Mostrando resultados por narrador "Greg D Barnett" en Todas las categorías

Lee had expertise in different sciences and 24th-century tech due to learning machines that could transfer an expert's knowledge. He had the latest high-tech weapons. He had acquired the latest protective equipment. He was sixteen and got his great-grandfather's A.I., Anna, to find him a planet that had magic. His A.I. hacked a portal to take him there. He might have bitten off more than he could chew.

A meticulously observed, gorgeously-crafted snapshot of gay culture in the pulsing early years of the tech boom, Gaysians renders its hilarious, flamboyant, human protagonists with love and individuality, showing tenderly the particular joy of queer friendship and yearning.

Aunt Blythe's house gives Drew the creeps-it's full of dark rooms, creaky noises, and the sound of a woman sobbing somewhere in the shadows. Then, in the middle of the night, Drew awakens to find a boy standing in his room...a boy who is Drew's exact double, except he looks as if he's come from the grave.

Baron Lee and Lady Bala are headed to Denshu, his gift from the King. There is an imposter mage who has taken over his province and he must woo the residents to support him while taking down the imposter. The town is seventeenth century in most of its infrastructure and trade. Lee knows the new king put his strongest mages in the southernmost town in the kingdom—adjacent to Darvist.

At the age of four, Joshua Miele was blinded and badly burned when a delusional neighbor poured sulfuric acid over his head in a crime that shocked New York. It could have ended his life, but instead, Miele—naturally curious, and a born problem solver—not only recovered, but thrived. Throughout his life, Miele has found increasingly inventive ways to succeed in a world built for the sighted, and to help others to do the same. At first reluctant to even think of himself as blind, he eventually embraced his blindness and became a committed advocate for disability and accessibility

This collection includes The Shy Little Kitten, Tootle, Home for a Bunny, The Three Bears, The Little Red Hen, and The Sailor Dog.

When Santa Claus appears on Lance's autopsy table, he can't believe his eyes or ears as the not-so-jolly ghost accompanying the body tells Lance he's been murdered. Solving this murder will take time as the list of suspects is growing. For some, Christmas isn't the most wonderful time of the year, but it is the most profitable. To top it off, Lance's brother is in town visiting and he's not alone. He's got a ghost attached to him. Telling his brother that he sees ghosts just became even more important as this ghost insists Lance help him make things right before he moves on.

Nick Carraway―paper soldier and novelist―has found a life and a living watching the mad magical spectacle of New York high society in the late thirties. He's good at watching, and he's even better at pretending: pretending to be straight, pretending to be human, pretending he's forgotten the events of that summer in 1922. On the eve of the second World War, however, Nick learns that someone's been watching him pretend and that memory goes both ways. When he sees a familiar face at a club one night, it quickly becomes clear that dead or not, damned or not, Jay Gatsby isn't done with him.

If Jason, Michael, and Freddy were merged into one being and given supernatural powers, the result would be something like Mister Scary. He's been carrying out his murders from the Shadow Land for way too long now. It's time to put him down.

When someone starts killing police officers in the city, Detective Angus Young prioritizes finding out who's attacking those he works with. He's determined to take down the killer before any more officers are targeted. Having the skill to speak to the ghosts of the dead is usually helpful to a medical examiner, but not when the ghosts can't identify who killed them. Keeping Angus safe is Lance's first priority as he does everything he can to try and help fit the clues together and bring peace to those who have died.

The Age of Choice tells the long history of the invention of choice as the defining feature of modern freedom. Taking listeners from the seventeenth century to today, Sophia Rosenfeld describes how the early modern world witnessed the simultaneous rise of shopping as an activity and religious freedom as a matter of being able to pick one's convictions. Similarly, she traces the history of choice in romantic life, politics, and the ideals of human rights. Throughout, she pays particular attention to the lives of women, who have frequently been the drivers of this change.

Angus grew up around the strange. With his mother able to see and speak to ghosts, he's grown up knowing there are things most people can't see or understand. When he accidentally catches Lance arguing with a ghost, he knows he has to step in before the man thinks he's going crazy. As Lance adjusts to his new ability, he also realizes seeing ghosts has its advantages. When several women are murdered in the area, it's up to Lance and Angus to work with the ghosts of the victims to catch the killer.

As a medical examiner, seeing ghosts has its advantages. After being informed by a ghost that there is a mass grave in the area, Lance and Detective Angus Young feel the fallout. As one investigates the murders, the other investigates the bodies, both trying to piece together what happened. Luckily, the dead aren't all silent. As ghosts of the victims appear, clues to what happened start to come together. The only problem now is figuring out who the killer is and catching him before he strikes again.

The Cell: Inside the Microscopic World that Determines Our Health, Our Consciousness, and Our Future is a fascinating story of the incredible complexity and dynamism inside the cell and of the fantastic advancements in our understanding of this microscopic world.

The last thing Lance expected to find while helping Franks look for a new house was a ghost. Shelia just wanted to graduate and get on to college, but that never happened. The last thing she remembers is being at home on the couch, then waking up in a deep hole in the middle of nowhere. She wants answers. How did she get there and why?

I was the guy you came to when your spouse got bitten by a werewolf, or your boyfriend was kidnapped by a demon. I was the guy who knew what to do when an evil sorcerer casts a curse on you. At least, I WAS that guy. Until I destroyed the world. Now . . . I'm the guy who's gonna save it.

Rachel Hostetler’s world is turned upside down when she finds her brother’s body hanging in her family’s barn. Rachel is sure her brother Albie did not kill himself, but neither her father nor the police are willing to listen. When she spots Nate, her ex, now a detective in Oklahoma, back in Cedar Creek, she knows he is the answer to her problem and begs him to intercede.

Smile, and the world smiles with you. Cause an apocalypse, and the Hounds drag you to Purgatory. After the events of Final Magic, Alec finds himself in a place where life is cheap and death is a constant companion. Time to win new friends and avoid new enemies.

It has been two years since his mom’s death, and Jamison, his dad, and his younger sister seem to be coping, but they’ve been dealing with their loss separately and in different ways. When Jamison has to be reminded of his mother’s birthday, on the day of her birthday, he worries that his memory of her is slipping away, and he is forced to reckon with the passing of time. To help make sense of it, he picks up his camera - the Nikon his mother gave him a few years back.

If you like to write—whether it's a pastime, a passion, or a profession—you've probably found yourself reading something brilliant and thinking, "I could never do this! I might as well give up." But if there's one thing every great author has in common, it's this: they've all written some hot garbage. Revisionaries takes you on an engrossing tour through the discarded drafts, false starts, and abandoned projects of influential writers. In the process, it dismantles some of our most deeply held—and most suffocating—ideas about what it takes to produce great creative work.