Mostrando resultados por autor "Peter Robinson" en Todas las categorías

In the early hours of the morning, a man reports a fire on two old canal boats. One of the firefighters notices the use of accelerant at the scene and calls the police, but by the time Inspector Banks arrives, the fire brigade have put out the flames and only the smouldering wreckage remains. A body has been found on each barge, and all the evidence points towards a deliberate arson attack.

It should have been a cosy scene: log fire, sheepskin rug, Vivaldi on the stereo, Christmas lights and tree. But appearances can be deceptive. For Caroline Hartley has been brutally murdered.

The gruesome double-murder at an Eastvale property developer’s luxury home should be an open and shut case for Superintendent Alan Banks and his team of detectives. There’s a clear link to the notoriously vicious Albanian mafia, men who left the country suspiciously soon after the murder. When Banks and his team find a cache of spy-cam videos hidden in the house, the investigation pivots to another violent crime that could cast the murders in an entirely different light.

When he receives a mysterious and disturbing telephone call from his brother, Roy, Inspector Alan Banks heads off to London to search him out. Meanwhile, DI Annie Cabbot is called to a murder scene on a quiet stretch of road just outside Eastvale. A young woman has been found dead in her car, with Banks' name and address written on a slip of paper in the back pocket of her jeans.

Thirty-five The Hill is an ordinary house in an ordinary street, owned by an apparently ordinary young couple. But it is about to become infamous. For when Police Constables Janet Taylor and Dennis Morrisey are sent to the house following a report of a domestic disturbance, they stumble upon a truly horrific scene - a scene which leaves one of them dead and the other fighting for her life and career.

Detective Inspector Alan Banks relationship with Chief Constable Riddle has always been strained. So Banks is more than a little surprised when Riddle summons him late one night and begs for his help. For Riddle, Banks' new case is terrifyingly close to home. Six months ago, his 16-year-old daughter ran away to London, where she has fallen into a turbulent world of drugs and pornography. With his reputation threatened, Riddle wants Banks to use his unorthodox methods to find her without fuss.

On a balmy June night, Kirsten, a young university student, strolls home through a silent moonlit park. Suddenly her tranquil mood is shattered as she is viciously attacked. When she awakes in hospital, she has no recollection of that brutal night. But then, slowly and painfully, details reveal themselves: dreams of two figures, one white and one black, hovering over her...wisps of a strange and haunting song...the unfamiliar texture of a rough and deadly hand.

During a blistering summer, drought has depleted the precious resources of Thornfield Reservoir, uncovering the remains of a small village called Hobb's End: hidden from view for over 40 years. For a curious young boy this resurfaced hamlet has become a magical playground...until he unearths a human skeleton.

A faceless corpse is discovered in a tranquil, hidden valley below the village of Swainshead. And when Chief Inspector Alan Banks arrives, he finds that no-one is willing to talk. Banks' frustration only grows when the identity of the body is revealed. For it seems that his latest case may be connected with an unsolved murder in the same area five years ago. Among the silent suspects are the Collier brothers, the wealthiest and most powerful family in the village.

It was 2.47 a.m. when Chief Inspector Alan Banks arrived at the barn and saw the body of Keith Rothwell for the first time. Only hours earlier, two masked men had walked the mild-mannered accountant out of his farmhouse and clinically blasted him with a shotgun.

The body of a well-liked local historian is found half-buried under a wall near the village of Helmthorpe, Swainsdale. Who on earth would want to kill such a thoughtful, dedicated man? Penny Cartwright, a beautiful folk singer with a mysterious past, a shady land-developer, Harry's editor, and a local thriller writer are all suspects, and all are figures from Harry's previous, idyllic summers in the dale. A young girl, Sally Lumb, knows more than she lets on, and her knowledge could lead to danger.

The third volume in this unabridged chilling collection of short tales from the author of the bestselling Inspector Banks series. Peter Robinson is one of the crime world's finest stylists. This is a collection that will explore our hidden paranoia, challenge all that we take for granted, lure us to new, exotic places - only to make us wish we could run back home, and keep us up all night just waiting for the safety of the dawn.

The second volume in this unabridged chilling collection of short tales from the author of the best-selling Inspector Banks series. Peter Robinson is one of the crime world's finest stylists. This is a collection that will explore our hidden paranoia, challenge all that we take for granted, lure us to new, exotic places - only to make us wish we could run back home, and keep us up all night just waiting for the safety of the dawn.

The first volume in this unabridged chilling collection of short tales from the author of the best-selling Inspector Banks series. Peter Robinson is one of the crime world's finest stylists. This is a collection that will explore our hidden paranoia, challenge all that we take for granted, and lure us to new, exotic places - only to make us wish we could run back home, and keep us up all night just waiting for the safety of the dawn.

In the usually peaceful town of Eastvale, a simmering tension has now reached breaking point. An anti-nuclear demonstration has ended in violence, leaving one policeman stabbed to death. Fired by professional outrage, Superintendent "Dirty Dick" Burgess descends with vengeful fury on the inhabitants of "Maggie's Farm", an isolated house high on the daleside.

Kriminalkommissær Alan Banks havde nær mistet livet, da en påsat brand raserede hans hjem. Nu er han ved at komme til hægterne, men et foruroligende opkald fra hans bror, Roy, efterladt på Banks' telefonsvarer, gør det umuligt at holde orlov fra politiarbejdet. Alan Banks tager til London, men Roy er forsvundet. Hans hjem er ulåst og computerudstyr er fjernet. Alan Banks tøver med at kontakte politiet, han har mistanke om, at Roys forretningsforbindelser ikke tåler dagens lys. Samtidig bliver vicekriminalkommissær Annie Cabbot, Alan Banks' kollega og tidligere kæreste, sat på en mordsag.

En flok drenge leger uskyldigt i nærheden af Hindswell Woods, da de til deres gru opdager, at en mand har hængt sig i et træ. Manden viser sig at være en yngre, succesfuld scenograf ved navn Mark Hardcastle. Alt tyder på selvmord, men hvorfor dog tage sit liv, når man er på toppen af sin karriere?

When two social workers investigating reports of child abuse appear at Brenda Scupham's door, her fear of authority leads her to comply meekly with their requests - even when they say that they must take her seven-year-old daughter Gemma away for tests. It is only when they fail to return Gemma the following day that Brenda realises something has gone terribly wrong.

Chief Inspector Banks is back - in an original tale that makes up part of a new crime collection of seven short stories by Peter Robinson, never published in the UK before. With settings ranging from the Pacific Northwest in the Sixties to the Yorkshire of the Second World War and present-day Toronto to Eastvale at Christmas, these stories feature hippies, policemen and models, little girls dancing ballet, PIs and soldiers.

Wednesday's Child is the sixth novel in Peter Robinson's Inspector Banks series, following on from Past Reason Hated. When two social workers, investigating reports of child abuse, appear at Brenda Scupham's door, her fear of authority leads her to comply meekly with their requests. Even when they say that they must take her seven-year old daughter, Gemma, away for tests.... It is only when they fail to return Gemma the following day that Brenda realises something has gone terribly wrong.