Mostrando títulos en Drama

Spektakl' "Dachniki" po odnoimjonnoj p'ese Maksima Gor'kogo, literaturnyj psevdonim Alekseja Maksimovicha Peshkova (1868 - 1936), napisannoj im v 1904 godu. Spektakl' o russkoj intelligencii, besedujushhej na filosofskie temy za chashkoj chaja na dache nakanune revoljucii 1905 goda. Vneshnjaja legkost' poludennyh progulok i besed skryvaet vpolne sebe tragediju russkogo obshhestva.

«Maskarad» - drama Mihaila Jur'evicha Lermontova v stihah. Glavnym geroem ejo javljaetsja nadeljonnyj mjatezhnym duhom i umom dvorjanin Evgenij Arbenin. Arbenin, chelovek ne pervoj molodosti, igrok po nature i po professii, razbogatev na kartah, reshaet peremenit' sud'bu: zakljuchit' «sojuz s dobrodetel'ju», zhenit'sja i zazhit' barinom. Zadumano - sdelano. Zhizn', odnako, vnosit sushhestvennuju popravku v prekrasnejshij sej plan...

Blistatel'naja komedija velikogo anglo-irlandskogo pisatelja Richarda Brinsli Sheridana (1751 - 1816) v ispolnenii zvezd teatra. Salon velikosvetskoj intriganki ledi Snirujel, kotoraja kotoraja obsuzhdaet so svoim napersnikom Snejkom poslednie dostizhenija na poprishhe aristokraticheskih koznej. Jeti dostizhenija izmerjajutsja chislom pogublennyh reputacij, rasstroennyh svadeb, zapushhennyh v obrashhenie neverojatnyh sluhov…

Povest' «Detstvo» - jeto avtobiograficheskoe proizvedenie Maksima Gor'kogo, glavnyj geroj kotoroj - Alesha Peshkov. Posle togo kak u mal'chika umer otec, on stal zhit' s dedom i babushkoj. V dome deda carila mrachnaja atmosfera, v kotoroj i formirovalsja harakter Aleshi.

Pankrasio, muzh Leonardy, uezzhaet na neskol'ko dnej v drugoj gorod. Leonarda i ee sluzhanka Kristina prinimajut v jeto vremja svoih ljubovnikov. Neozhidanno vozvrativshis', Pankrasio zastaet veseluju kompaniju na meste prestuplenija. K schast'ju dlja Leonardy, ona prijutila u sebja hitroumnogo studenta. kotoryj pomogaet ej obvesti vokrug pal'ca prostaka Pankrasio…

Vsemirno-izvestnaja tragedija Fridriha Shillera (1759-1805) - velikogo nemeckogo pojeta, filosofa, teoretik iskusstva i dramaturga. Dejstvie razvorachivaetsja v Germanii XVIII v., pri dvore odnogo iz nemeckih gercogov. Syn prezidenta fon Val'tera vljubljon v doch' prostogo muzykanta Luizu Miller. Ejo otec otnositsja k jetomu s nedoveriem, tak kak brak aristokrata s meshhankoj nevozmozhen.

Zachastuju mnogie istorii o ljubvi zakanchivajutsja svad'boj. A p'esa Karlo Gol'doni so svad'by nachinaetsja. Kekkina i Bepo sobirajutsja pozhenit'sja, no zlym jazykam nichego ne stoit razrushit' ih namerenija. Stoit tol'ko ukazat' zhenihu na bezrodnost' i raspushhennost' nevesty. A esli zhenih tak doverchiv i prislushivaetsja k spletnjam, to neveste stoit razobrat'sja v istinnosti ego chuvstv.

V "Malen'kih tragedijah", kotorye sostavili chetyre dramaticheskih sceny: "Skupoj rycar'", "Mocart i Sal'eri", "Kamennyj gost'" i "Pir vo vremja chumy", v centre vnimanija okazyvaetsja zahvatyvajushhaja istorija gubitel'nyh strastej. Zhadnost' i sladostrastie, zavist' i zhazhda bessmertija ovladevajut dushami geroev Pushkina. Oni ne prosto perezhivajut strast' - no utverzhdajut ee v kachestve vysshej cennosti bytija, sluzhat i poklonjajutsja ej v gotovnosti prinesti v zhertvu sebja i drugih.

Komedija napisana na osnove dejstvitel'nogo proisshestvija. «Jeto udivitel'noe i zabavnoe prikljuchenie, - rasskazyvaet Gol'doni, - proizoshlo s odnim krupnym gollandskim kupcom, i Dva ego poverennyh v Venecii soobshhili mne ego kak sjuzhet, dostojnyj komedii. Ja izmenil tol'ko mesto dejstvija i imena lic».

Odnoobraznuju zhizn' provincial'nogo gorodka Verhopol'e narushaet priezd stroitelej zheleznoj dorogi - inzhenerov Cherkuna i Cyganova. Na smenu patriarhal'nomu varvarstvu gorodskogo golovy Redozubova jeti "poborniki civilizacii" nesut novoe varvarstvo: moral'nuju degradaciju i zhestokoe ravnodushie k cheloveku. Potrebovalos' nemnogo vremeni, chtoby obnaruzhilis' plody ih razrushitel'noj dejatel'nosti.

V dome pojeta i kritika Iespersena idet podgotovka k torzhestvu po sluchaju prem'ery ego p'esy. Sam Iespersen v jeto vremja gotovit hvalebnuju recenziju, kotoruju nazavtra opublikujut v gazete. Vernuvshis' domoj, on zastaet tam svoego starinnogo druga, propavshego mnogo let tomu nazad, doktora Vendelja.

The Broadway Rapture: A Drama of the Gouldium. Against uncomfortable competition in national telegraphy, the Western Union Company, led by Jay Gould, with a number of new telegraphic firms warred to maintain her primacy. When the murderer of Jim Fisk becomes a partner in one of his competitors, revengeful competition is pursued by Gould. The Broadway Rapture is of historical fights for capital superiority. This play is one of the Gouldium, a series of dramas on the life and times of Jay Gould. As in most of these plays there are seven scenes of dialogue and seven choral episodes.

Un giallo straordinario, dove il colpevole non sa di esserlo. Un'indagine senza precedenti, in cui assassino e detective sono la stessa persona. Reo dei più turpi delitti, eppure innocente, Edipo è vittima e artefice del Fato che lo travolge, in una trama micidiale che solo gli Dei potevano concepire. Il capolavoro di Sofocle torna in una traduzione che viene da lontano, potenziato da una colonna sonora dei nostri giorni.

Glavnye geroini, miss Emilija Sedli i miss Rebekka (Bekki) Sharp, uchatsja vmeste v chastnom pansione miss Pinkerton. Bekki - sirota, doch' spivshegosja hudozhnika i francuzskoj tancovshhicy. Ona energichna, polna ambicij i uverena v svoem uspehe. Emili - doch' uspeshnogo kommersanta, krotka, mila i dobrodetel'na. Sud'by dvuh sovershenno raznyh devushek otrazhajut nravy togo vremeni. Pokazana zhizn' razlichnyh sloev obshhestva.

In The Merchant of Venice, the path to marriage is hazardous. To win Portia, Bassanio must pass a test prescribed by her father's will, choosing correctly among three caskets or chests. If he fails, he may never marry at all. Bassanio and Portia also face a magnificent villain, the moneylender Shylock. Portia is most remembered for her disguise as a lawyer, Balthazar, especially the speech in which she urges Shylock to show mercy that "[D]roppeth as the gentle rain from heaven". Please note: This audiobook is in Russian.

Spektakl' po romanu Dombi i synom velikogo anglijskogo pisatelja Charl'za Dikkensa, odin iz luchshih romanov mirovoj literatury, blistatel'nyj, ostroumnyj, veselyj i grustnyj odnovremenno. Beskonechnaja verenica figur i zhiznennyh polozhenij v jetom proizvedenii izumljaet. Ne mnogo romanov v mirovoj literature, kotorye po bogatstvu krasok i raznoobraziju tona mogut byt' postavleny v odin rjad s Dombi i Synom, ne schitaja nekotoryh pozdnejshih proizvedenij samogo Dikkensa.

The play is set in a small town, located on the banks of the Volga. Romantic beauty Larisa Ogudalova, daughter of an impoverished widow noblewoman and, of course, dowry, is madly in love with Sergei Sergeyevich Paratov, owner and elegant gentleman, unprincipled and calculating man who is ready for his own whim to gamble not only his, but also someone else's life.

Leonato, governor of Messina sun that in Sicily, welcomes in his house Don Pedro, Prince of Aragon, who had arrived in the city accompanied by a retinue after the victorious conclusion of the war. Prince thanks for the hospitality and is Leonato two friends, two brave officers, young and noble Florentine Claudio and Signior Benedick of Padua.

The play begins on a summer evening at Covent Garden in London. Suddenly, pouring torrential rain, takes pedestrians by surprise, forcing them to take refuge under the portal of the Cathedral of St. Paul. Among them are phonetics professor Henry Higgins and a researcher of Indian dialects, Colonel Pickering, who came specially from India to see the professor. The encounter delights them both.

The dramatic story of "Ivan the Terrible" was created by Alexey Tolstoy, in the thirties of the XX century, during the mass repression in the USSR. In this period, Stalin, wanting to get a historical confirmation of the necessity of lawlessness, cruelty and tyranny that prevailed in the country, gave the command to unbridled glorification of Ivan IV and his entourage in the first place Malyuta Skuratov. And in this work the author was forced to retreat from historical truth, trying to exalt and to rehabilitate the image of the brutal autocrat.