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Crime and Punishment is a novel by Fyodor Dostoevsky that was first published in 1866. By closely examining the internal conflicts of his protagonist, Raskolnikov, Dostoevsky explores themes of guilt and redemption. The novel suggests that redemption is possible only through confession of guilt and an acceptance of personal responsibility for one’s thoughts and actions alike.

Crime and Punishment is Fyodor Dostoevsky’s novel about the nature of law and morality, told through the eyes of a murderer and his internal conflict.

Also known as Demons, The Possessed is a powerful socio-political novel about revolutionary ideas and the radicals behind them. It follows the career of Pyotr Stepanovich Verkhovensky, a political terrorist who leads a group of nihilists on a demonic quest for societal breakdown. They are consumed by their desires and ideals, and have surrendered themselves fully to the darkness of their "demons". This possession leads them to engulf a quiet provincial town and subject it to a storm of violence.

In Notes from Underground by Fyodor Dostoyevsky, we are not talking about revolutionary personalities, a secret struggle for some ideas Fyodor Dostoyevsky tells the story of a man who is "too conscious." The man, whose name we never learn is so aware of his own thoughts and feelings as to cause him to be indecisive and overly self-critical. Add in his belief that societal expectations are shaping his actions. Notes From Underground is one of Fyodor Dostoyevsky's most well renowned novels. It is thought to be one of the first existentialist Russian works.

After his great portrayal of a guilty man in Crime and Punishment, Dostoevsky set out in The Idiot to portray a man of pure innocence. The 26-year-old Prince Myshkin, following a stay of several years in a Swiss sanatorium, returns to Russia to collect an inheritance and “be among people”. Even before he reaches home, he meets the dark Rogozhin, a rich merchant’s son whose obsession with the beautiful Nastasya Filippovna eventually draws all three of them into a tragic denouement. In Petersburg, the prince finds himself a stranger in a society obsessed with money, power, and manipulation.

“Memorias del Subsuelo” es una novela corta organizada en dos partes. La primera, que consta de once capítulos breves y es llamada "La Ratonera", es básicamente un monólogo interior en el que se nos presenta al protagonista, un miserable funcionario frustrado, como un antihéroe contradictorio, enfermizo y excitable, que dirige su charla a un público inexistente. La segunda parte, que nace a propósito de la "caída de nieve húmeda", consiste en el relato de una memoria del narrador, donde cuenta algo ocurrido en su juventud, relacionado con la despedida a Zvérkov.

Young Prince Mishkin is that rare thing - a "completely beautiful human being". He is honest, humble, generous, and selfless, but unfortunately these traits mean he is often mistaken for an idiot. Upon his return to St. Petersburg, after being away at a Swiss sanatorium for the treatment of epilepsy, Prince Mishkin is taken under the wing of the wife of General Yepanchin, who arranges for him to live with the family of her money-obsessed friend Ganya.

Prince Myshkin, is thrust into the heart of a society more concerned with wealth, power, and sexual conquest than the ideals of Christianity. Myshkin soon finds himself at the center of a violent love triangle in which a notorious woman and a beautiful young girl become rivals for his affections. Extortion, scandal, and murder follow, testing the wreckage left by human misery to find "man in man."

Roman napisan ot lica molodogo pisatelya Vani, mnogie podrobnosti zhizni kotorogo avtobiografichny. Vanya vospityvalsya v sem'e bednogo pomeshchika Ihmenyova, vmeste s ego docher'yu Natashey. Bolee sostoyatel'nyy sosed Ihmenyova po usad'be, knyaz' Valkovskiy, oceniv hozyaystvennost' Ihmenyova, naznachaet ego svoim upravlyayushchim, a pozdnee i prosit ego nekotoroe vremya rukovodit' vospitaniem svoego syna Alyoshi.

Esta es la historia de un parricidio y de cuatro hijos que tenian, cada uno, un motivo para el asesinato: Dmitry el sensual; Ivan el intelectual; Alyosha, el mistico; y el torcido y astuto Smerdyakov. La novela sumerge al lector en un triangulo de amor sordido, una obsesion patologica, y un drama de sala de tribunal.

Prince Lev Myshkin, a compassionate, epileptic nobleman, returns to Russia, perceived as naïve. He meets Rogozhin, consumed by obsession for the enigmatic Nastasya Filippovna, entangled in a toxic dynamic with suitor Ganya. At a volatile gathering, Nastasya spurns Ganya’s greed and Rogozhin’s lust, fleeing with Myshkin. Though moved by her anguish, Myshkin’s empathy contrasts Rogozhin’s volatile desire. Nastasya abandons the prince, reigniting Rogozhin’s dangerous fixation. Amid St. Petersburg’s moral decay, Myshkin’s innocence highlights societal corruption, while love, ...

Russian literature of the 19th century is among the richest, most profound, and most human traditions in the world. This course explores this tradition by focusing on four giants: Ivan Turgenev, Fyodor Dostoevsky, Leo Tolstoy, and Anton Chekhov. Their works had an enormous impact on Russian understanding of the human condition.

Fyodor Mikhailovich Dostoevsky (1821 - 1881) is considered one of the greatest Russian novelists of all time. He was a unique and brilliant man, whose life and energy comes through in his letters which he wrote to his close friends and family. These letters have become a classic and, along with his novels, have been translated into 170 languages.

The murder of brutal landowner Fyodor Karamazov changes the lives of his sons irrevocably: Mitya, the sensualist, whose bitter rivalry with his father immediately places him under suspicion for parricide; Ivan, the intellectual, driven to breakdown; the spiritual Alyosha, who tries to heal the family's rifts; and the shadowy figure of their bastard half-brother, Smerdyakov. Dostoyevsky's dark masterwork evokes a world where the lines between innocence and corruption, good and evil, blur and everyone's faith in humanity is tested.

The Brothers Karamazov (Russian: Братья Карамазовы) is the final novel by the Russian author Fyodor Dostoevsky, and is generally considered the culmination of his life's work. The book portrays a parricide in which each of a murdered man's sons share a varying degree of complicity. The Brothers Karamazov is a passionate philosophical novel that explores deep into the ethical debates of God, free will, and morality. It is a spiritual drama of moral struggles concerning faith, doubt, reason, and modern Russia. Since its publication, it has been acclaimed all over the world by ...

The two strikingly original short novels brought together here - in new translations by award-winning translators - were both literary gambles of a sort for Fyodor Dostoevsky. The first real expression of his genius, The Double is a surprisingly modern hallucinatory nightmare in which a minor official named Goliadkin becomes aware of a mysterious doppelgänger. Written 20 years later under the pressure of crushing debt, The Gambler is a stunning psychological portrait of a young man's exhilarating and destructive addiction.

Prince Myshkin has just returned to Russia after several years in a Swiss sanitarium and soon finds himself in a complicated love triangle. Myshkin's honesty, goodness, and integrity are shown to be unequal to the moral emptiness of those around him. This new abridgement was completed exclusively for Mission Books by Russian Studies scholar Thomas Beyer to keep the important religious themes of the novel intact.

Crime and Punishment tells the story of Rodion Raskolnikov, an ex-student who plans to murder a pawnbroker to test his theory of personality. Having accomplished the deed, Raskolnikov struggles with mental anguish while trying to both avoid the consequences and hide his guilt from his friends and family.

"The Dream of a Ridiculous Man" is a short story by Fyodor Dostoyevsky written in 1877. It chronicles the experiences of a man who decides that there is nothing of any value in the world. Slipping into nihilism with the "terrible anguish", he is determined to commit suicide. A chance encounter with a young girl, however, begins the man on a journey that re-instills a love for his fellow man.

The novel is a profound exploration of imitative rivalry and the duality of human consciousness. Told from the point of view of a rich and idle man who is confronted by a rival, the husband of his former, and now deceased, mistress, the story concerns the interchanging hatred and love of the two men.