Mostrando resultados por narrador "Justin Avoth" en Todas las categorías

The Other Side of Night begins with a man named David Asha writing about his biggest regret: his sudden separation from his son, Elliot. In his grief, David tells a story. Next, we step into the life of Harriet Kealty, a police officer trying to clear her name after a lapse of judgment. She discovers a curious inscription in a secondhand book—a plea: Help me, he’s trying to kill me. Who wrote this note? Who is “he”? This note leads Harri to David Asha, who was last seen stepping off a cliff.

436 AD. The Burgundars are confident of destroying Rome's legions. Their forces are strong and they have beaten the Romans in battle before. But they are annihilated, their king killed, his people scattered. Their fabled treasure is lost. For Rome has new allies: the Huns, whose taste for bloodshed knows no bounds.

A fabulous "lost masterpiece" becomes the ultimate prize - for an art historian whose ambition consumes everyone around her, an angry young painter with a plan for revenge on the art establishment, and a desperate gallery owner who may have double-crossed his own life away. Behind the elegance and glamour of the art world, anything goes - theft, forgery, betrayal, and maybe even murder....

Former correspondents E. and Henerey, accustomed to loving each other from afar, did not anticipate continuing their courtship in an enigmatic underwater city. When their journey through the Structure in E.'s garden strands them in a peculiar society preoccupied with the pleasures and perils of knowledge, E. and Henerey come to accept—and, more surprisingly still, embrace—the fact that they may never return home.

From Stoics to existentialists, in philosophy and literature, discussion of the philosophy of life—of love and death, of courage, fortitude and wisdom—challenges us all to think about what kinds of life are truly worth living. In this summation of a lifetime thinking and writing about this great question, A. C. Grayling explores with clarity and depth the ideas that each of us must use in answering it for ourselves.

Naxos AudioBooks is proud to be bringing Francis Brett Young (1884–1964) back into the literary limelight. A justly celebrated writer in his time, he drew on his military and medical experience as well as his acute environmental observations to create authentically detailed and poetically rich novels of profound emotional depth. The coal-mining and heavy industry of the Black Country in the West Midlands, observed by the author as a boy, imbue his ‘Mercian’ novels.

February, 1945. Eight months have passed since the D-Day landings, when the Allies gained their foothold in North-West Europe. Since then the British Army has fought near continuously against the German military. Now, they stand ready for their greatest test: the battle for the German homeland. Drawing on the archive of the Imperial War Museums, this often-overlooked period of the war is brought vividly to life in the words of British soldiers who were there, from war-weary men who have survived many months of combat to new recruits facing Hitler's fanatic Panzer divisions for the first time.

In these four dialogues, Plato develops the Socratic belief in responsibility for one's self and shows Socrates living and dying under his philosophy. In Euthyphro, Socrates debates goodness outside the courthouse, Apology sees him in court, rebutting all charges of impiety, in Crito, he refuses an entreaty to escape from prison, and in Phaedo, Socrates faces his impending death with calmness and skillful discussion of immortality.

The ancient Roman empire was the supreme arena, where emperors had no choice but to fight, to thrill, to dazzle. To rule as a Caesar was to stand as an actor upon the great stage of the world. No biography invites us into the lives of the Caesars more vividly or intimately than that by Gaius Suetonius Tranquillus, written from the centre of Rome and power, in AD 121. Placing each Caesar in the context of the generations that had gone before, and connecting personality with policy, Suetonius injected flesh and blood into their stories.

Richard Burton and Elizabeth Taylor were a Sixties supercharged couple in an era of supercharged couples. As a pairing they were fantasy figures, impossibly desirable. Liz supple and soft, in perfumes and furs - yet with something demonic and lethal about her. Dick, in turn, with his ravaged, handsome face, looked as though lit by silver moonlight - poised to turn into a wolf. Roger Lewis uses this glamorous and damaged pair as the starting point to tell the story of an age of excess.

A beautiful discovery outside the window of her underwater home prompts the reclusive E. to begin a correspondence with renowned scholar Henerey Clel. The letters they share are filled with passion, at first for their mutual interests, and then, inevitably, for each other. Together, they uncover a mystery from the unknown depths, destined to transform the underwater world they both equally fear and love. But by no mere coincidence, a seaquake destroys E.'s home, and she and Henerey vanish.

English writer Hilary Wainwright lost all trace of his young son when Lisa, his wife, was killed by the Gestapo in Paris. Several years later, an acquaintance travels to England with news that Hilary’s son may be alive in France. Doubting whether five-year-old Jean is indeed his, and determined not to feel vulnerable to love and tenderness again, Hilary travels to France to find the boy.

Drawing on decades of research into decision-making under uncertainty, Gerd Gigerenzer makes a compelling case for the enduring importance of human discernment in an automated world that we are told can - and will - replace our efforts. Filled with practical examples and cutting-edge research, How to Stay Smart in a Smart World examines the growing role of AI at all levels of daily life with refreshing clarity. This book is a life raft in a sea of information and an urgent invitation to actively shape the digital world in which we want to live.

Roger Lewis, in his no-holds-barred biography, exposes a Peter Sellers the world little knows. Recognized as the greatest British comic since Charlie Chaplin, Sellers was the grand master of fifty-five films - from Dr. Strangelove, to Being There and the Pink Panther hits. But shadowing his phenomenal career was a history of increasingly bizarre behaviour involving psychotic violence, compulsive promiscuity, drug abuse and humiliating self-destructive obsessions with people including Princess Margaret, Sophia Loren, Liza Minnelli and each of his four wives.

The Great War has ended, but for Amy Vanneck, there is no peace. Her fiancé, Edward Haslam, a lieutenant in the 7th Manchesters, is missing, presumed dead. Amy travels to the desolate battlefields of Northern France to learn his fate and recover his body. She’s warned that this open-air morgue is no place for a civilian, much less a woman, but she’s willing to brave the barbed wire, the putrid water, and the rat-infested tunnels that dot the landscape.

‘The sweetness of her glance—or rather, my evil star already in its ascendant and drawing me to my ruin—did not allow me to hesitate for a moment...’ So begins the story of Manon Lescaut, a tale of passion and betrayal, of delinquency and misalliance, which moves from early 18th-century Paris—with its theatres, assemblies, and gaming-houses—via prison and deportation to a tragic denouement in the treeless wastes of Louisiana. It is one of the great love stories, and also one of the most enigmatic.

Florence, New Year’s Day 1557. As dawn breaks, a painter is discovered lying on the floor of a church, stabbed through the heart. Above him, the paintings he laboured over for more than a decade. At his home, a hidden painting scandalously depicting Maria de Medici, daughter of the Duke and Duchess of Florence, as a naked Venus. Who is the murderer? Who is behind the painting? As the city erupts in chaos, Giorgio Vasari, the great art historian, is picked to lead the investigation.

Under the orders of Ireheart, now High King of the dwarves, a small delegation is sent to search for Tungdil Goldhand, the true High King, who many believe dead. Against all odds, Tungdil has survived his mission to the terrifying realm of Phondrasôn. But is he truly the legendary hero of the dwarves, or an impostor at the heart of a deeper conspiracy?

In our own time, when the dark threat of a dystopian world is not an alien or avoidable concept, The Last Man (1826) is revealed as a trailblazing novel. With a truly global view, Mary Shelley’s futuristic romain à clef–containing portraits of her husband Percy (Adrian), Lord Byron (Raymond) and several others–spearheaded the apocalyptic genre for an intimidated 19th-century readership that rejected her ‘diseased imagination’ and ‘polluted taste’.

Europe is racing towards the future. Steam travel is the emblem of progress; industry and invention are creating ever greater wealth and ever greater deprivation; and on an autumn day in 1895 a young woman determined to make her mark on history boards the Granville to Paris Express with a bomb.