Mostrando resultados por autor "Percy Shelley" en Todas las categorías

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

Each and every one of us has attempted the feat—to express our feelings on love is one of the joys, or heartaches, of life. In this volume 10 poets add their immortal words on love. Some are tender, some are strident, some beguile with unknown words and play but always, always in tones of love. Genius in every name.

Death is a subject that few of us talk about, but many think about and more than a few of us dread. Whether it is the actual end of our life’s journey or merely a transit point to heavenly glory, its actual point of impact is, obviously, life-changing. But what do poets think of it? How do their minds tangle with the subject and make sense of this? That’s what we wondered too. Poets as rich and diverse as Tennyson, Hardy, Shelley, and Poe here share their words, thoughts and visions with us.

What is love? The question is asked by each of us, but the answer remains elusive. Dictionaries summon up many words, but none fulfill. Love itself is often ethereal, felt but only seen in a glance, a look, a fleeting touch. Part of love’s beauty is perhaps in the fact that the question never can be adequately answered; it's ephemeral, a chimera of the heart and only felt. Our own experiences are unique and personal to ourselves and of little help defining it for another. Love is perhaps best expressed through poetry.

You have been looking for this book for quite some time. Pick it up to begin a journey into the deepest depths of the human psyche and the darkest corners of the imagination. Dare to delve into the human psyche's unspeakable corners and passages with this chilling horror anthology collecting some of history's greatest English poems.

For many of us Autumn, or as the Americans would say; Fall is the season of mixed emotions. Summer's long days are replaced by a chill in the air. The colours on the trees and fields ripen to warmer hues and the harvest is brought safely home. Yet with this bounty there is the knowledge that Nature is turning her attention to the harder, colder Winter month's ahead.

This poetic exploration of the subject of love was composed in Italy 1821, and published anonymously, as the poet wished its circulation to be restricted to the "esoteric few." The title means "concerning or about a little soul", the subject, in this case, being Shelley's inamorata of the time, Countess Teresa (designated "Emily" in the poem) Viviani, a young woman who was immured in the Convent of Saint Anna by her father. Shelley had had a number of contacts with her by letter and in person.

The seas and oceans have a mystical power over us: From a playful day at the beach to the hysterical waves of a storm, this ever-changing element evokes both beauty and fear; its great mass, its shimmering beauty, its raging howl and all in colours from blue to grey to green and crystal clear. In these collections of verse our poets - including Tennyson, Swinburne, Keats, Shelley, and many others - explore the relationship between ourselves and the great mystical waters.

This meditation on artistic creativity was written during the latter months of 1815, during a sojourn on the border of Windsor Forest. Critics have concurred in the opinion that the anonymous hero of the poem is Shelley himself, who feared that he too would become an "inheritor of unfulfilled renown". Today, the poem is considered to be the first major work of Shelley's maturity.

The Necessity of Atheism was first published by Shelley in 1811. In 1813 he printed a revised and expanded version of it as one of the notes to his poem Queen Mab. Shelley evinced a searing contempt for organized religion but maintained a belief in a benevolent non-sectarian World Spirit.

This is an essay from the Favorite Essays collection.

The Witch of Atlas is a poetic narrative, written in 1820 and published posthumously in 1824. The witch is the daughter of the Pleiades, the seven daughters of Atlas and Pleione. The plot is built around her adventures, during which she creates an androgynous creature, Hermaphroditus, who is both the companion of and the servant to the witch. She plays a series of pranks upon mankind, with the ultimate aim of revealing the essential foolishness of oppression and conflict and enabling the realization of a final Utopia.

On a summer’s day we have perhaps all wished to take flight and view life and the world from the vantage point of a clear blue sky. Our feathered friends do it as a matter of course, and in this volume some of our finest wordsmiths speak with imagination, longing and desire on their behalf.

History of a Six Weeks' Tour (1817) is a volume of travel-writing by Mary Wollstonecraft Shelley and Percy Bysshe Shelley. Comprising prose narrative, correspondence, and poetry, it is a highly engaging account of their 'adventures and feelings' during two journeys from England to Switzerland at the end of the Napoleonic Wars.

December - the 12th and closing month in the Gregorian calendar. Winter is upon the land, and the poets, including such as Keats, Shelley, Tennyson, Shakespeare, and Stevenson, share their views and thoughts.

Perhaps a handful of poets can truly claim to rest in our consciousness. Shelley is indeed amongst their number. This volume of his poetry, performed here by Vincent Price in a spellbinding reading, brings forth the true power of his words.

The seas and oceans have a mystical power over us: From a playful day at the beach to the hysterical waves of a storm, this ever-changing element evokes both beauty and fear. Its great mass, its shimmering beauty, its raging howl, and all in colours from blue to grey to green and crystal clear. In these collections of verse our poets - including Tennyson, Swinburne, Keats, Shelley, and many others - explore the relationship between ourselves and the great mystical waters.

April - the fourth month of the year in the Gregorian calendar heralds spring in earnest and, of course, April showers and perhaps other unsettled weather. For our poets, including Owen, Stevenson, Van Dyke, Hardy, and Shelley, the month provides a rich source for them to muse upon.

October - the tenth month of the year in the Gregorian calendar, and the land prepares to give up more it its colourful coverings. On this and other themes, our poets, including Wordsworth, Rossetti, Arnold, Bryant, and Alford, have much to say.

A collection of the greatest poetry from the Romantic period, read by some of the 20th century’s most renowned actors. Love, romance and portrayals of nature are played out in these timeless readings of poetry written during the Romantic period. Performed by Richard Burton, Peter Orr, William Squire, Richard Marquand, Peggy Ashcroft, Margaretta Scott, Tony Church, Derek Godfrey, Patrick Garland, Gary Watson and Janette Richer. This collection includes poems from: William Wordsworth, Samuel Taylor Coleridge, William Blake, Lord Byron, Percy Bysshe Shelley, John Keats.