Miles Osgood talks to Julian Butterfield about the winding path to a dissertation topic, overcoming exegetical resistance to emotional affect in religious literature, and the central role of joyful anumodanā (隨喜 suixi) in the Lotus Sūtra.

Julian Butterfield holds a BA in Comparative Literature and Religious Studies (2016) and an MA in Religious Studies (2018), both from the University of Toronto, and a PhD from Stanford University (2025). Generally interested in the dissemination and development of Mahāyāna Buddhism in early medieval China, his past research explored the textual history of the "Huayan jing" and the related development of bodhisattva ordination in the "Chinese Pusa yingluo benye jing." Julian’s current research interests include the history of Buddhist drama, especially along the Silk Roads, and the poetics of divine encounter across Mahāyāna literature and ritual.

Miles Osgood talks to Pia Brancaccio about the Buddhist cave monasteries of Western Deccan, the inter-continental exchange of "Maritime Buddhism" along the "Cotton Road," and the competition between Buddhism and Shaivism at the end of the first millennium C.E.

Pia Brancaccio is currently a Professor of Indian Art and Archaeology at the Università degli Studi di Napoli “L’Orientale” in Italy and at Drexel University in Philadelphia. Her research focuses on early Buddhist art and cross-cultural exchange in South Asia, with a regional emphasis on the visual cultures of ancient Gandhāra (Pakistan) and the Deccan Plateau (India). She has published extensively on the Buddhist caves in the Western Deccan, including a monograph, The Buddhist Caves at Aurangabad (2010), and the edited volume Living Rock (2013). She is currently working on the MAK Project (Mapping Ancient Kṛṣṇagiri) at the Kanheri caves in Maharashtra, India, which aims to produce the first complete archaeological and epigraphic documentation of the site. She has also been a longstanding collaborator with the ISMEO-Italian Archaeological Mission in Pakistan and has written on architecture, visual narratives, artistic workshops, and the multicultural fabric of Buddhism in Gandhāra. She co-edited the book Gandharan Buddhism: Art, Archaeology (2006).

Miles Osgood talks to Professor Stephen Bokenkamp about his fieldwork in China after the Cultural Revolution, how to better understand the original encounter between Daoism and Buddhism in the 2nd to 6th centuries C.E., and what Daoist and Buddhist Studies can learn from one another today.

Stephen R. Bokenkamp (Ph.D. University of California, Berkeley, 1986) specializes in the study of medieval Chinese Daoism, with a special emphasis on its literatures and its relations with Buddhism. He is author of Early Daoist Scriptures，Ancestors and Anxiety，A Fourth-century Daoist Family: the Zhen’gao, as well as over forty articles and book chapters on Daoism and literature. Among his awards are the Guggenheim Award for the Translation of a medieval Daoist text, a National Endowment for the Humanities Translation grant and the invitation to present the Xuyun and Yanfu lectures for the Philosophy Department of Beijing University. In addition to his position at Arizona State, he has taught at Indiana University, Stanford University, and short courses for graduate students at Beijing, Princeton and Fudan Universities. He was also part of the National 985 project at the Institute of Religious Studies, Sichuan University from 2006-2013.