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Friedrich Nietzsche (1844-1900) is one of the towering intellectual figures of the 19th century, a philologist, philosopher and poet of profound complexity and range whose writings in moral philosophy continue to resonate in the present day. The Dawn of Day (Morgenröte), first published in 1881, marked a clear shift in his thinking and prefigures many of the ideas that would be further developed in his later writings. The clue is in the title, sometimes translated as Dawn or Morning, which suggests the beginning of a different awareness.

Beyond Good and Evil confirmed Nietzsche's position as the towering European philosopher of his age. The work dramatically rejects the tradition of Western thought with its notions of truth and God, good and evil. Nietzsche demonstrates that the Christian world is steeped in a false piety and infected with a "slave morality". With wit and energy, he turns from this critique to a philosophy that celebrates the present and demands that the individual imposes their own "will to power" upon the world.

The German Classics Collection is a wide-ranging collection of 7 classic works of fiction and philosophy by German authors, read by a stellar cast of David Rintoul; Peter Noble; Ben Allen; Malk Williams; Daniel Weyman. Included here are stories by some of the greatest writers of all time, including Thomas Mann, Herman Hesse, Kafka, and Nietzsche.

On the Genealogy of Morality (The Genealogy of Morals) is an 1887 book by German philosopher Friedrich Nietzsche. It consists of a preface and three interrelated essays that expand and follow through on concepts Nietzsche sketched out in Beyond Good and Evil. The three essays trace episodes in the evolution of moral concepts with a view to confronting moral prejudices, specifically those of Christianity and Judaism. Some Nietzsche scholars consider Genealogy to be a work of sustained brilliance and power as well as his masterpiece.

"The Birth of Tragedy" stands alongside Aristotle’s "Poetics" as essential works for all who seek to understand poetry and its relationship to human life. In this, his first book, Nietzsche developed a way of thinking about the arts that unites the Greek gods Apollo and Dionysus as the central symbol of human existence. Although tragedy serves as the focus of this work, music, visual art, dance, and the other arts can also be viewed using Nietzsche’s analysis and integration of the Apollonian and the Dionysian.

Beyond Good and Evil confirmed Nietzsche's position as the towering European philosopher of his age. The work dramatically rejects traditional Western thought with its notions of truth and God, good and evil. Nietzsche seeks to demonstrate that the Christian world is steeped in a false piety and infected with a 'slave morality'. With wit and energy, he turns from this critique to a philosophy that celebrates the present and demands that the individual impose their own 'will to power' upon the world.

After ten years of meditative solitude, the prophet Zarathustra descends from his mountain cave to preach the power of the Superman - a human divinity emancipated from the construct of God. The Superman is free to create his or her own moralities, values, notions of good and evil, and purpose in life. Although people of the town are confounded, Zarathustra resolves to persuade the herd by illuminating the heights to which they can ascend by ignoring promises of otherworldly fulfillment.

This collection, read by Audie award-winning narrators, includes unabridged recordings of 11 of the most renowned, widely-read, and essential philosophical works from Ancient Greece and Asia to 19th century America, including Meditations, The Republic, and more.

Written over 100 years ago, The Antichrist by the German philosopher Friedrich Nietzsche is a thought-provoking piece of literature in which Nietzsche urges the listener to be honest and critical in regards to previously accepted thoughts of modern Christianity. He suggests that the current basis for what is right and wrong, happiness and sadness, and other essential concepts is completely backward. Instead, every end result can be measured based on what Nietzsche calls the "will to power".

Though Twilight of the Idols (written in a week in 1888 and subtitled How to Philosophise with a Hammer) came near the end of Nietzsche’s creative life, he actually recommended it as a starting point for the study of his work. This was because from the beginning he viewed it as an introduction to his wide-ranging views.

In this, his first book, Nietzsche developed a way of thinking about the arts that unites the Greek gods Apollo and Dionysus as the central symbol of human existence. Although tragedy serves as the focus of this work, music, visual art, dance, and the other arts can also be viewed using Nietzsche's analysis and integration of the Apollonian and the Dionysian. The Birth of Tragedy stands alongside Aristotle's Poetics as an essential work for all who seek to understand poetry and its relationship to human life.

The Gay Science (The Joyful Wisdom) is one of Nietzsche's greatest books. His wonderfully fertile mind roams over mankind, his thoughts, his emotions, his behaviour and his weaknesses with remarkable clarity, with insight - but also with humour!In this work are 383 separate paragraphs, some short, some long, but all singular observations - the epitome of his famous aphoristic style. 'Morality is the herd instinct in the individual.'

A compelling argument for the necessity for art in life, Nietzsche's first book is fuelled by his enthusiasms for Greek tragedy, for the philosophy of Schopenhauer and for the music of Wagner, to whom this work was dedicated. Nietzsche outlined a distinction between its two central forces: the Apolline, representing beauty and order, and the Dionysiac, a primal or ecstatic reaction to the sublime. He believed the combination of these states produced the highest forms of music and tragic drama, which not only reveal the truth about suffering in life, but also provide a consolation for it.

In Beyond Good and Evil, Friedrich Nietzsche attacks past philosophers for their alleged lack of critical sense and their blind acceptance of Christian premises in their consideration of morality. The work moves into the realm "beyond good and evil" in the sense of leaving behind the traditional morality, which Nietzsche subjects to a destructive critique, in favor of what he regards as an affirmative approach that fearlessly confronts the contextual nature of knowledge.

The last works completed before Nietzsche's final years of insanity, Twilight of the Idols and The Antichrist contain some of his most passionate and polemical writing. Both display his profound understanding of human nature and continue themes developed in The Genealogy of Morals, as the philosopher lashes out at the deceptiveness of modern culture and morality. Twilight of the Idols attacks European society, Christianity, and the works of Socrates and Plato; The Antichrist explores the history, psychology, and moral precepts of Christianity.

Así habló Zaratustra es uno de los textos más extraordinarios e importantes de la filosofía occidental. Fue escrito por Friedrich Nietzsche entre 1883 y 1885. Lo escribió en clave de novela con la esperanza de que su apremiante anuncio de la “muerte de Dios” y del surgimiento del superhombre (übermensch) tuviera un mayor impacto tanto emocional como intelectual.

Más Allá del Bien y del Mal representa una de las páginas más interesantes y vitales de la filosofía axiológica. Los libros de Nietzsche no son únicamente teoría; son, ante todo, un llamado a la acción, al acrecentamiento de nuestra voluntad. Sus palabras deben atenderse muy pronto porque vivimos en una época dominada por el servilismo, la ceguera y el menosprecio de nosotros mismos.

In On the Genealogy of Morals, subtitled "A Polemic", Nietzsche furthers his pursuit of a clarity that is less tainted by imposed prejudices. He looks at the way attitudes towards 'morality' evolved and the way congenital ideas of morality were heavily colored by the Judaic and Christian traditions.

Friedrich Nietzsche's Beyond Good and Evil, first published in 1886, presents a scathing critique of traditional morality and attacks previous philosophers for their blind acceptance of Christian ideals of virtue. As an alternative to what he viewed as the illogical and irrelevant philosophy of the nineteenth century, Nietzsche argues for the importance of imagination, self-assertion, danger, and originality for genuine philosophy.

It was with Human, All Too Human, first published in 1878, that Nietzsche developed the aphoristic style that so suited his challenging views and uncompromising style. The text is divided into three main sections: 'Of the First and Last Things', 'History of the Moral Feelings' and 'The Religious Life'.