Mostrando resultados por autor "Andrea Camilleri" en Todas las categorías

Quasi una vita, momento per momento, quelli più intensi che nel tempo acquistano ancora più vigore e ritornano in tutta la loro vividezza. Tanti incontri qui offerti nella forma del racconto, ognuno dei quali ha una luce, un'atmosfera e dei personaggi indimenticabili che hanno segnato soprattutto la giovinezza e l'adolescenza di Camilleri. Alcuni conosciuti negli anni più maturi, durante la sua carriera di regista teatrale e televisivo, molti altri sconosciuti, che ci riportano ai tempi del fascismo, della guerra.

The goats of Vigàta once grazed on the trash-strewn site still known as the Pasture. Now local enterprise of a different sort flourishes: drug dealers and prostitutes of every flavour. But their discreet trade is upset when two employees of the Splendour Refuse Collection Company discover the body of engineer Silvio Luparello, one of the local movers and shakers, apparently deceased in flagrante at the Pasture. The coroner's verdict is death from natural causes - refreshingly unusual for Sicily.

Tutto inizia con un cellulare spento. A telefonare è Ester, a non rispondere è Giulio, finito in ospedale a causa di un brutto tamponamento sulla via Aurelia. A riaccendere il telefonino, invece, è Giuditta, la moglie di Giulio, che ovviamente di Ester non sa nulla. Potrebbe essere l'inizio di una commedia rosa, ma il colore di questa storia è decisamente un altro: un testimone, infatti, sostiene che quello di Giulio non sia stato un incidente, ma un tentato omicidio, e la pratica passa dagli uffici dell'assicurazione a quelli del commissariato.

Feeling his age as his birthday rolls round once again, Inspector Montalbano decides to cheer himself up by dealing with a young driver's road rage in his own unique way. But his joy is short-lived, as at police headquarters he receives an angry phone call from a supermarket boss; there's been a robbery at his store, and Montalbano's colleague is treating him as a suspect. On arrival at the scene, Montalbano quickly agrees with Inspector Augello that this was no ordinary break-in.

This latest installment in the Inspector Montalbano series finds Montalbano in search of his missing right-hand man. Before leaving for vacation with Livia, Montalbano witnesses a seagull doing an odd dance on the beach outside his home - and then the bird suddenly drops dead. Stopping in at his office for a quick check before heading off, he notices that Fazio is nowhere to be found and soon learns that he was last seen on the docks, secretly working on a case.

Ein früher Anruf reißt Commissario Montalbano aus dem Schlaf. Er möge zu einem Treffen mit mehreren Freunden erscheinen, verlangt ein gewisser Riccardino - und legt auf. Kaum im Kommissariat angekommen, erreicht Montalbano die Nachricht von einem Mord auf offener Straße durch einen unerkannt geflohenen Täter. Als Montalbano die Identität des Opfers erfährt - ein Mann namens Riccardino -, fangen seine Probleme erst an.

Una joven hermosa, mujer de un médico boloñés, aparece muerta en el chalet de ambos. Pocas pertenencias la acompañaban en la escena del crimen, aparte de un misterioso violín guardado en su estuche. Su bolsa de joyas se ha esfumado y todas las miradas se centran en un pariente desequilibrado que ha desaparecido la misma noche del crimen. Montalbano, con su parsimonia habitual, inicia la investigación. No cree a nadie, no se fía de nadie. Tras la muerte de un sospechoso, sus superioresdan por cerrado el caso, pero él, ni hablar.

The Terracotta Dog, the second audiobook in Andrea Camilleri's Inspector Montalbano series, opens with a mysterious tête-à-tête with a mafioso, some inexplicably abandoned loot from a supermarket heist and some dying words that lead Inspector Montalbano to a secret grotto in a mountain cave where two young lovers, dead 50 years and still embracing, are watched over by a life-size terracotta dog.

A "wild west" tale of two brothers who battle both the state and a mafia empire in 1920s Italy, from famed Italian author Andrea Camilleri. Raffadali, province of Agrigento, 1920s. The Sacco brothers are free men with strong ideas about socialism and the state. Their lives change radically one morning when their father, Luigi Sacco, receives an anonymous letter from the local Mafia demanding protection money and is the victim of a robbery attempt. Luigi tells the police of the extortion letters he received, but the police don't know what to do.

1870s, Sicily. Much to the displeasure of Vigàta's stubborn populace, the town has just been unified under the Kingdom of Italy. They're now in the hands of a new government they don't understand and definitely don't like. Eugenio Bortuzzi has been named prefect for Vigàta, a regional representative from the Italian government to oversee the town. But the rowdy and unruly Sicilians don't care much for this rather pompous mainlander nor the mediocre opera he's hell-bent on producing in their new municipal theater.

While Vigàta is wracked by storms, Inspector Montalbano is called to attend the discovery of a dismembered body in a field of clay. Bearing all the marks of an execution-style killing, it seems clear that this is, once again, the work of the notorious local Mafia. But who is the victim? Why was the body divided into 30 pieces? And what is the significance of the Potter's field?

Things are not going well for Inspector Montalbano. His long-distance relationship with Livia is on the rocks, he feels himself getting even older and he's growing tired of the violence in his job. Then the dead body of a young woman is found in an illegal dump, with half her face missing. Her identity at first is unknown; a tattoo of a sphinx moth on her left shoulder links her with three other girls bearing the same mark, all recent Russian immigrants to Italy.

The lazy, slow month of August at the height of the Sicilian summer is, Inspector Montalbano assures his girlfriend, Livia, as they prepare for a relaxing holiday in a villa he has found for them, far too hot for any murders to be committed. But when Livia's friends' young son goes missing, a chain of events is sparked which will certainly ruin the Chief Inspector's pleasant interlude. A secret apartment and a grisly find in an old trunk are just the beginning as Montalbano navigates his way though the case and copes with the sweltering heat.

Un robo absurdo en un supermercado, el encarcelamiento un tanto estrambótico de un capo de la mafia, un asesinato cometido durante la Segunda Guerra Mundial. Sin embargo, a pesar de la firme determinación con que Montalbano afronta la resolución de estos casos, su auténtica pasión es descifrar el contenido simbólico que encierran. «Todo crimen conlleva un mensaje, la cuestión es conocer el código de quien lo ha escrito», le recuerda un excéntrico sacerdote al comisario.

En esta ocasión el comisario debe investigar el asesinato de un comerciante jubilado, cuya amante, una joven tunecina desaparecida tras el crimen, es objeto de todas las sospechas. Sin embargo, las pesquisas guían a Montalbano hacia el turbio mundo de los servicios secretos y su sucia guerra contra el terrorismo internacional. La razón de Estado se ve sometida a su implacable instinto de justicia, «quijotesco» según uno de los agentes secretos.

Chief Inspector Montalbano is on enforced sick leave. But when a local girl goes mysteriously missing, the whole community takes an interest in the case. Why are the kidnappers so sure that the girl's impoverished father and dying mother will be able to find a fortune? The ever-inquisitive Montalbano steps in, to get to the heart of the matter in his own inimitable style.

Montalbano's gruesome discovery of a naked young woman suffocated in her bed immediately sets him on a search for her killer. Among the suspects are her aging husband, a famous doctor; a shy admirer, now disappeared; an antiques-dealing lover from Bologna; and the victim's friend Anna, whose charms Montalbano cannot help but appreciate. But it is a mysterious, reclusive violinist who holds the key to this murder....

Maybe a phrase, a line, a hint somewhere would reveal a reason, any reason, for the elderly couple's disappearance. They'd saved everything.... There was even a copy of the 'certificate of living existence', that nadir of bureaucratic imbecility.... What was the protocol, to use a word dear to government offices? Did one simply write on a sheet of paper something like 'I, the undersigned, Salvo Montalbano, hereby declare myself to be in existence', sign it, and turn it in to the appointed clerk?

When a crazed elderly man and his sister begin firing bullets from their balcony down onto the Vigàta street below, Inspector Montalbano finds himself a reluctant television hero. A few days later, when a letter arrives containing a mysterious riddle, the Inspector becomes drawn into a perplexing treasure hunt set by an anonymous challenger. As the hunt intensifies, Montalbano is relieved to be offered the assistance of Arturo Pennisi, a young man eager to witness the detective's investigative skills firsthand.

Mimi Augello is visiting his lover when the woman's husband unexpectedly returns to the apartment. Hurriedly, he climbs out the window and into the downstairs apartment, but from one danger to another. In the dark he sees a body lying on the bed. Shortly afterwards another body is found and the victim is Carmelo Catalanotti, a director of bourgeois dramas with a harsh reputation for the acting method he developed for his actors: digging into their complexes to unleash their talent, a traumatic experience for all.