Mostrando resultados por autor "Loren D. Estleman" en Todas las categorías

Detroit's favorite private investigator, Amos Walker, barrels through this collection of five short stories by Shamus Award winner Loren D. Estleman. General Murders upholds Estleman's reputation as a master of the short story. Both card-carrying fans of Amos Walker and those who are new to the series will devour these stories as they, with Walker, expose crime in some of the most corrupt alleys and steamy streets of Detroit.

Spring has come to Detroit's Sugartown enclave, and Amos Walker would like to feel kindly toward the human race. Unfortunately, his first case of the new season immediately leads him into trouble among the Polish settlers of neighboring Hamtramck, when old Martha Evancek hires him to look for her missing grandson. But even before Walker gets a chance to investigate, he's presented with a second case: an eminent Russian novelist who fears that someone is out to kill him.

Everyone knows the Frankenstein monster was played by Boris Karloff. But before Karloff’s memorable portrayal, another famous 1930s Hollywood icon, Bela Lugosi, tested for the part of the monster. The screen test footage was lost for decades, until Valentino, the never-say-die film archivist, gets a hot tip about the whereabouts of the incriminating (for really bad, heavily accented acting) footage. But it comes with a price far greater than the money he’ll have to pay.

Enter Valentino, a mild-mannered UCLA film archivist, who buys a decrepit movie palace and uncovers a skeleton in the secret Prohibition basement. He then makes a second discovery: long-lost, priceless, reels of film: Erich von Stroheim's infamous Greed. The LAPD wants to take the reels as evidence, jeopardizing the precious old film.

Amos Walker is hired by Helen and Dante Gunner, a bohemian Ann Arbor couple, to find Jerry Marcus, a film director who has disappeared with their investment money. It's one of Walker's easiest jobs to date. In just a few short hours, Walker locates Marcus in his bedroom...murdered, his body shoved into a cupboard, a bullet through his head.

On screen, Sandy Broderick is everything a newscaster is supposed to be. He has a deep voice, a 10,000-watt smile, and the God-given ability to banter with weathermen until his ears fall off. But when the cameras turn off, he has a private problem: His 20-year old son, Bud, has disappeared. Amos Walker is going to find him. The boy and his junkie girlfriend are both gone, and Broderick is terrified - not for his son, but for his career. The station is about to do an exposé on drugs in Detroit, and the newscaster doesn’t want his boy’s addict girlfriend to get in the way of his Pulitzer.

When Amos Walker was a teen, he had a poster of Gail Hope on his wall. A 60s bombshell in the beach-blanket tradition, she has fallen hard since her glory days as one of the dying studio system’s final starlets. But when she calls on Amos Walker she remains as lovely as ever: an elegant beauty with a $750,000 problem.

Locked in a deadly feud, cowboys Randy Locke and Frank Farmer have spent decades attempting to annihilate each other any time they are within shooting distance. So far, the men are even. One of Frank's bullets has given Randy a permanent limp. Vain Frank wears a prosthetic ear, his own lost to Randy's assault. If either of them remembers the original reason for the feud, it seems moot now.

The Reverend Thomas Aquinas Sunsmith is halfway through his sermon when killers open fire. He is preaching against the evils of gambling, which a cartel of mobsters is trying to legalize in Detroit. The hail of gunfire misses the reverend, but a choir member is cut down—the first victim in the battle for the soul of the Motor City. The Detroit mob has erupted into civil war, and professional killer Peter Macklin is caught in the middle. A former mob employee, he has since tried to stay away from the savagery of organized crime, but now they're offering him a job too tempting to refuse.

Author Loren D. Estleman has won four Golden Spur Awards from the Western Writers of America, as well as the Western Heritage Award for Outstanding Western Novel from the National Cowboy Hall of Fame. He is also a Pulitzer Prize nominee. In Undertaker's Wife, he pens a dramatic tale set in the early 1900s about a retired undertaker, Richard Connable, and his wife, Lucy. In order to save the country from financial disaster, Richard must disguise the suicide of one of the most preeminent financiers.

E' l'anno 1890. Una nave fa naufragio sulla costa inglese, l'equipaggio è scomparso...

Los Angeles, 1921: Ex-Pinkerton agent Charlie Siringo is living in quiet retirement when Wyatt Earp knocks on his door and asks him to track down Earp’s missing horse. What begins as horse thievery turns into a deeper mystery as Siringo and another ex-Pinkerton, the young Dashiell Hammett, follow clues that take them from the streets of Los Angeles to Jack London’s farm. There they discover a conspiracy masterminded by the notorious and powerful Joseph P. Kennedy.

A fragmented story comprised of anecdotal episodes from the early days of Hollywood.

At a gala party held in memory of screen legend Greta Garbo, Hollywood film detective Valentino is having fun until the host, a hotshot developer named Rankin, tells Valentino about a certain letter from Garbo to his late wife. She and Garbo had been…close. Such a letter is of great interest to a film archivist like Valentino, but the plot thickens when Rankin tells Val that his assistant, Akers, is using this letter to blackmail him.

Siegfried, a terrorist group made up of a killer, a bassist, an ex-marine, a demolitions expert, a Black Panther, a national guardsman, and a couple of spoiled teenagers, is about to become Detroit's worst nightmare. The motley gang boards a river cruise boat armed with M16s and enough explosives to burn the city down. They have eight hundred hostages, and if they don't get what they want, Siegfried will kill every soul aboard.

Johns Davis has just left the Alamo when he feels the garrote wrap around his neck. The bookie slams his foot on the gas, sending the car into oncoming traffic. It bounces off a van, hops the curb, and crashes into a hotel, knocking Davis unconscious and breaking the neck of his would-be assassin. Davis can breathe again, but just for a moment. When the mob wants you dead, they'll always send another killer.

What could be more innocent than watching old movies? For Neil Catalin, a wealthy man with a happy home, old-fashioned pictures were a hobby that became an obsession. But he wasn’t watching The Wizard of Oz. Crime movies were his passion, the sort where life is cheap and death is free, and Catalin sank himself into them as an escape from the stresses of suburbia. Now he has disappeared, and his wife believes the clue may be in his collection of gruesome classics.

National Book Award nominee and five-time Spur Award-winner Loren D. Estleman is widely considered one of America's finest Western authors. In this riotous and action-packed tale of Old West high jinks, a band of thieves posing as a traveling theater troupe runs afoul of a clever Pinkerton agent.

In 1944, after Al Capone has been released from prison, J. Edgar Hoover assigns an FBI junior agent to insinuate himself into Capone's life and gain his trust so that Hoover can nail as many of Capone's Mob confederates as possible. Capone, suffering from the neurological effects of syphilis, is alternately lucid, full of the passion and energy that fueled his rise to the pinnacle of American crime... and rambling or ranting, the broken shell of a man released from prison so he could die at home with his family.

Bela Lugosi's Frankenstein screen test puts Valentino in the picture for murder.... Everyone knows Frankenstein's monster was played by Boris Karloff. His portrayal is so famous that the play Arsenic and Old Lace was filled with Karloff/monster jokes - even when the part of the deformed villain was played by another actor. But before Karloff's memorable portrayal, another 1930s Hollywood icon, Bela Lugosi, tested for the part of the monster. The test footage was lost for decades, until Valentino, that never-say-die film archivist, gets a hot tip about the whereabouts of the incriminating (for really bad, heavily accented acting) footage.