Even before Jelani Cobb became Dean of the Columbia Journalism School, he was an educator. His reportage at The New Yorker (where he’s been writing about race and politics since 2012), steeped in history. And yet not even Cobb could’ve been prepared for what he’s described as a “harrowing” year in academia.

On the heels of graduation week at Columbia, Cobb joins us for a wide-ranging discussion about the climate on campuses across the country (5:14), the Trump administration’s sustained attacks on higher education (10:26), and the “potentially unlawful” detainment of student activist Mahmoud Khalil (15:06). Then, Cobb speaks to the challenges of public trust in journalism (28:30), “the beneficial workplace” he hopes to cultivate in newsrooms (40:00), and why young journalists continue to inspire him (46:00).

On the back-half, Jelani reflects on the five years since the murder of George Floyd (51:00), the fleeting corporate activism of 2020 (59:00), the importance of understanding Civil Rights history (1:06:00), and why he’s determined to continue telling stories in “dangerous times” (1:10:00).

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To commemorate the release of her new, deeply personal Netflix special ‘PostMortem,’ we revisit our conversation with Sarah Silverman.

At the top, we reflect on loss (7:16), her HBO special Sarah Silverman: Someone You Love (12:35), and coming of age in the ‘80s (18:42). Then, Silverman talks about her early comedic influences (25:35), her path from SNL to Los Angeles (32:30), and the mentorship of Garry Shandling (35:10).

On the back-half, we walk through the evolution of her provocative work, from The Sarah Silverman Program (38:42) to I Love You, America (46:52), the connective tissue of The Sarah Silverman Podcast (49:12), and the legacy of her beloved, late father (51:57).

Original air date: June 18, 2023.

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Earlier this month, writer Percival Everett was awarded the Pulitzer Prize in Fiction for James, his subversive and singular reimagining of The Adventures of Huckleberry Finn.

At the top, we discuss the philosophical problem that led to James (5:50), what repeated readings of Twain’s classic unlocked in Percival (7:56), the influence of his father’s sense of humor (16:20), how he arrived at writing growing up in South Carolina (19:40), and his relationship to the publishing industry, as depicted in Erasure and later the Oscar-winning film American Fiction (21:59).

On the back-half, we talk about teaching in the digital age (32:26), why Everett still assigns Blazing Saddles to his students (34:22), the “bad neighborhood” of his own mind (46:08), and what he’s chasing—or trying to excavate—each time he sits down to write (47:04).

This conversation was recorded live in Los Angeles in partnership with the Aspen Society.

If you’d like to come to our next live show, it will be Saturday, June 14th at the Tribeca Audio Festival in NYC with actor Sam Rockwell. Tickets here!

Thoughts, future guest ideas, or your favorite one-liner from this talk with Percival? Comment below or email us at mail@talkeasypod.com.

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Thirty years. Over 850 episodes. Nine Peabodys. One Pulitzer. And yet somehow, three decades in, This American Life (and its co-founder, Ira Glass) remains as innovative and timely as ever.

We begin with a week in the life of Ira: a typical Monday at This American Life (5:00), the rigorous notes process (7:00), and how the team selects the stories it wants to tell that Sunday (12:00). Then, we unpack Trump’s ongoing threats to slash government funding for public media (15:00), Glass’ formative days as a teenage intern at NPR (20:00), and the radio mentors who shaped his ideas around narrative (30:00).

On the back-half, we discuss how his taste and talent eventually converged (42:00), what makes a good interview (45:00), the guest he most identifies with (1:02:00), the episode he’s most proud of (1:10:00), how he thinks about legacy (1:15:00) and, naturally, the future of This American Life (1:20:00).

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Television, perhaps more than movies, has a way of etching its stars in stone. And few actors seem to be able to break the mold more than once. Which is what makes Penn Badgley’s career—first on Gossip Girl then You—special.

We sit this week around the fifth and final season of You (7:00) to unpack its shocking series finale [spoiler] (9:13) and the political climate in which the show is coming to a close (12:10). Then, Penn opens up about the solitude of his west coast upbringing (19:50), his years as a child actor (23:19), and his beloved portrayal of Dan Humphrey on Gossip Girl (33:12).

On the back-half, Badgley’s transformative trip to South America in 2012 (39:46), his spiritual journey into the Bahá'í Faith (42:38), and how these experiences led him to his wife, Domino (44:30). To close, he describes the intense physical experience of filming the You finale [spoiler] (51:36), what the ‘fantasy of Joe Goldberg’ reveals about masculinity today (55:55), and a fitting Dave Eggers passage from the prologue of The Executioner’s Song (1:03:22).

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This episode was recorded at Spotify Studios.

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Before Viola Davis (How to Get Away with Murder) became an EGOT-winning actor, she was an observer. Her work takes the human experience and transmutes it, offering a mirror and a window into ourselves.

Today, we sit to unpack her recent, liberating projects in The Woman King (4:24) and G20 (4:50), the formative years she spent growing up in Rhode Island (13:52), and how she captured those familial memories in her 2022 memoir Finding Me (17:12). Then, we talk about Viola’s start as a performer (23:40), what she learned attending Juilliard (31:57), and the quagmire she faced as a Black actor emerging on Broadway and in Hollywood post-graduation (35:10).

On the back-half, Davis reflects on a scene from August Wilson’s play Seven Guitars (37:50), her singular experience acting alongside Meryl Streep in Doubt (47:25), and the ways her life transformed during Shonda Rhymes’ How to Get Away with Murder and Steve McQueen’s Widows (53:00). To close, Viola shares her views on legacy (1:01:05) and how she finds her way back home, each and every day (1:05:20).

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An outspoken advocate for working families, Senator Elizabeth Warren (D-Massachusetts) has made a career out of taking on Wall Street, Silicon Valley, and the Beltway. And while she may be tired of Washington, she’s not too tired to make it better.

At the top, we discuss the constitutional crisis (5:00) surrounding the deportation of Kilmar Abrego Garcia (9:00), this administration’s attack on public education (12:00), and the GOP’s fealty to Donald Trump (13:25). Then, we dive into Senator Warren’s proposed bill to limit the power of special government employees like Elon Musk (25:48), her fight for campaign finance reform (28:05), and the values her Oklahoma upbringing instilled in her (35:43).

On the back-half, Senator Warren reflects on her early work in bankruptcy law (39:47), why she’s devoted her career to fighting for the middle class (45:45), the challenges she’s faced in the past decade in office (1:00:19), and what she sees for the future of the Democratic party (1:05:30).

Feedback, guests ideas, or a power-ranking of your favorite Warren takedowns? Email us at mail@talkeasypod.com.

This episode was recorded at Spotify Studios.

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“Everything’s changed,” says author Chimamanda Ngozi Adichie. “I’ve changed, and every book is a different person.” It’s true: in the 12 years since the release of her best-seller, Americanah, Adichie has oscillated between beloved novelist, public intellectual, and feminist icon. This spring, however, she’s returned to her true love: fiction.

We sat recently to discuss her excellent new book, Dream Count (5:20), the decade-long writer’s block she pushed through to publish again (7:00), the profound, familial loss that upended her life (9:55), and the experience that turned her into a feminist (21:20). Then, Adichie reflects on her childhood growing up in the aftermath of the Biafran War (34:42), the importance of seeing yourself in literature (39:00), her affinity for American universities (41:50), and how her racial awakening culminated in Americanah (44:49).

On the back-half: a wide-ranging, candid exchange around the erosion of free speech (53:36) and the American left (56:12), how she’s grappled with backlash (58:45), her case for intellectual curiosity (1:11:40), the prophetic work of W.E.B. Du Bois (1:13:40), and where she finds inspiration for the page (1:19:00).

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