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Here are three important but very different Dialogues from the Middle Period. Symposium, the most well-known in this collection, is concerned with the theme of love. In the house of Agathon, a group of friends - each very different in personality and background - meet to consider and discuss various kinds of love. Each one, Phaedrus, Pausanias, Eryximachus, Aristophanes (the playwright) and Agathon (a prize-winning tragic poet), presents his particular view in a short discourse.

Gorgias of Leontini, a famous teacher of rhetoric, has come to Athens to recruit students, promising to teach them how to become leaders in politics and business. A group has gathered at Callicles' house to hear Gorgias demonstrate the power of his art. This dialogue blends comic and serious discussion of the best life, providing a penetrating examination of ethics.

We live in an era rife with cultural conflict. The 21st century is by no means free of wars, terrorism, riots, famine, nor epidemics. We may attempt to solve the challenges of our times by uniting the humanistic disciplines of philosophy, science, and technology. Our modern reality requires a fundamental understanding of the problems beleaguering our existence. Science and literature are key tools for gaining this insight. The wisdom accumulated throughout the centuries by scientists, philosophers, and writers is a solid foundation on which modern man can build the future.

This dialogue is a must-listen for anyone interested in ancient philosophy, cosmology, or metaphysics. Timaeus invites listeners to reflect on the deeper questions of life, existence, and the universe’s origins.

The Republic, Plato's masterwork, was first enjoyed 2,400 years ago and remains one of the most widely read books in the world. Presented as a dialogue between Plato's teacher Socrates and various interlocutors, it is an exhortation to philosophy, inviting its listeners to reflect on the choices to be made if we are to live the best life available to us. This complex, dynamic work creates a picture of an ideal society governed not by the desire for money, power or fame, but by philosophy, wisdom and justice.

In these four dialogues, Plato develops the Socratic belief in responsibility for one's self and shows Socrates living and dying under his philosophy. In Euthyphro, Socrates debates goodness outside the courthouse, Apology sees him in court, rebutting all charges of impiety, in Crito, he refuses an entreaty to escape from prison, and in Phaedo, Socrates faces his impending death with calmness and skillful discussion of immortality.

The Dialogues of Plato rank with the writings of Aristotle as the most important and influential philosophical works in Western thought. In them Plato cast his teacher Socrates as the central disputant in colloquies that brilliantly probe a vast spectrum of philosophical ideas and issues.

The Greek word sumposion means a drinking party (a fact shamefully ignored by the organizers of modern symposia), and the party described in Plato's Symposium is one supposedly given in the year 416 BC by the playwright Agathon to celebrate his victory in the dramatic festival of the Lenaea. He has already given one party, the previous evening; this second party is for a select group of friends, and host and guests alike are feeling a little frail.

Socrates is on trial for his life. He is charged with impiety and corrupting young people. He presents his own defense, explaining why he has devoted his life to challenging the most powerful and important people in the Greek world. The reason is that rich and famous politicians, priests, poets, and a host of others pretend to know what is good, true, holy, and beautiful, but when Socrates questions them, they are shown to be foolish rather than wise.

Plato's dialogue in the Symposium, which has as its topic the subject of love, explores the idea of love as a means of ascent to contemplation of the Divine. For Plato, generally, to love other human beings is to direct one's mind to love of Divinity. One proceeds from recognition of another's beauty to appreciation of Beauty as it exists apart from any individual, to consideration of Divinity, the source of Beauty, to love of Divinity.

This simplistic and ingenious allegory from one of the fathers of Western philosophy casts light on society’s naiveté and ignorance.

Plato was a philosopher in Classical Greece and the founder of the Academy in Athens, the first institution of higher learning in the Western world. He is widely considered the most pivotal figure in the development of philosophy, especially the Western tradition. Unlike nearly all of Plato's philosophical contemporaries, Plato's entire body of work is believed to have survived intact for over 2,400 years. The works which are most often assigned to Plato's early years are all considered to be Socratic dialogues, written from 399 to 387.

These two works together form the philosophical foundation of many Renaissance and modern esoteric traditions. Whether you're drawn to their spiritual cosmology or the mystery of Atlantis, Plato’s dialogues offer a timeless journey into human origins, political virtue, and metaphysical truth.

In The Republic, Plato tackles the big issues of the state and the individual: how the state should be ruled, and by whom; and the way the individual should lead his life - and why. The lively quality of the dialogue can be clearly appreciated in this new translation by Tom Griffith.

Two-time championship-winning and record-breaking racing driver Jason Plato is a living, breathing example of what you shouldn't do if you want to become a professional racing driver. Since joining the Williams Touring Car team in 1997 it's no coincidence that he has had more race wins than Lewis Hamilton and Stirling Moss, competed in more races than Jenson Button and set the largest number of fastest laps ever. But it's also no coincidence that he once spent several days in prison in Monaco for stealing a JCB.

What is love? In poetry, songs, fiction, movies, psychology, and philosophy, love has been described, admired, lamented, and dissected in endless ways. Is love based on physical attraction? Does it bring out our better selves? How does it relate to sex? Is love divine? Plato's Symposium is one of the oldest, most influential, and most profound explorations of such questions—it is even the source of the idea of "Platonic love."

In "Laws", Plato takes us on a journey to imagine the perfect society — not through dreamy ideals, but with real, practical ideas. The story happens on the island of Crete, where three wise men, including the Athenian Stranger, discuss how to create a city where people live together in peace and justice. Unlike Plato’s earlier works, this one isn’t about a perfect world led by kings, but about building a society that works for everyone.

The concept of justice and what constitutes "just" behavior has been a topic of philosophical conversation for centuries. Indeed, famed Greek philosopher Plato made it the very focus of his 10-book epic The Republic, in which he endeavored not only to give a working definition of the word "justice", but also to provide examples of justice in society, in the city-states, and in humankind. The Republic is written as a Socratic dialogue. In it, Socrates and other prominent figures have conversations regarding these topics.

Socrates is in prison, sentenced to die when the sun sets. In this final conversation, he asks what will become of him once he drinks the poison prescribed for his execution. Socrates and his friends examine several arguments designed to prove that the soul is immortal. This quest leads him to the broader topic of the nature of mind and its connection not only to human existence but also to the cosmos itself. What could be a better way to pass the time between now and the sunset? Plato lived in Athens, Greece.

"Phaedo", also known to ancient readers as "On the Soul", is one of the best-known dialogues of Plato's middle period, along with the "Republic" and the "Symposium". The "Phaedo", which depicts the death of Socrates, is also Plato's fourth and last dialogue to detail the philosopher's final day. In the dialogue, Socrates discusses the nature of the afterlife on his last day before being executed by drinking hemlock.