Mostrando títulos en Entretenimiento y Celebridades

An intimate portrait of Handel’s life and inner circle, modeled after one of the composer’s favorite forms: the fugue. During his lifetime, the sounds of Handel’s music reached from court to theater, echoed in cathedrals, and filled crowded taverns, but the man himself - known to most as the composer of Messiah - is a bit of a mystery. Though he took meticulous care of his musical manuscripts and even provided for their preservation on his death, very little of an intimate nature survives.

I Die Each Time I Hear the Sound consists of sometimes-surreal tales, drawing from conflations of memory, especially formative moments in New York City in the 1990s. It looks at how the avid nostalgia of fans is both a boon and a burden for an artist working to stay vital, and what it is to age while touring, and prolifically releasing new music. He examines the struggle to keep relationships alive while living on the road, and the strangeness of the disconnect between performer and audience.

In A Good Bad Boy, Margaret Wappler attempts to understand who Perry was and why he was unique among his Hollywood peers. To do so, she uses an inventive hybrid narrative. She speaks with dozens who knew Perry personally and professionally. They share insightful anecdotes: how he kept connected to his Ohio upbringing; nearly blew his 90210 audition; tried to shed his heartthrob image by joining the HBO prison drama Oz; and in the last year of his life, sought to set up two of his newly divorced friends.

Around about September of 1948, Mr and Mrs Cyril Wakeman had an early night. And some time later, at Perivale in Middlesex, Mrs Wakeman produced a bonny baby son. They named him Richard, but he quickly became known as Rick.

Rick was a likable little fellow who had a talent for the piano (and for making trouble), and music became his life. Later, he joined a popular music group called Yes and became a legend.

Readers and listeners have followed Jen Lancaster through job loss, sucky city living, weight loss attempts, and 1980s nostalgia. Now Jen chronicles her efforts to achieve cultural enlightenment, with some hilarious missteps and genuine moments of inspiration along the way. And she does so by any means necessary: reading canonical literature, viewing classic films, attending the opera, researching artisan cheeses, and even enrolling in etiquette classes to improve her social graces.

Over the course of a 30-year career, Eddie Izzard has proven himself to be a creative chameleon, inhabiting the stage and film and television screens with an unbelievable fervor. Born in Yemen and raised in Ireland, Wales, and postwar England, he lost his mother at the age of six. In his teens he dropped out of university and took to the streets of London as part of a two-man escape act; when his partner went on vacation, Izzard kept busy by inventing a one-man act, and thus a career was ignited.

In his time, the Austrian American composer Arnold Schoenberg (1874-1951) was an international icon. His twelve-tone system was considered the future of music itself. Today, however, leading orchestras rarely play his works, and his name is met with apathy, if not antipathy. With this interpretative account, the acclaimed biographer of Toscanini finally restores Schoenberg to his rightful place in the canon, revealing him as one of the twentieth century's most influential composers and teachers.

Del legendario productor musical, un maestro en el arte de ayudar a los demás a conectar con las fuentes de su propia creatividad, llega un libro maravillosamente fraguado a lo largo de muchos años con una visión profunda de la creatividad y de la vida dirigida todo el mundo. "Me propuse a mí mismo escribir un libro acerca de cómo crear una gran obra de arte. En lugar de eso, se reveló como un libro acerca de cómo Ser." Los grandes productores musicales suelen ser reconocidos por un sonido único que solo ellos son capaces de lograr.

The burgeoning lesbian and feminist movements of the '70s and '80s created an impetus to form more independent and equitable social and cultural institutions—bookstores, publishers, health clinics, and more—to support the unprecedented surge in women's arts of all kinds. Olivia Records was at the forefront of these models, not only recording and distributing women's music but also creating important new social spaces for previously isolated women and lesbians through concerts and festivals.

Talent, energy, dedication, discipline, passion, innovation, education, drive, mind, body, spirit, vision, honor, truth, and drums make the man: Kenny Aronoff. Voted by Rolling Stone magazine as one of the greatest drummers of all time, Aronoff is arguably the most sought-after recording and touring beat master ever.

Reflecting on the Beach Boys’ long, fascinating history, this book tells the story behind 50 of the band’s greatest songs from the perspective of group members, collaborators, fellow musicians, and notable fans. The band's music is as influential now as it was 50 years ago, and this retelling of how the iconic rock group found itself in the annals of pop culture couldn't come at a better time.

Food has always been an integral part of Stanley Tucci’s life: from stracciatella soup served in the shadow of the Pantheon, to marinara sauce cooked between scene rehearsals and costume fittings, to home-made pizza eaten with his children before bedtime. Now, in What I Ate In One Year Tucci records twelve months of eating, in restaurants, kitchens, film sets, press junkets, at home and abroad, with friends, with family, with strangers, and occasionally just by himself.

Shy but with a steely self-confidence; inscrutable despite ten decades in the public eye; unflappable; devout; indulgent; outwardly reserved, inwardly passionate; unsentimental; inquisitive; young at heart. All of these describe Her Royal Highness Queen Elizabeth II, who has reigned through more seismic social change than any monarch since 1066. Robert Hardman has already examined the Queen as a modern monarch and her role as a stateswoman abroad. Now, he wraps up the full story of one of the undisputed greats in a thousand years of monarchy.

At the age of 9, Romesh Ranganathan delivered his first ever stand-up set at a Pontin's Holiday Camp talent competition, smashing the only other competitor, a young girl playing the kazoo. The gig went so well that Romesh retired his comic genius for 22 years, hiding behind the guise of a maths teacher, before finally revealing himself again (no, not like that) at the tender age of 31. In 2010, Ranganathan staged his epic comeback gig to an almost silent room, and has since gone on to earn his place as the most in-demand overweight vegan Sri Lankan comedian in Britain.

The first memoir by Wayne Kramer, legendary guitarist and cofounder of quintessential Detroit proto-punk legends The MC5 In January 1969, before the world heard a note of their music, The MC5 was on the cover of Rolling Stone. The missing link between free jazz and punk rock, they were raw, primal, and, when things were clicking, absolutely unstoppable. Led by legendary guitarist Wayne Kramer, The MC5 was a reflection of the times: Exciting, sexy, violent, chaotic, and out of control, all but assuring their time in the spotlight would be short-lived.

George Michael was an extravagantly gifted, openhearted soul singer whose work was both pained and smolderingly erotic. He was a songwriter of true craft and substance, and his music swept the world, starting in the mid-1980s. His fabricated image—that of a hypermacho sex god—loomed large in the pop culture of his day. It also hid—for a time—the secret he fought against revealing: Michael was gay. George Michael: A Life explores the compelling story of a superstar whose struggles, as well as his songs, continue to touch fans all over the world.

Warren Beatty guarded his privacy even before he became a movie star, when he burst onto the screen in 1961 as the earnestly handsome all-American boy in Splendor in the Grass. When he started acting, Beatty kept secret the fact that actress Shirley MacLaine, already a star, was his older sister. Over time, he has cultivated a mystique, giving few interviews and instructing others not to talk about him. Until now.

In 'My Fair Lady', Julie Andrews had the biggest hit on Broadway. As the title role in 'Mary Poppins', she won an Academy Award. And 'The Sound of Music' made her the most famous woman in the world and rescued Twentieth Century Fox from bankruptcy. Three year later, 'Star!' almost put the studio back under, and the leading lady of both films fell as spectacularly as she had risen. Despite many setbacks - including the loss of her singing voice in 1997 - Julie Andrews is still a star.

Rachel Maddow has beaten the odds in a way that's novel in today's America: She uses her brain. In a world of banal and opinionated soundbites, she regularly crushes Sean Hannity's ratings thanks to her deeply researched reports. And in our highly polarized world, Maddow amiably engages the staunchest conservatives, while never hesitating to expose their light-on-facts defenses.

Here's Tucker Max's third and final book in his series of stories about his drunken debauchery and ridiculous antics. What began as a simple sentence on an obscure website, "My name is Tucker Max, and I am an asshole," and developed into two infamously genre-defining books, I Hope They Serve Beer in Hell and Assholes Finish First, ends here.