Mostrando resultados por autor "Sheila Connolly" en Todas las categorías

In this latest Orchard mystery, amateur sleuth Meg Corey takes a bite out of crime.... Some baby-faced chefs, fresh out of cooking school, are looking to open a restaurant in Granford. They plan on using local foods - great news for city girl banker-turned orchard owner Meg Corey. Yet when one of the chefs is found dead, face-down in a farmer's pig wallow, plans come to a screeching halt. And Meg soon discovers they may have a locally grown killer on their hands.

Honoring the wish of her late grandmother, Maura Donovan visits the small Irish village where her Gran was born-though she never expected to get bogged down in a murder mystery. Nor had she planned to take a job in one of the local pubs, but she finds herself excited to get to know the people who knew her Gran. In the pub, she's swamped with drink orders as everyone in town gathers to talk about the recent discovery of a nearly 100-year-old body in a nearby bog.

Kate Hamilton is feeling good about her plans to recreate Asheboro, Maryland, as the Victorian town it once was. Even two recent murders aren't enough to discourage her: After she helped to solve them, she put them behind her. Now comes the time to make real plans, and her first goal is to renovate the Barton Mansion on the outskirts of town. But when the contractor gets started, he discovers a staircase that had been walled in years earlier. And of course, given the way Kate's luck has been going, there's a body on the stairs.

Katherine Hamilton's goal in high school was to escape from her dead-end hometown of Asheboro, Maryland. Fifteen years later she's got a degree in hospitality management and a great job at a high-end boutique hotel in Baltimore. Until, that is, the hotel is acquired by a chain, and she's laid off. When Kate's high school best friend calls with a mysterious invitation to come talk with the town leaders of Asheboro, she agrees to make the trip, curious about where this new opportunity might lead.

Abby Kimball has just moved to New England with her boyfriend and is trying to settle in, but the experience is proving to be quite unsettling, to say the least. While on a tour of local historic homes, Abby witnesses a family scene that leaves her gasping for breath - because the family has been dead for nearly a century. Another haunting episode follows, and another, until it seems to Abby that everything she touches is drawing her in, calling to her from the past.

Pub owner Maura Donovan hasn't seen her mother for over 20 years, so when she suddenly shows up in Maura's pub, Maura's not sure what to expect. Her mother is trying to find a life for herself back home and has taken up a position working with the new owners of the Crann Mor hotel just outside Skibbereen. That is until her new boss is found dead in the gardens, dumped down the hillside behind the hotel.

Meg Corey has come to the quaint New England town of Granford, Massachusetts, to sell her mother's old colonial home and apple orchard. Instead, she becomes embroiled in development plans that include her land - and her former flame from Boston. When he's found dead in the new septic tank on her property, the police immediately suspect Meg, whose only ally in town is the plumber Seth Chapin. Together, they'll have to peel back the layers of secrecy that surround the deal in order to find the real murderer.

Abby Kimball has slowly accepted her recently discovered ability to see the dead, but none of the harmless sightings she's experienced could have prepared her for the startling apparition of a centuries-old courtroom scene - where she locks eyes with a wicked and gleeful accuser. Thrown back more than 300 years, Abby realizes she's been plunged into a mystery that has fascinated people throughout American history: the Salem witch trials.

Winter still has a firm stranglehold on the small town of Granford, and newly married orchard owner Meg Chapin is restless to begin her spring pruning and planting, while Seth busies himself with a new project of his own. But their relative peace is shattered when a gunshot breaks the winter silence, and they discover the body of a dead woman on their land. What's just as troubling is that the state police have hushed up the murder and are warning Meg not to investigate.

Still looking for answers to explain her uncanny ability to see her dead ancestors, Abby shifts her focus to spiritualists, seers, and psychics of all kinds. Meeting them with an open mind - and a healthy dose of skepticism - she wants to know if any of them genuinely share her strange experiences or if they're simply conning gullible people. When she ventures into a series of "readings" given by area psychics, she makes a startling connection that defies even her wildest expectations.

At The Society for the Preservation of Pennsylvania Antiques, fundraiser Eleanor "Nell" Pratt solicits donations - and sometimes solves crimes. When a collection of George Washington's letters is lost on the same day that an archivist is found dead, it seems strange that the Society president isn't pushing for an investigation. Nell goes digging herself, and soon uncovers a long, rich history of crime.

After 15 years away, Kate Hamilton never expected to end up back in her hometown of Asheboro, Maryland, full time. And she definitely didn't expect to be leading the charge of recreating the town as a Victorian village and tourist attraction. The Barton mansion, meant to be the centerpiece of the Victorian village, has proven to be a veritable goldmine of documents about the town's 19th-century history, and Kate is convinced the papers hide something of value. Then a dead body turns up in the town library - mere hours before the documents were meant to arrive there themselves.

Bostonian Maura is beginning to feel settled in her new Irish home, just in time for summer tourist season to bring fresh business to her pub. But the first traveler to arrive is thirsty for more than just a pint of Guinness. Althea Melville is hot on the trail of a long-lost Van Dyck painting. Maura agrees to help Althea meet with the residents at the local manor house, the most likely location of the missing art. But when the manor's gardener is found murdered, Maura wonders what Althea's real motives are.

Boston expat Maura Donovan has been getting accustomed to Irish living, complete with an inherited house and a pub named Sullivan’s. But now, her mother has returned - and she’s brought Maura’s half-sister in tow. To make matters more confusing, a handful of Cork University students are knocking on Maura’s door, asking about a mystical fairy fort that happens to be located on Maura’s piece of land. Then one of the students disappears after a day of scoping out the fort, and Maura uncovers a decades-old corpse.

Spring has come to Meg Corey's apple orchard—and it's quickly becoming a killer season. Just as she's getting the hang of managing the two-hundred-year-old orchard she's inherited, the dead body of a local organic farming activist is found in her springhouse. And the only thing that's sprung is a murder accusation - against her...

With the bushels of time they spent organizing their wedding, Meg and Seth didn't have a chance to plan a honeymoon. But now that winter has arrived, there's not much to do at the orchard. So with their shared love of history and all things apple, they pick Thomas Jefferson's orchards at Monticello as the perfect getaway. While they enjoy the beautiful sights, there's a rotten addition to the agenda when Meg's parents discover their handyman dead in the backyard.

When the entire collection of the Fireman's Museum ironically goes up in flames, Nell Pratt discovers one of the charred pictures isn't the one that was originally exhibited. But getting to the bottom of the mystery is bound to get Nell burned....

Summer is ending in County Cork, Ireland, and with it the tourist season. Expat Maura Donovan is determined to keep Sullivan's Pub in the black as the days grow shorter - but how? When she hears that the place was once a hot spot for Irish musicians who'd come play in the back room, she wonders if bringing back live music might be Sullivan's salvation.