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In her striking second collection, Natalie Scenters-Zapico sets her unflinching gaze once again on the borders of things. Lima :: Limon illuminates both the sweet and the sour of the immigrant experience, of life as a woman in the US and Mexico, and of the politics of the present day. Her lyrical poems focus on the often-tested resilience of women. Scenters-Zapico writes heartbreakingly about domestic violence and its toxic duality of macho versus hembra, of masculinity versus femininity, and throws into harsh relief the all-too-normalized pain that women endure.

Following several of his internationally acclaimed, beloved novels, A Year of Last Things is Michael Ondaatje’s long-awaited return to poetry. In pieces that are sometimes wittily funny, moving, and always wise, we journey back through time by way of alchemical leaps, unearthing writings by revered masters, moments of shared tenderness, and abandoned landscapes we hold onto to rediscover the influence of every border crossed.

The poetry of Michael Ondaatje begins in memory: distant landscapes, myths from childhood, fleeting interactions with loved ones, and characters from history itself. In poems that are spare as often as they are fable-like—as tender as they are heart-wrenching—the poet navigates the past, looks toward the future, and unearths inevitable truths about the world.

From NPR correspondent and New York Times bestselling author, Kwame Alexander, comes a powerful and provocative collection of poems that cut to the heart of the entrenched racism and oppression in America and eloquently explores ongoing events.

"Dios aprieta, pero no ahorca" ("God squeezes, but He doesn't strangle")—the epigraph of Machete—sets the stage for a powerful poet who summons a variety of ways to endure life when there's an invisible hand at your throat. Tomás Morín hails from the coastal plains of Texas, and explores a world where identity and place shift like that ever-changing shore.

In his debut full length collection, Junious ‘Jay’ Ward dives deep into the formation of self. Composition interrogates the historical perceptions of Blackness and biracial identity as documented through a Southern Lens. Utilizing a variety of poetic forms, Ward showcases to his audiences an innovative approach as he unflinchingly explores the way language, generational trauma, loss, and resilience shape us into who we are, the stories we carry, and what we will inevitably pass on.

Steeped in history, culture and traditions, London remains one of the largest and most populous cities on the planet. Small wonder then, that some of history's greatest poets have been inspired by it.

woke up no light is a Black girl’s saunter turned to a woman’s defiant strut. These are the hymns of a new generation of poetry. Young, alive, yearning. A mouth swung open and ready to devour. A quest for home in a world that knows only wasteland and wanting.

A stunning collection of poems that John Updike wrote during the last seven years of his life. The opening sequence, "Endpoint", is made up of a series of connected poems written on the occasions of his recent birthdays and culminates in his confrontation with his final illness. He looks back on the boy that he was, on the family, the small town, the people, and the circumstances that fed his love of writing, and he finds endless delight and solace in "turning the oddities of life into words".

Fever of Unknown Origin opens at a remote crossroads, where the speaker considers the intersection of history, beauty, and destruction: “the past / is paper / and the present, a match . . .” What follows is an urgent tour of landscapes—environmental, political, and personal—that reframes our perception of modern America and leads the listener into “An empire of rags and photons” where we must look to the past to clarify our futures.

Before he became an award-winning writer and poet, Brian Sonia-Wallace set up a typewriter on the street with a sign that said “Poetry Store” and discovered something surprising: All over America, people want poems. An amateur busker at first, Brian asked countless strangers, “What do you need a poem about?” To his surprise, passersby opened up to share their deepest yearnings, loves, and heartbreaks. Hundreds of them. Then thousands. Around the nation, Brian’s poetry crusade drew countless converts from all walks of life.

A diaspora of memories runs through this poetry collection—a multiplicity of voices, bodies, and houses hold archival material for one another, tracing paths between Brooklyn, Beirut, and Jerusalem. Boundaries and borders blur between space and time and poetic form—small banal moments of daily life live within geopolitical brutalities and, vice versa, the desire for stability lives in familiarity with displacement.

Through poems of immense emotion, and the use of alluring form, Abraham crafts work that examines what we come to own by existing.

Rewriting Eden, Victoria Redel interrogates the idea of paradise within the historical context of borders, exile, and diaspora that brought us to the present global migration crisis. Drawing from a long family history of flight and refuge, the poems in Paradise interweave religion and myth, personal lore and nation-building, borders actual and imagined. They ask: What if what we fell from was never, actually, grace? What is a boundary, really?

In this work, I am inviting you to embark on a journey with me. That journey is poetry—the story of my life.

Anne Waldman takes the opportunity with this 20th-anniversary expanded edition to add 20 poems to this collection that brings into focus her lifelong engagement with “chant” as central to contemporary performative poetry.

Strange Beach is the debut collection from poet and choreographer Oluwaseun Olayiwola. Intimate and erotic, ecological and philosophical, the poems in Strange Beach illuminate the body as a porous landscape across which existential dramas, filial fractures, and sexual reckonings occur. The collection ventures across the same ‘Atlantic Ocean’ as Claudia Rankine's ‘Citizen’, which is the same ‘Atlantic Ocean’ in Lowell's ‘Life Studies’, to reveal a queer consciousness deeply steeped in poetic traditions of nuanced confession and moving abstraction.

Walking Home to Humboldt is a poetic journey through the space-time of unspoken thoughts, dreams, and memories, revealed in love letters about home as read by the author. The bewitching beauty of Humboldt County, in Northern California, has inspired countless artists; its deep forests of redwoods, creeping mists, and the slate-gray waters of the Pacific Ocean set the perfect landscape for unexpressed soul. This is a book of poetry about homecoming and good-byes. It is of heartbreak and triumph, celebration, and bittersweet resignation.

As snappy as a dinner jacket’s red silk lining, as appealing as a piano interlude in jazz, Brad Leithauser’s robust felicity is a balm in grim times. It’s also the perfect vehicle for nostalgia, regret, and surprise, forces that animate his first collection in more than a decade. By turns laugh-out-loud funny and deeply thoughtful, this collection balances wisdom and practicality, as with deft care Leithauser easily, often unexpectedly, juggles off-rhymes and old forms and new. The book unfolds like a five-act play, moving from chattier poems to dramatic denouements.

Useful Junk includes a series of poem-letters that began as a digital correspondence between the author (a Gen-X English professor in rural Virginia with two kids) and a young writer (a Millennial former tech industry worker in New York coming to terms with her queer identity after a recent miscarriage). These poems explore the unique dynamic of online cross-generational friendships and the life lessons both women learned from each other.