmle #RaphaelSbarge #LaemmleTheatres #WatermelonPictures #FilmDistribution #MovieIndustry #FilmBusiness Video Podcast Independent Film / Indie Film Arthouse Film / Arthouse Movie Film Lovers / Cinema New Movie Releases / New Film Releases Repertory Cinema / Classic Films / Classic Movies Filmmaker Interviews / Filmmakers (Directors, Writers, Producers) Film Distributors / Film Distribution Movie Industry / Film Business / Movie Business Behind-the-Scenes Insights Film Discussion / Movie Reviews / Film Analysis Greg Laemmle / Raphael Sbarge Laemmle Theatres

If I can make it there, I can make it anywhere. T

hat's more than just a line from a song. Among art house distributors, it has been an article of faith for almost as long as anyone can remember. Get a film off to a strong start in Manhattan and the rest of the country will fall into place. But if you flop in New York, fuggedaboutit.

But how can you succeed in New York if there aren't enough art house screens in the city to properly exhibit the films that want to open.

On today's episode of INSIDE THE ARTHOUSE, we sit down with Ira Deutchman, a current professor of film at Columbia University and a veteran arthouse distributor to talk about the history of arthouses in New York, the current dearth of cinemas on the Upper West Side, the reasons behind the predicament, and most importantly, some hope for the future. Join us for a fascinating conversation with the NY Indie Guy Ira Deutchman as he joins us INSIDE THE ARTHOUSE, starting now...

#arthouse #arthouseFilm #UpperWestSide #NewYork @laemmle #BehindTheScenes #FilmDiscussion #MovieReview #NewReleases #NewFilmReleases #FilmLovers #Cinema #MoviePodcast #GregLaemmle #RaphaelSbarge #LaemmleTheatres #WatermelonPictures #FilmDistribution #MovieIndustry #FilmBusiness Video Podcast Independent Film / Indie Film Arthouse Film / Arthouse Movie Film Lovers / Cinema New Movie Releases / New Film Releases Repertory Cinema / Classic Films / Classic Movies Filmmaker Interviews / Filmmakers (Directors, Writers, Producers) Film Distributors / Film Distribution Movie Industry / Film Business / Movie Business Behind-the-Scenes Insights Film Discussion / Movie Reviews / Film Analysis Greg Laemmle / Raphael Sbarge Laemmle Theatres

After receiving an Oscar nomination for her short film, THE PRESENT, Palestinian British filmmaker Farah Nabulsi set out to take audiences on an intense, emotional journey into the Israeli occupied West Bank.

Based on real life experiences of relatives, the story lifts the curtain on the hardships and difficult choices they have to make. Starring the Palestinian actor Saleh Bakri in a moving performance, the film follows the character of Basem, a teacher with a buried personal tragedy. Throwing himself into his work, he forms a deep bond with his student, Adam.

Shot entirely in Palestine, told with humanity and empathy, Nabulsi brings these threads together, leaving us with a sense of hope and compassion for a future, even as the present reality seems to offer none. THE TEACHER premiered at The Toronto Film Festival, received Best International Feature Award at Galway, Audience award at San Francisco International Film Festival, among many others; the film has received over a dozen awards!

Join us and our conversation with filmmaker Farah Nabulsi on her journey to make THE TEACHER on INSIDE THE ARTHOUSE, starting now.

#theTeacherMovie #arabic #english #arthouse @WatermelonFilmes #farahNebulsi Video Podcast Independent Film / Indie Film Arthouse Film / Arthouse Movie Film Lovers / Cinema New Movie Releases / New Film Releases Repertory Cinema / Classic Films / Classic Movies Filmmaker Interviews / Filmmakers (Directors, Writers, Producers) Film Distributors / Film Distribution Movie Industry / Film Business / Movie Business Behind-the-Scenes Insights Film Discussion / Movie Reviews / Film Analysis Greg Laemmle / Raphael Sbarge Laemmle Theatres

Thomas Wolfe's poignant words, “You can’t go home again,” resonate in a new light as writer and director Anna Campbell explores the intricate balance of parenting, work, and a thriving creative life in her debut film, NORA.

This powerful portrait delves into the physical and emotional pressures faced by modern mothers, showcasing one woman's journey of rediscovery. Starring Campbell herself and featuring her original music, NORA confronts the fundamental question: Can women have it all? Can they pursue their passions and artistic dreams while prioritizing family and children?

Often forced to make difficult choices, mothers frequently find their own aspirations taking a backseat. Yet, art, particularly music, offers a vital outlet and inspires us to envision a world where passion and ambition are not mutually exclusive. Join us for an insightful conversation with the writer, director, and star of NORA, Anna Campbell, now on INSIDE THE ARTHOUSE, starting now.

#nora #noraMovie Video Podcast Independent Film / Indie Film Arthouse Film / Arthouse Movie Film Lovers / Cinema New Movie Releases / New Film Releases Repertory Cinema / Classic Films / Classic Movies Filmmaker Interviews / Filmmakers (Directors, Writers, Producers) Film Distributors / Film Distribution Movie Industry / Film Business / Movie Business Behind-the-Scenes Insights Film Discussion / Movie Reviews / Film Analysis Greg Laemmle / Raphael Sbarge Laemmle Theatres