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Il Canto dell'Amor trionfante è un racconto dello scrittore russo Ivan S. Turgenev. Ambientato nella Ferrara del ‘500, ai tempi dell'Ariosto...

This audiobook contains the stories "My Neighbor Radilov", "Death", "The Clatter", "Meeting", and "Tatyana Borisovna and her Nephew" from the famous series Hunting Sketches by the great Russian writer Ivan Sergeyevich Turgenev (1818-1883).

The book contains the stories "Hamlet of the Shchigrovsky District", "Khor and Kalinych" and "Pyotr Petrovich Karataev" from the famous series "Hunting Sketches", by the great Russian writer Ivan Sergeyevich Turgenev (1818-1883).

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

The narrator is under the spell of Ellis - a female vampire - who takes him on series of flights to different places, such as Paris, St. Petersburg and the Isle of Wight. At these places, he becomes a witness to various incidents and becomes involves in different situations. Why was the narrator cursed by Ellis? Why did she take him to those places and what did she wanted to show him? What will the narrator learn from their journey? How will the story end? Find all the answers in Turgenev’s story "Phantoms" from 1863. B. J.

"The District Doctor" is a wonderful Turgenev short story that appealed and influenced American authors, such as Henry James and F. Scott Fitzgerald for its writing style, and Sherwood Anderson and Ernest Hemingway for its focus on moments. As the Doctor says to a new acquaintance, "Sometimes you know people for a long time and never talk about anything that touches the soul; sometimes you start there on the first conversation."

This audiobook includes 10 Great Russian Short Stories: The Mantle by Nikolai Gogol, Mumu by Ivan Turgenev, First love by Ivan Turgenev, An Avenger by Anton Chekhov, Darkness by Anton Chekhov, The Death of Ivan Illyich by Leo Tolstoy, Notes from the Underground by Fyodor Dostoevsky, The Little Angel by Leonid Andreyev, The Dream of a Ridiculous Man by Fyodor Dostoyevsky, A Troublesome Visitor by Anton Chekhov.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. The Russian Literary Tradition has justly earned a magnificent reputation. The Russian Empire of the Czars was a huge and disparate patchwork of peoples ruled by an overbearing elite that employed a middle-class bureaucracy to keep the working class firmly underfoot. Within its vaulted ranks are a role call of many of the greatest literary talents of the ages.

Radiokompozicija spektaklja "Mesjac v derevne" po odnoimennoj p'ese I. S. Turgeneva. P'esa dvazhdy menjala nazvanie (prezhnie - "Student", "Dve zhenshhiny"). Opublikovana v 1855 godu. V osnove p'esy lezhit ljubovnyj chetyrjohugol'nik. Natal'ja Petrovna, zhena bogatogo pomeshhika Arkadija Sergeicha Islaeva, vljubljaetsja v Alekseja Nikolaevicha Beljaeva (21 god) - studenta, uchitelja Koli Islaeva. Mihail Aleksandrovich Rakitin - drug sem'i, uzhe davno ljubit Natal'ju Petrovnu.

Radiospektakl' "Zavtrak u predvoditelja" po odnoimennoj p'ese russkogo pisatelja Ivana Sergeevicha Turgeneva. Predvoditel' dvorjanstva priglashaet na zavtrak rodstvennikov - brata i sestru - kotorye uzhe mnogo let ne mogu podelit' dostavsheesja im po nasledstvu imenie. Cel' vstrechi - primirit' vrazhdujushhie storon i postarat'sja reshit' vopros poljubovno i mirno.

This book contains the stories "Kasyan from the Beautiful Lands", "The End of Chertopkhanov", and "The Office" from the famous series Hunting Sketches by the great Russian writer Ivan Sergeyevich Turgenev (1818-1883).

When we read or listen, words can have a transforming effect. Our mood can alter in the space of a few sentences from joy to sadness. And not just our mood. These words can affect us physically, they can engage our emotions and even in their sadness bring a lump to our throat and tears to our eyes. Sometimes the relief can be palpable. Our authors, from Anton Chekhov, Stephen Crane, Willa Cather, Katherine Mansfield and a wealth of others, are well aware of what their talents will evoke. Genius has many names.

Novela de corte romántico y trágico del autor Iván Turguénev, "Lluvia de primavera" nos lleva a acompañar a un terrateniente ruso a la ciudad de Frankfurt, donde se enamorará perdidamente de una chica de clase modesta. Tras conquistarla, renunciará a su fortuna por estar a su lado. Sin embargo, en su camino se cruzará una dama de clase alta de la que también en enamorará.

14 let p'esa Ivana Turgeneva "Nahlebnik" nahodilas' pod cenzurnym zapretom. Otnoshenie k nej bylo neodnoznachnym. Gogol' schital p'esu beznravstvennoj, zato Gercen otzyvalsja o nej vostorzhenno: "Drama, kotoruju pishet Turgenev - prosto objaden'e." Sjuzhet p'esy prost: v dome Ol'gi Petrovny Eleckoj zhivet "na hlebah" obednevshij dvorjanin Kuzovkin - chelovek dobryj, no besharakternyj. I mog li hot' kto-nibud' predpolozhit', chto odno sluchajno proiznesennoe im slovo mozhet tak kruto izmenit' sud'bu vseh geroev jetoj istorii...

The title of the novella is almost an adequate summary in itself. The "boy-meets-girl-then-loses-her" story is universal but not, I think, banal - despite a surprise ending which notoriously turns out to be very little of a surprise. First Love is given its originality and poignancy by Turgenev's mastery of the piercing turning-point (akin to Joyce's "epiphanies") that transforms the character's whole being, making a tragic outcome inevitable. Even the nature symbolism is rescued from triteness by lovely poetic similes - e.g. "but at that point my attention was arrested by the appearance of a ...

'Ovsyanikov reminded me of the Russian boyars of the times before Peter the Great...The national holiday dress would have suited him well. He was one of the last men left of the old time. All his neighbours had a great respect for him, and considered it an honour to be acquainted with him. His fellow peasant-proprietors almost worshipped him, and took off their hats to him from a distance: they were proud of him.'

I kortromanen Forårsbølger (1872) møder læseren den aldrende hovedperson Dmitri Ssanin, der ser tilbage på sin ungdom og sin store kærlighed. Som ung mand rejser han til Tyskland, hvor han møder Gemma, en smuk konditordatter af italiensk herkomst. De forelsker sig i hinanden, og Gemma afskriver en velstillet fremtid og bryder med sin forlovede til fordel for kærligheden til den mindre bemidlede Ssanin.

Den 16-årige Vladimir forelsker sig stormende i den lidt ældre nabodatter, den smukke, men uopnåelige Zinaida, en femme fatale, som driver sit spil med mændene i omgangskredsen. Som offer for Zinaidas koketteri svinger Vladimir mellem håb og fortvivlelse uden at ane, hvem der er hans egentlige rival. En smuk og følsom beskrivelse af en ung mands første kærlighed kontrasteret af en kompleks moden kærlighedsaffære.

''I will tell you without beating about the bush. My patient...how should I say?...Well, she had fallen in love with me...or, no, it was not that she was in love...however...really, how should one say?'' (The doctor looked down and grew red.) ''No,'' he went on quickly, ''in love, indeed!''

This guided meditation takes you through a bottomless sea of woodland landscapes with the leaves on the trees that are at one moment transparent as emeralds; the next, they condense into golden, almost black green. Somewhere far off, at the end of a slender twig, a single leaf hangs motionless against the blue patch of transparent sky, and beside it another trembles with the motion of a fish on the line, as though moving of its own will, not shaken by the wind.