From colonial bans to a cinematic renaissance, Part 1 of our two-part Senegal series (1934–1980) traces how filmmakers defied repression to forge Africa’s first film language.

What happens when your art is forbidden—and you insist on telling your story anyway?

🎬 We examine Paulin Vieyra’s Afrique-sur-Seine (1955), shot in Paris against the 1934 Laval Decree.
📽️ We trace Ousmane Sembène’s transition from novelist to filmmaker in Borom Sarret (1963) and Black Girl (1966).
🎞️ We spotlight Djibril Diop Mambéty’s kinetic shorts Contras’ City (1969) & Badou Boy (1970) leading to the surreal road-movie Touki Bouki (1973).
💡 We explore Safi Faye’s vérité poetics in Kaddu Beykat (1975), banned at home but celebrated abroad.

🟢 Listen on Spotify, Apple Podcasts, or YouTube

🎬 Films Mentioned

• Afrique-sur-Seine (1955): West African students in Paris confront identity and prejudice in this 21-minute defiance of colonial censorship.
  IMDb: https://www.imdb.com/title/tt1705824/

• Borom Sarret (1963): An 18-minute realist drama of a Dakar cart driver’s daily humiliations; often called the first true African film.
  IMDb: https://www.imdb.com/title/tt0060183/

• Black Girl (1966): The first sub-Saharan fiction feature by a Black director, it follows a Senegalese maid’s alienation in France.
  IMDb: https://www.imdb.com/title/tt0060758/

• Mandabi (1968): A Wolof-language satire about an illiterate man’s struggle to cash a money order, skewering post-independence bureaucracy.
  IMDb: https://www.imdb.com/title/tt0063049/

• Emitai (1971): A Diola-and-French epic depicting villagers’ resistance to Vichy France’s World War II conscription.
  IMDb: https://www.imdb.com/title/tt0067368/

• Contras’ City (1969): Mambéty’s debut short: a restless portrait of urban dislocation in Dakar.
  IMDb: N/A

• Badou Boy (1970): A slapstick-laden chase short critiquing social inequality through a petty thief’s flight across Dakar.
  IMDb: https://www.imdb.com/title/tt0181352/

• Touki Bouki (1973): A surreal road-movie of lovers dreaming of Paris, using frenetic editing to capture postcolonial disillusionment.
  IMDb: https://www.imdb.com/title/tt0070975/

• La Passante (1972): Faye’s debut short observing a young woman navigating Dakar’s marketplaces.
  IMDb: N/A

• Revanche (1973): A contemplative short by Faye on rural justice and personal vengeance in her Serer village.
  IMDb: N/A

• Kaddu Beykat (1975): A vérité-style critique of agricultural policies in a Serer village; banned locally, it won Cannes’s FIPRESCI Prize.
  IMDb: https://www.imdb.com/title/tt0073659/

• Xala (1975): Sembène’s satire of post-independence elites, where a businessman’s impotence becomes political allegory.
  IMDb: https://www.imdb.com/title/tt0073871/

• Ceddo (1977): A precolonial allegory of cultural resistance as non-Muslims oppose forced religious conversion.
  IMDb: https://www.imdb.com/title/tt0076468/

• Fad’jal (1979): Faye’s homage to her Serer roots, preserving oral histories through villagers’ storytelling.
  IMDb: N/A

Next Up (Part 2): We dive into the 1980s—when austerity shuttered Dakar’s cinemas, yet visionaries like Sembène and Faye refused to be silenced, and digital tools sparked a vibrant resurgence.