Mostrando resultados por "Lawrence Block" en Todas las categorías

When Joyce Kendall arrives in New York, fresh out of Clifton College in Iowa, she has a job and an apartment waiting for her. The job's as a first reader for Armageddon Publications. The apartment's at 21 Gay Street, and the small Federal-period house is already home to a lesbian couple, Jean Fitzgerald and Terri Leigh, and an out-of-work newspaperman, Pete Galton. The relationships of these four people under one roof add up to a fast-paced story that is not only satisfying fiction but a rare window on Bohemian life in the late 1950s.

For almost three years, novelist and short-story writer Lawrence Block's monthly column, "Generally Speaking," was one of the most popular features in Linn's Stamp News. A general collector of pre-1940 issues, Block had the entire world of stamps as his subject, and he turned in 33 columns before he decided it was time to stop. But Keller, the author's fictional character, never lost his enthusiasm for philately. A wistful and introspective killer for hire, Keller rekindled a boyhood passion for stamps at the end of Hit Man, the first of a series of books about him.

"You Can Call Me Lucky" first appeared in Indian Country Noir, edited by Liz "Bootsie" Martinez and Sarah Cortez, and published by Akashic Books as part of their Noir series. Bootsie is a good friend of mine, and I had a hard time saying no when she beseeched me for a story. I felt unqualified, having minimal acquaintance with American Indians and their habitat. Then I thought of Indian casinos. And I remembered my nameless girlfriend, who'd thus far brightened Hell's Kitchen and Riverdale with her presence. No reason why she had to stay in the five boroughs of New York. Suppose she turned ...

In “Clean Slate” (Kit Tolliver #4) Kit found her mission in life. There were five men who once slept with her and lived to tell the tale, and she’s determined to hunt them down and wipe them off the board of life. So far, so good. But what do you do when all you know about a guy is the name he gave you? She’d met him in Philadelphia, but he was in town on business, so all she really knew was that he was from someplace else. Good old Sid from Philadelphia, except he wasn’t from Philadelphia, and his name wasn’t Sid. Want to give that a whirl out on Google? Then Rita told her ...

Can a one-woman crime wave settle down and find contentment and happiness in the arms of a nice surburban lady in Kirkland, Washington? That’s what Kit Tolliver’s going to have to find out for herself. She’s become closer to Rita than she’s ever been to another human being, and the phone conversations the two women have are more exciting than the times she spends in bed with men. But there’s a lot Rita doesn’t know about her. Like what she’s done to every man shes been with, starting with her own father. What’ll happen if she tells her? What’ll happen if she doesn’t? All...

When Kit Tolliver met Alvin Kirkaby, he looked cute in his military uniform. He was on his way to an overseas assignment, and maybe it was an uncharacteristic attack of patriotism that led her to break her usual pattern and spare his life. But now he’s just a name on her list, and home from the wars, so all she has to do is head down to Hedgemont, North Carolina, and give her soldier boy an honorable discharge. Then she walks into his trailer and finds out things are a little more complicated than that... All of Kit’s homicidal (and increasingly erotic) adventures are collected in book ...

An MWA Grand Master and a multiple winner of the Edgar, Shamus, and Maltese Falcon awards, Lawrence Block’s reflections and observations come from over a half century as a writer of best-selling crime fiction. Several of his novels have been filmed, most recently A Walk Among the Tombstones, starring Liam Neeson.

One morning in the spring of 1958 I woke up in my room at the Hotel Alexandria with a paralyzing hangover (which was not unusual) and an idea for a book (which was). I sat in front of my typewriter, and within a few hours I had produced a chapter-by-chapter outline of a novel. I had all the characters sketched out and knew how they'd relate to one another, and how the rather elementary storyline would resolve itself. I even had a title: Shadows.

I can trace the origin of A Week as Andrea Benstock to two distinct sources. The first inspired my attempting the book, while the second inspired its form. Let me consider the second first. In 1949, the Belgian author Georges Simenon published a novel called - well, who knows what he called it, but the English translation bore the title - Four Days in a Lifetime. I must have read it sometime in the late 1950s, because what I recall of the experience is that I was in my parents’ house on Starin Avenue at the time.

Four Lives at the Crossroads is the latest addition to the Collection of Classic Erotica. But it came very close to being shoehorned instead into the Classic Crime Library. Back in the late 1950s and early '60s, when I was finding myself as a writer and producing a great quantity of books under pen names, some of the books I wrote were as much crime fiction as they were erotica.

THOSE BOYS AND THEIR CARS… Danny Duncan drives his father’s Oldsmobile. It's a nice respectable family sedan, and April North is every bit as respectable as the car. Until he manages to get her into the back seat. Now she's no longer a good girl, but only Danny know it, and he can keep a secret, can’t he? Well, no. He tells half the town of Antrim, Ohio—the male half, and they all come sniffing around, led by Bill Piersall, driving a homemade hot rod cobbled together from spare parts and held together with spit and baling wire. She gives Bill what he wants, but he turns out to be ...

The crime fiction canopy's a broad one, with room to give shelter to writing of all sorts, as editor Lawrence Block shows with At Home in the Dark.

From Ian Rankin to Joe Lansdale, Seanan McGuire to David Morrell, each author reveals the dark truths and buried secrets that make institutions of higher learning such a hotbed of controversy. You'll encounter plagiarism, sexual misconduct, and brutal competition - not to mention secret societies, cover-ups of murder, and one near-future course of study that makes The Handmaid's Tale look like Mother Goose. So: collect your supplies, plan your schedule, and prepare to pull an all-nighter, because The Darkling Halls of Ivy is required listening.

Some Days You Get the Bear is listed in various bibliographical sources as having first appeared in Penthouse, but I don't believe it did. The story SOLD to Penthouse, and sat in inventory forever, until my agent asked for its return. Then in 1993 It became the title story in my third collection of short fiction, published by William Morrow, and later turned up in my omnibus collection of short fiction, Enough Rope. It's not a crime story, nor is it erotic, so that makes it not what you might expect from me. If I were to categorize it—and I'd just as soon not—I'd probably call it a ...

Keller ist ein Killer. Durch und durch Profi, cool, selbstsicher, kompetent, zuverlässig. Aber er ist auch eine vielschichtige Persönlichkeit: in sich gekehrt und zurückgezogen, eiskalt und gnadenlos effizient, aber zugleich anfällig für Selbstzweifel und Einsamkeit, Albträume und Zukunftssorgen. Seinem Therapeuten gegenüber gibt er sich als "Troubleshooter" eines großen Unternehmens aus, aber sein eigentliches Metier ist Mord.

Listen to mystery stories by today's top writers and the masters who inspired them. The idea for this collection came to Mystery Writers of America Grandmaster Lawrence Block when he was asked, "What is your favorite mystery story?" Block compiled this unique collection by posing the same question to some of today's favorite writers of the genre, including Stephen King, Tony Hillerman, and John Lutz.

The ménage a trois in its many forms has fascinated both observers and participants throughout history. John Warren Wells provides in-depth interviews with all the participants in a manner designed to make the dynamics of these relationships readily comprehensible - but no less intriguing.

In A Woman Must Love, Barbara, a young widow, has vowed to be true to her husband’s memory (even though he’d wished otherwise). She’s courted, and she has a couple of adventures.

When Don Westlake and I were starting out as writers, we both served an apprenticeship writing erotic novels for Harry Shorten at Midwood Books and Bill Hamling at Nightstand. (I was Sheldon Lord for Midwood and Andrew Shaw for Nightstand, while Don was Alan Marshall for both publishers. Note though that the presence of either name upon a book is no guarantee that one of us wrote it. Both of us made arrangements whereby lesser writers would submit works under our names—and I know it's hard to believe that any writers were less than we were back then, but it's true.) Well. We'd become ...

Rhoda’s divorce has her thinking that romance is not for her. But maybe she just needs to look in a new direction. Megan is an attractive blonde who instantly sees what Rhoda’s love life has been missing: a woman’s touch. As Megan guides Rhoda into the sensuous - but hidden - world of women who love women, the two unlock a passion that may be too hot to contain. There are a lot of beautiful women in the Village, and Rhoda’s just begun her adventure as a freewheeling lesbian.