Step right up, ladies and gentlemen, and behold the mystery, the romance, and the ubiquity of beards! That's right, this week, we’re dusting off our velvet coats and heading back to 1900s Vienna for The Illusionist, where Edward Norton stares intensely, Paul Giamatti sweats dramatically, and Rufus Sewell continues his long career as cinema’s most type-cast and slappable aristocrat. You'll wanna pour from your finest decanter this week, because: A, it's classy, and B, it's what the Crown Prince does in the film. Now that matter of drinks has been addressed, get comfy and join us for this tale of love, trickery, and sepia-toned vengeance. No CGI here, folks—just smoke, mirrors, and some truly top-shelf facial hair.

This week, it's Zack Snyder’s Sucker Punch—a genre-blending, brain-bending curio that’s part music video, part action fantasy, and somehow also an existential metaphor? Whatever it is, we've got drinks in hand and thoughts ready to share, so pour something bold—something with more flash than flavor may be appropriate—and join us!

This week, it's Capote—Bennett Miller’s chilling, quiet portrait of literary legend Truman Capote during the writing of In Cold Blood. Naturally, we recommend a gin and tonic this round—heavy on the gin with no more than a whisper of the tonic, Capote-style—as we follow him from high society soirées in New York to the stark plains of Kansas. It’s gripping, unsettling, and just a little fabulous. Join us as we unpack the brilliance, the manipulation, and the very blurry lines between writer and subject.